When Catherine's world-travelling son Ryan dies suddenly overseas, she is left reeling. For so long, it was just Ryan and her; now her foundation is ruptured. She's never quite found the stability and comfort she needs from her husband, Jack, and now he's all she has. Ryan's girlfriend, Kate, stays overseas, away from Catherine and Jack and all the memories of her and Ryan's life on Prince Edward Island. She doesn't want to move forward; what if she leaves Ryan behind? But both Kate and Catherine feel an echo of the truth: Ryan is still around, lighter than air and floating on the wind, a sentient soul trying to make sense of an unexpected transition to what feels like the ultimate freedom. Listening in on his own funeral, hopping around the planet to join in the pipe bands of his dreams...he has found the bright side of his floating days. With his invisible but palpable presence, can he help his mother, his stepfather, and his love find a new path forward...together? A light in the darkness, The Floating Days explores one family's attempt to make sense of tragedy as they discover that perhaps true freedom is the beautiful, brief time we share on earth with the people we love.

The Floating Days

Literature & Fiction

Susan Rodgers

Genre Fiction

Acorn Press

Power and Gold: Jewelry from Indonesia, Malaysia, and the Philippines: From the Collection of the Barbier-Muller Museum, Geneva

Arts & Photography

Collections, Catalogs & Exhibitions

Asia Society

Songket textiles are gleaming prestige cloths created when hand-loom weavers add metal-wrapped threads across the weft to build up intricate motif bands of geometric and botanical designs. The supplementary wefts are gold-wrapped silk or fine cotton yarns; silver-wrapped threads are also found in some of Indonesia's old songket weaving regions. Employing a weaving technique that is hundreds of years old in Malaysia, Sumatra, coastal Kalimantan, and east Bali and nearby islands, songket artistry is a thriving, living, even expanding art form, asthis textile type captures the attention of new markets in an Indonesian public culture that is both tradition-minded and obsessed with modernity and middle class success.Gold Cloths of Sumatra combines the interpretive approaches of textile scholarship and cultural anthropology to explore songket aesthetics, as this remarkable shining gold cloth moves beyond ceremonial contexts to become a "hot item" as a marketable commodity, for sale as heritage textile and collectible. Chapters focus on contemporary songket craft by Minangkabau, Palembang, and Jambi weavers, set against a background of nineteenth-century songket weaving excellence. As commodities, present-day Sumatran songkets show high levels of weaving creativity and technical brilliance, making songkets a resilient art.

Gold Cloths of Sumatra: Indonesia's Songkets from Ceremony to Commodity

John Summerfield

Anne Summerfield

History & Criticism

BRILL

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Books by Susan Rodgers