There is hardly an aspect of internet music promotion, sale and distribution which does not have a legal dimension. Since the stakeholders in the process includes artists, their managers, music publishers, record companies, distribution companies and the consumer, the law relating to internet music distribution is extremely complex. Andrew Sparrow's Music Distribution and the Internet provides those connected to the music and media industries with a guide to the legal requirements they must meet, answering questions such as: ¢ How should you conclude contracts with consumers over the internet? ¢ What are the various legal terms and conditions that should govern the sale of physical product to online music buyers? ¢ How should a website user's personal information be handled? ¢ What limitations are there on the way this data may be used for ongoing marketing of an artist's work or the merchandise associated with it? ¢ What are the latest copyright laws in this area and how do they apply to the internet? The book provides practical advice on how to approach key relationships with the internet buying consumer and other online media providers. The law is explained in straightforward terms and applied throughout in a music business context. Music Distribution and the Internet is an essential reference for anyone seeking to exploit and protect their rights and those of their artists in the rapidly expanding, constantly evolving and fascinating arena that is new media.

Music Distribution and the Internet: A Legal Guide for the Music Business

Sparrow, Andrew

Reference

Routledge

There is no area of business that is more dramatically affected by the explosion of web-based services delivered to computers, PDAs and mobile phones than the film and television industries. The web is creating radical new ways of marketing and delivering television and film content; one that draws in not simply traditional broadcasters and producers but a whole new range of organizations such as news organizations, web companies and mobile phone service providers. This companion volume to Andrew Sparrow's Music Distribution and the Internet: A Legal Guide for the Music Business focuses on the practical application of UK and EU law as it applies to the distribution of television and film through the internet. This includes terms of contract and copyright as they affect studios, broadcasters, sales agents, distributors, internet service providers, film financiers, and online film retailers; as well as areas such as the licensing of rights. It also covers the commercial aspects of delivering film and television services to a customer base, including engaging with new content platforms, strategic agreements with content aggregators, protecting and exploiting intellectual property rights, data and consumer protection, and payment, online marketing and advertising. The opportunities for companies operating in this area are extraordinary (as are the legal implications) and Andrew Sparrow's highly practical guide provides an excellent starting point for navigating through what is a complex area of regulation, contract, copyright and consumer law.

Film and Television Distribution and the Internet: A Legal Guide for the Media Industry

There is no area of business that is more dramatically affected by the explosion of web-based services delivered to computers, PDAs and mobile phones than the film and television industries. The web is creating radical new ways of marketing and delivering television and film content; one that draws in not simply traditional broadcasters and producers but a whole new range of organizations such as news organizations, web companies and mobile phone service providers. This companion volume to Andrew Sparrow's Music Distribution and the Internet: A Legal Guide for the Music Business focuses on the practical application of UK and EU law as it applies to the distribution of television and film through the internet. This includes terms of contract and copyright as they affect studios, broadcasters, sales agents, distributors, internet service providers, film financiers, and online film retailers; as well as areas such as the licensing of rights. It also covers the commercial aspects of delivering film and television services to a customer base, including engaging with new content platforms, strategic agreements with content aggregators, protecting and exploiting intellectual property rights, data and consumer protection, and payment, online marketing and advertising. The opportunities for companies operating in this area are extraordinary (as are the legal implications) and Andrew Sparrow's highly practical guide provides an excellent starting point for navigating through what is a complex area of regulation, contract, copyright and consumer law.

The term 'User-Generated Content' has come to be adopted for everything from Flickr photos and YouTube videos to blog comments, Twitter posts and reviews on Yelp or Amazon. You only have to consider today's best known websites from YouTube and Google to MySpace and Facebook, eBay and Wikipedia to see the success of such websites. There has been a shift from 'one-way' portals to the user content frameworks we now rely upon. There are significant implications for corporate life and for media. However there are legal issues which relate to current UGC activity and there are laws which will govern emerging business models which are formed to cater for UGC engagement. User-generated media is creating new patterns in content aggregation and composition that capture and distribute human intellect in ways that are fundamentally different. From news gathering -which bring forth impartiality issues, for example, the recent Iranian unrest and the role of social networks, to travel and hotel guide uploads from consumers, questions needs to be asked - Where does legal liability begin and end? If UGC causes loss, who can sue and is the originator liable? This book examines how the law can both control and ensure positive development of user generated models on the Internet.

User-Generated Content and the Law

Business & Money

Management & Leadership

Sparrow's account of over three centuries of Parliamentary reporting brings in literary giants such as Samuel Johnson and Charles Dickens (who worked as a reported in Parliament in the 1830s) as well as covering major developments in how reporting was carried out - and press coverage.

Obscure Scribblers: A History of Parliamentary Journalism

Politics & Social Sciences

Social Sciences

Politicos

This book provides an overview of the English law treatment of the internet, which is heavily influenced by the EU, and contrasts it where appropriate to American legal governance. The book examines issues including online contractual formation, privacy law across geographical borders, electronic signatures, online marketing and consumer sales over the internet. The book is essential reading for businesses in both lands.

The Law Of Internet And Mobile Communications - The Eu And Us Contrasted

Tfm Pub Ltd

See the best price to sell, buy, or rent books by Sparrow, Andrew. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Sparrow, Andrew

See the best price to sell, buy, or rent books by Sparrow, Andrew. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Music Distribution and the Internet: A Legal Guide for the Music Business

Film and Television Distribution and the Internet: A Legal Guide for the Media Industry

Film and Television Distribution and the Internet: A Legal Guide for the Media Industry

User-Generated Content and the Law

Obscure Scribblers: A History of Parliamentary Journalism

The Law Of Internet And Mobile Communications - The Eu And Us Contrasted