A witty and eclectic tour of some of the more arcane byways of literature. Illustrated throughout. How much heavier was Thackeray’s brain than Walt Whitman’s? Which novels do American soldiers read? When did cigarettes start making an appearance in English literature? In Curiosities of Literature, John Sutherland contemplates the full import of questions such as these, and attempts a few answers in a series of essays that are both witty and eclectic. An account of the fast-working Mickey Spillane, for example, leads to a consideration of the substances, both legal and illegal, that authors have employed to boost their creative energies. An essay on good and bad handwriting points out in passing that Thackeray could write the Lord’s Prayer on the back of a stamp. As for Mary Shelley, a brief recital of the circumstances in which she wrote Frankenstein stops off to consider what impact the miserable summer weather of 1816 had on the future path of English literature. It’s debatable, of course, whether knowledge of these arcane topics adds to the wisdom of nations. It does highlight the random pleasures in reading literature and reading about it. As John Sutherland rightly asks, “Why else read?” From the Hardcover edition.

Curiosities of Literature: A Book-lover's Anthology of Literary Erudition

Sutherland, John

Reference

Arrow

Features a blend of statistical process control (SPC) and design of experiments (DOE) concepts and methods for quality design and improvement. The book places particularly strong emphasis on proper methods for data collection, control chart construction and interpretation, and fault diagnosis for process improvement.

Statistical Quality Design and Control: Contemporary Concepts and Methods

Science & Math

DeVor, Richard

Chang, Tsong-how

Mathematics

Pearson

A biography of a remarkable writer - a hero of the 1930s - a panoramic portrait of a troubled century. Seven years after Spender's death, John Sutherland offers the first authorized life of this brilliant, but famously enigmatic, man. As wellas knowing him personally Sutherland has had unhindered access to archive material and living witnesses to Spender's career. From the portrait of Spender's cosmopolitan family, to the breakaway years in 1930s Weimar Germany, where his comrades in exile were W.H. Auden and Christopher Isherwood; through the war, to the postwar years of international celebrity, this biography offers a full, and unvarnished image of Spender and of his extraordinary times.

Stephen Spender: The Authorized Biography

Biographies & Memoirs

Penguin Uk

The Literary Detective is an omnibus edition of John Sutherland's three best-selling collections of literary puzzles, Is Heathcliffe a Murderer?, Can Jane Eyre be Happy?, and Who Betrays Elizabeth Bennet? Investigating a variety of anomalies, enigmas, and conundrums such as 'Why does Robinson Crusoe find only one footprint?' and 'Where does Fanny Hill keep her contraceptives?', Professor Sutherland explores the questions readers often ask and critics rarely discuss. His forensic skills focus on authors from Defoe and Fielding to Wells and Woolf, relishing in particular the nineteenth-century novelists, Austen, Collins, Dickens, and the Brontes. By addressing 'real world' questions John Sutherland has brought lit. crit. Down from the rarefied heights of academe and into the everyday discourse of ordinary readers, who bring their own expertise to bear on these novels. In his introduction he quotes from some of the many letters he has received, which demonstrate that we can all be astute and entertaining critics. The 'Sherlock Holmes of Literature', as he has been called, John Sutherland reminds us of the sheer pleasure and excitement that good books inspire, and of their endless ability to surprise and delight us.

The Literary Detective: 100 Puzzles in Classic Fiction (Oxford World's Classics)

Literature & Fiction

United States

Oxford Univ. Pr.

How well do you really know your favorite author? In this new book, ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge you to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. The questions are ingenious and fun, and the answers (located in the back of the book), in Sutherland's inimitable style, are fascinating. Completing the book guarantees a hugely improved knowledge and appreciation of Austen. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it.

So You Think You Know Jane Austen?: A Literary Quizbook (Oxford World's Classics)

Humor & Entertainment

Le Faye, Deirdre

Puzzles & Games

Oxford University Press

How well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland challenges the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? From Bathsheba's valentine to Tess's favourite cows, the subjects range across six of Hardy's most popular novels. Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Thomas Hardy, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, "So You Think You Know Thomas Hardy? " guarantees you will know him much better after reading it.

So You Think You Know Thomas Hardy?: A Literary Quizbook (Oxford World's Classics)

In this quirky and intriguing book, John Sutherland has conveniently gathered together thirty-four nagging little questions, puzzles, errors, and enigmas from some of the best-loved examples of Victorian fiction. Readers often have stumbled upon seeming mysteries in their favorite novels. Why, for example, is the plot of The Woman in White irrevocably flawed? (The timing of the crime is off.) Is the hero of George Eliot's Middlemarch illegitimate? (Probably, although he was later legitimized.) Why does the otherwise sensible Jane Eyre give in to a sudden and unexplained outburst of superstition? (Charlotte Bronte, in reality, had a similar experience.) What is the real reason we find The Picture of Dorian Gray so disturbing? (There is an overwhelming emphasis on the sense of smell.) These answers and more can all be found in John Sutherland's entertaining and maddening book. When it comes to literary criticism there's really nothing quite like the joys of close reading and good-natured inquiry. This is the spirit in which Is Heathcliff A Murderer was conceived and executed. Rather than trying to catch great authors in mistakes, Sutherland usually turns up perfectly plausible reasons for the seeming anomalies. Everyone who reads nineteenth-century novels will thoroughly enjoy John Sutherland's exploration of the seemingly unanswered, and each chapter is a direct link to one of Oxford's World's Classics.

