This publication is the first to appear in a major new series of catalogues covering all the Western medieval illuminated manuscripts in Cambridge, excluding only the separately catalogued manuscripts in the University Library. The catalogue entries, based on the most recent studies undertaken by the Cambridge Illuminations Research Project, are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. While the focus of the catalogue is on the illumination, all decoration and ornamentation being listed in detail, entries also include much information on codicology, on texts and on provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images which are all reproduced in full colour.

Illuminated Manuscripts in Cambridge, Part One: The Frankish Kingdoms, the Low Countries and Germany (Egyptian and English Edition)

Arts & Photography

Stella Panayotova

Nigel Morgan

History & Criticism

Harvey Miller Publishers

This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists' collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory Tables and Diagrams.

Art and Science (Manuscripts in the Making) (Manuscripts in the Making, 1)

This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists' collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory Tables and Diagrams.

Art and Science (Manuscripts in the Making) (Manuscripts in the Making, 2)

The results achieved by the research of the pioneering MINIARE research project based at the Fitzwilliam Museum in Cambridge led to the ground-breaking and acclaimed 2016 exhibition "COLOUR: The Art and Science of Illuminated Manuscripts." This was followed by an international Conference, in which art historians, paper and book conservators, and cultural heritage scientists were brought together to share new recent research not only on manuscripts but also on painting in other media. The Conference proceedings were published in the first two volumes of the HMMIMA series (2017-2018). The present publication includes 6 Essays by way of introducing and explaining the major topics being investigated, including the range of inks, pigments and paint binders used by illuminators; parchment-making; pigment recipes; and model books. The many analytical instruments and techniques that are used to investigate manuscripts are also discussed. Then follow 58 Case Studies of manuscripts from as early as the year 700 up to c.1600. All these are fully illustrated in colour and in great detail, and should act as examples to inform scholars in libraries, museums and other cultural institutions of the benefits of adding scientific tools to the range of methods used to investigate manuscripts.

The Art & Science of Illuminated Manuscripts: A Handbook (Manuscripts in the Making)

Harvey Miller

See the best price to sell, buy, or rent books by Stella Panayotova. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Stella Panayotova

See the best price to sell, buy, or rent books by Stella Panayotova. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Illuminated Manuscripts in Cambridge, Part One: The Frankish Kingdoms, the Low Countries and Germany (Egyptian and English Edition)

Art and Science (Manuscripts in the Making) (Manuscripts in the Making, 1)

Art and Science (Manuscripts in the Making) (Manuscripts in the Making, 2)

The Art & Science of Illuminated Manuscripts: A Handbook (Manuscripts in the Making)