The dictionary. The ubiquitous high-gloss fashion ad. The fraught relationship between artist and critic. Sleeping Beauty ties these disparate strands of our everyday lives together only to strip away everything we thought we knew about each of them. A collaborative work by the artist John Sparagana and the critic Mieke Bal, this truly cutting-edge work takes the shape of a conversation between his creations—distressed, or “fatigued,” magazine pages—and her words, imagining anew the relationships of image to text and of art to those who write about it. Bal contributes twenty-six essays, one for each letter of the alphabet, which borrow their organizing principle from the dictionary but reach far beyond the utilitarian purpose of a reference volume. Each one enters deeply into Sparagana’s work, illuminating concepts from Abstract to Zestful that inform, underlie, and lend meaning to the exquisitely ruined images he creates by crinkling glossy images from fashion magazines until their sheen disappears and they become soft and elastic. Unmooring the magazine page from its familiar context, these beautiful rags are rendered poetic by Sparagana’s unique art of subtraction, which physically rubs away not only ink and material, but also transience and commercial usefulness. Just as Sparagana’s work intervenes in existing images, so, too, do Bal’s explorations qualify existing concepts. But together, in this inaugural volume in the new series Project Tango: Artists and Writers Together, they have given rise to something wholly new: a prophetic one-artist dictionary that simultaneously reenvisions the untapped interactions of images with words and the potential forms of the book itself.

Sleeping Beauty: A One-Artist Dictionary (Project Tango: Artists and Writers Together)

Arts & Photography

BAL, MIEKE

Sparagana, John

History & Criticism

University of Chicago Press

Reading Revolutionaries proposes an alternative reading of John Sparagana's work in the form of a literal understanding of visual information as text. Crowds & Powder: The Revolutionaries, a large-scale work of art, is translated into the format of a mass-market paperback book. Arranged over eighty double-page spreads, each individual page frames a full-scale fragment of this work. This small volume perpetuates Sparagana s manipulation of printed media and contributes to the ongoing study of the relationship between media and the arts. Not only does it allude to a growing discourse on the control and manipulation of visual narrative, as increasingly witnessed from political imagery to popular culture, but it also investigates the way we read and process (visual) language

Reading Revolutionaries

Benteli Verlags

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Books by Sparagana, John