Is Heathcliff a Murderer?: Great Puzzles in Nineteenth-Century Fiction (The ^AWorld's Classics)

British & Irish

Victorian novelist Mary Ward, best known to her contemporaries as Mrs. Humphry Ward, was one of the most successful and complex women of the 19th and early 20th centuries. Born into the powerful but patriarchal dynasty of Thomas Arnold of Rugby, she lived at the center of an intellectual and cultural circle peopled by such eminent figures as Mark Pattison, Thomas Huxley, and Charles Darwin. Her novel Robert Elsmere (1888), the first in a series of bestsellers, earned her both unprecedented sums of money and the critical respect of such writers as Henry James. She helped found Somerville College, Oxford, the University's first institution of higher education of women, and helped create a number of play centers for the children of London's working poor. And as the first woman reporter to enter the trenches in 1916, she wrote articles that were instrumental in bringing America into the war. In Mrs. Humphry Ward, John Sutherland explores a goldmine of materials never before available to recapture a fascinating life, one in which extraordinary achievements were often overshadowed by private misfortune. Sutherland describes how Ward's parents' marriage was shattered by her father's religious peregrinations (an Anglican, he converted to Roman Catholicism, then returned to the Church of England, then became a Catholic again), how her own remarkable success placed considerable stress on her marriage, and how all her resources (both financial and emotional) went to support a renegade, spendthrift, and disappointing son. And he also sheds light on one of the great paradoxes of this accomplished woman's life--that she led the fight to block woman's suffrage. Throughout, Sutherland writes movingly of the private life of a remarkable public figure. A fascinating study of how much a woman could and could not do in the Victorian and Edwardian eras, this engaging biography illuminates the intellectual climate of the late 19th century.

Mrs. Humphry Ward: Eminent Victorian, Pre-eminent Edwardian

Business & Money

Management & Leadership

The exciting sequel to the enormously successful Is Heathcliff A Murderer?, John Sutherland's latest collection of literary puzzles, Can Jane Eyre Be Happy? turns up unexpected and brain-teasing aspects of the range of canonical British and American fiction represented in the World's Classics list. With bold imaginative speculation he investigates thirty-four literary conundrums, ranging from Daniel Defoe to Virginia Woolf. Covering issues well beyond the strict confines of Victorian fiction, Sutherland explores the questions readers often ask but critics rarely discuss: Why does Robinson Crusoe find only one footprint? How does Magwitch swim to shore with a great iron on his leg? Where does Fanny Hill keep her contraceptives? Whose side is Hawkeye on? And how does Clarissa Dalloway get home so quickly? As in its universally well received predecessor, the questions and answers in Can Jane Eyre Be Happy? are ingenious and convincing, and return the reader with new respect to the great novels they celebrate.

Can Jane Eyre Be Happy?: More Puzzles in Classic Fiction (The ^AWorld's Classics)

In this quirky and intriguing book, John Sutherland has conveniently gathered together thirty-four nagging little questions, puzzles, errors, and enigmas from some of the best-loved examples of Victorian fiction. Readers often have stumbled upon seeming mysteries in their favorite novels. Why, for example, is the plot of The Woman in White irrevocably flawed? (The timing of the crime is off.) Is the hero of George Eliot's Middlemarch illegitimate? (Probably, although he was later legitimized.) Why does the otherwise sensible Jane Eyre give in to a sudden and unexplained outburst of superstition? (Charlotte Bronte, in reality, had a similar experience.) What is the real reason we find The Picture of Dorian Gray so disturbing? (There is an overwhelming emphasis on the sense of smell.) These answers and more can all be found in John Sutherland's entertaining and maddening book. When it comes to literary criticism there's really nothing quite like the joys of close reading and good-natured inquiry. This is the spirit in which Is Heathcliff A Murderer was conceived and executed. Rather than trying to catch great authors in mistakes, Sutherland usually turns up perfectly plausible reasons for the seeming anomalies. Everyone who reads nineteenth-century novels will thoroughly enjoy John Sutherland's exploration of the seemingly unanswered, and each chapter is a direct link to one of Oxford's World's Classics.

Is Heathcliff a Murderer?: Great Puzzles in Nineteenth-Century Fiction (Oxford World's Classics)

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