The Oxford Handbook of Scottish Theatre (Oxford Handbooks)

Literature & Fiction

Walker, Greg

Stevenson, Randall

Dramas & Plays

Oxford University Press

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. In the 1960s literature began to throw off its post-war weariness. New voices, new visions, and new commitments emerged and continued to reshape writing profoundly and excitingly throughout the rest of the century. Critics have scarcely begun to chart the scale and diversity of these changes. This new volume in The Oxford English Literary History maps them comprehensively. It also identifies the historical, social and intellectual pressures which brought them about. Throughout, literary developments are dexterously related to the wider evolution of English experience in the late twentieth century--to shadows of war and loss of empire; declining influences of class; shifting relations between the genders; emergent minority and counter-cultures; the broadening democratization of contemporary life in general. Analyses of the rise of literary theory, of publishing and the book trade, and of the pervasive influences of modernism and postmodernism contribute further to an impressively comprehensive, insightful account of this period--a far more imaginative and exciting one for English writing than has yet been generally recognized.

The Oxford English Literary History: Volume 12: 1960-2000: The Last of England?

British & Irish

The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more.Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers.In the 1960s literature began to throw off its post-war weariness. New voices, new visions, and new commitments emerged and continued to reshape writing profoundly and excitingly throughout the rest of the century. Critics have scarcely begun to chart the scale and diversity of these changes. This new volume in The Oxford English Literary History maps them comprehensively. It also identifies the historical, social and intellectual pressures which brought them about. Throughout, literary developments are dexterously related to the wider evolution of English experience in the late twentieth century--to shadows of war and loss of empire; declining influences of class; shifting relations between the genders; emergent minority and counter-cultures; the broadening democratization of contemporary life in general. Analyses of the rise of literary theory, of publishing and the book trade, and of the pervasive influences of modernism and postmodernism contribute further to an impressively comprehensive, insightful account of this period--a far more imaginative and exciting one for English writing than has yet been generally recognized.

Literature and the Great War 1914-1918 (Oxford Textual Perspectives)

Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works.The Great War shaped the modern world, and much of its literary imagination. Literature and the Great War insightfully reassesses this impact, analysing a wide range of authors, both established and less well-known, and re-examining critical judgements, popular assumptions - even 'myths' - about war writing that have developed in the century or so that has followed. By looking at all genres of Great War writing in a single volume, the study allows reconsideration of the relative merits of the period's much-praised poetry and its generally less celebrated narrative texts. Randall Stevenson looks far beyond the work of soldier-authors, considering also the role of an older generation of writers - ones whose reputations were established before the war began - as well as the impact of war on the modernist imagination developing afterwards, in the 1920s. Literature and the Great War examines the context in which this literature was produced. Taking into consideration military life, the role of newspapers, war correspondents, politicians and propagandists. The unintelligible violence of the Great War placed a huge amount of pressure on the language, imagination, and textual practice of all who attempted to describe it. Incisively reconsidering these fundamental issues, Literature and the Great War challenges and rejuvenates approaches to its subject, redefining the interconnections of history, culture, and literary imagination in the early decades of the twentieth century.

Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. The Great War shaped the modern world, and much of its literary imagination. Literature and the Great War insightfully reassesses this impact, analysing a wide range of authors, both established and less well-known, and re-examining critical judgements, popular assumptions - even 'myths' - about war writing that have developed in the century or so that has followed. By looking at all genres of Great War writing in a single volume, the study allows reconsideration of the relative merits of the period's much-praised poetry and its generally less celebrated narrative texts. Randall Stevenson looks far beyond the work of soldier-authors, considering also the role of an older generation of writers - ones whose reputations were established before the war began - as well as the impact of war on the modernist imagination developing afterwards, in the 1920s. Literature and the Great War examines the context in which this literature was produced. Taking into consideration military life, the role of newspapers, war correspondents, politicians and propagandists. The unintelligible violence of the Great War placed a huge amount of pressure on the language, imagination, and textual practice of all who attempted to describ

History & Criticism

Surveying the development of the novel in Britain throughout the 20th century, this guide includes comentary on all the major novelists of the period, as well as a large number of the less well known. Introducing the reader to a range of novels in this way, the book also locates the work of individual authors within the evolving literary history, and the wider contexts of social, political and cultural change, which have shaped writing in the 20th century.

A Reader's Guide to the Twentieth-century Novels in Britain

Pearson Professional Education

Modernist Fiction: An Introduction

World Literature

University Press of Kentucky

The last two decades have seen a new renaissance in Scottish literary culture in which the Scottish novel has attained new heights of maturity, confidence and challenge. The Scottish Novel since the Seventies is the first major critical reassessment of the developments in this period. Ranging from the work of longer-established authors such as Robin Jenkins, Muriel Spark and William McIlvanney to the more recent experiments of Alasdair Gray, James Kelman and Janice Galloway, it provides a new critical focus on the intriguing relationship between continuity and innovation which characterises the novel's response to the complex changes in Scottish culture and society during the past twenty years. The contributors assess the work of an extensive number of writers in the context of a correspondingly wide range of issues: gender, postmodernism, political identity, archaism and myth, and the theme of disintegration. There are also chapters on the continuing growth of the 'Glasgow novel' and film adaptatio

The Scottish Novel since the Seventies (Modern Scottish Writers)

Wallace, Stuart

Edinburgh University Press

To many writers of the early twentieth century, modernism meant not only the reshaping or abandonment of tradition but also an interest in psychology and in new concepts of space, time, art, and language. Randall Stevenson's important new analysis of the genre presents a lucid, comprehensive introduction to modernist fiction, covering a wide range of writers and works. Drawing on narrative theory and cultural history, Stevenson offers fresh insights into the work of such important modernists as Henry James, Joseph Conrad, Ford Madox Ford, D.H. Lawrence, Wyndham Lewis, Dorothy Richardson, May Sinclair, Virginia Woolf, and James Joyce. In addition he discusses the work of Marcel Proust, an important figure in the development of modernism in Europe. This illuminating book places the new imagination of the modernist age in its historical context and looks at how and why the pressures of early twentieth century life led to the development of this distinctive and influential literary form. This accessible account of modernism, modernity, and the novel will be welcomed by students, scholars, and general readers alike.

Reference

A Reader's Guide to the Twentieth-century Novel in Britain

A Reader's Guide to the Twentieth-Century Novel in Britain

Univ Pr of Kentucky

See the best price to sell, buy, or rent books by Stevenson, Randall. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Stevenson, Randall

See the best price to sell, buy, or rent books by Stevenson, Randall. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Oxford Handbook of Scottish Theatre (Oxford Handbooks)

The Oxford English Literary History: Volume 12: 1960-2000: The Last of England?

The Oxford English Literary History: Volume 12: 1960-2000: The Last of England?

Literature and the Great War 1914-1918 (Oxford Textual Perspectives)

Literature and the Great War 1914-1918 (Oxford Textual Perspectives)

A Reader's Guide to the Twentieth-century Novels in Britain

Modernist Fiction: An Introduction

The Scottish Novel since the Seventies (Modern Scottish Writers)

Modernist Fiction: An Introduction

A Reader's Guide to the Twentieth-Century Novel in Britain