Through the magic of words and pictures leaps a book that's not only playful as a puppy -- it IS a puppy! Honest.

Open Me...I'm a Dog

Spiegelman, Art

Arts & Photography

Harpercollins

The second groundbreaking anthology from the New York Times best-selling team of Art Spiegelman and Francoise Mouly is here! The everyday world is turned upside down and the ordinary becomes extraordinary in this collection of the strangest tales. From Art Spiegelman's The Several Lives of Selby Sheldrake to Maurice Sendak's Cereal Baby Keller to Jules Feiffer's Trapped in a Comic Book, these stories are sure to entice any young reader. Also included are comics and features by Ian Falconer and David Sedaris, Paul Auster and Jacques de Loustal, Crockett Johnson, Richard McGuire, and Barbara McClintock, a puzzle by Lewis Trondheim, and make-your-own comic-book endpapers from Kaz. Little Lit Strange Stories for Strange Kids continues the tradition of bringing the pleasure of books and reading into the hands and minds of kids.

Strange Stories for Strange Kids (Little Lit, Book 2)

Children's Books

Mouly, Françoise

Humor

HarperColl

Some historical events simply beggar any attempt at description--the Holocaust is one of these. Characterising the Nazis as cats and the Jews as mice, this book recounts, through a complex and sustained allegory the experiences of the author's father in Auschwitz during WWII.

Maus: My Father Bleeds History Pt. 1: A Survivor's Tale (Penguin Graphic Fiction)

History & Criticism

Penguin Books, Ltd.

The Complete Maus

Penguin

Maus: A Survivor's Tale

Biographies & Memoirs

Community & Culture

Deutsch

Acclaimed as a "quiet triumph"* and a "brutally moving work of art,"** the first volume of Art Spiegelman's Maus introduced readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. As the New York Times Book Review commented," [it is] a remarkable feat of documentary detail and novelistic vividness...an unfolding literary event."This long-awaited sequel, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father.Vladek's troubled remarriage, minor arguments between father and son, and life's everyday disappointments are all set against a backdrop of history too large to pacify. At every level this is the ultimate survivor's tale -- and that too of the children who somehow survive even the survivors.

Maus II: And Here My Troubles Began

Carlton Books, Limited

The paperback boxed set of the Pulitzer Prize-winning graphic novel in its original two-volume format, re-released to include a sixteen-page booklet designed by the artist. Acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal), Maus is considered "the first masterpiece in comic book history" (The New Yorker).

Maus I & II Paperback Box Set

Comics & Graphic Novels

Manga

VIKIN

"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord." 
- The New York Times 
Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party , a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets. 
Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

Wild Party

VIKING

In the Shadow of No Towers

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey—with his singular artistry and his characteristic provocation, outrage, and wit—the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

Pantheon

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Books by Spiegelman, Art