This extraordinary text offers a proven combination of scholarship from an insightful economist and a renowned American historian. It recounts the development of capitalism and the age of machines through the voices of business leaders, working people, inventors, and an unusual cast of presidents, generals, and patriots. Unlike other books in the field of economic history, this text tells a story. While not ignoring statistics and percentages, this narrative focuses on the fact that America's economic transformation is an extraordinary drama--a drama that continues today.

The Economic Transformation of America: 1600 to the Present, 4th Edition

Business & Money

HEILBRONER, Robert L.

Singer, Alan

Economics

Cengage Learning'

In recent years the category of the aesthetic has been judged inadequate to the tasks of literary criticism. It has been attacked for promoting class-based ideologies of distinction, for cultivating political apathy, and for indulging irrational sensuous decadence. Aesthetic Reason reexamines the history of aesthetic theorizing that has led to this critical alienation from works of art and proposes an alternative view. The book is a defense of the relevance and usefulness of the aesthetic as a cognitive resource of human experience. It challenges the contemporary critical tendency to treat aesthetic value as separate from the realms of human agency and sociopolitical change. The argument unfolds through a review of the cognitivist traditions in post-Enlightenment aesthetic theory and through Singer’s own articulation of a model of ethical subjectivity that is derived from the Greek concept of akrasia, which recognizes the intrinsic fallibility of human action. His focus on akratic subjectivity is aimed at revealing how the artwork has the potential to enhance human development by cultivating habits of self-transformation. Along these lines, he shows that the aesthetic has affinities with the logic of reversal/recognition in Greek tragedy and with theories of subject formation based on intersubjective recognition. The marking of these affinities sets up a discussion of how the aesthetic can serve protocols of rational choice-making. Within this perspective, aesthetic practice is revealed to be a meaningful social enterprise rather than an effete refuge from the conflicts of social existence.The theoretical scope of the book encompasses arguments by Plato, Aristotle, Nietzsche, Kant, Hegel, Adorno, Lyotard, Bourdieu, Derrida, Althusser, and Nancy. Singer’s exposition of "akratic subjectivity" is advanced through readings of literary texts by Sophocles, Melville, Beckett, Joyce, and Faulkner as well as visual texts by Caravaggio, Cindy Sherman, Barbara Kruger, and Gerhard Richter.

Aesthetic Reason: Artworks and the Deliberative Ethos (Literature and Philosophy)

Literature & Fiction

History & Criticism

Penn State University Press

In recent years the category of the aesthetic has been judged inadequate to the tasks of literary criticism. It has been attacked for promoting class-based ideologies of distinction, for cultivating political apathy, and for indulging irrational sensuous decadence. Aesthetic Reason reexamines the history of aesthetic theorizing that has led to this critical alienation from works of art and proposes an alternative view. The book is a defense of the relevance and usefulness of the aesthetic as a cognitive resource of human experience. It challenges the contemporary critical tendency to treat aesthetic value as separate from the realms of human agency and sociopolitical change. 
The argument unfolds through a review of the cognitivist traditions in post-Enlightenment aesthetic theory and through Singer’s own articulation of a model of ethical subjectivity that is derived from the Greek concept of akrasia, which recognizes the intrinsic fallibility of human action. His focus on akratic subjectivity is aimed at revealing how the artwork has the potential to enhance human development by cultivating habits of self-transformation. Along these lines, he shows that the aesthetic has affinities with the logic of reversal/recognition in Greek tragedy and with theories of subject formation based on intersubjective recognition. The marking of these affinities sets up a discussion of how the aesthetic can serve protocols of rational choice-making. Within this perspective, aesthetic practice is revealed to be a meaningful social enterprise rather than an effete refuge from the conflicts of social existence.
The theoretical scope of the book encompasses arguments by Plato, Aristotle, Nietzsche, Kant, Hegel, Adorno, Lyotard, Bourdieu, Derrida, Althusser, and Nancy. Singer’s exposition of "akratic subjectivity" is advanced through readings of literary texts by Sophocles, Melville, Beckett, Joyce, and Faulkner as well as visual texts by Caravaggio, Cindy Sherman, Barbara Kruger, and Gerhard Richter.

Arts & Photography

The Self-Deceiving Muse: Notice and Knowledge in the Work of Art (Literature and Philosophy)

Current philosophical discussions of self-deception remain steeped in disagreement and controversy. In The Self-Deceiving Muse, Alan Singer proposes a radical revision of our commonplace understanding of self-deception. Singer asserts that self-deception, far from being irrational, is critical to our capacity to be acute "noticers" of our experience. The book demonstrates how self-deception can be both a resource for rational activity generally and, more specifically, a prompt to aesthetic innovation. It thereby provides new insights into the ways in which our imaginative powers bear on art and life. The implications—philosophical, aesthetic, and ethical—of such a proposition indicate the broadly interdisciplinary thrust of this work, which incorporates "readings" of novels, paintings, films, and video art.

Shows tractor-trailers, dump trucks, garbage trucks, moving vans, tankers, and ice cream trucks

Work Trucks (Fast Rolling Books)

Children's Books

Grosset&Dunlap

Answers to one of the most important decision a family can make This groundbreaking book offers answers to crucial questions that have a large impact on family success and well-being. The author has been researching and treating couples for more than twenty years, addressing such critical issues as: When should you have kids? How many and why? Can you afford a family? What's the best interval between children's birth in a family? How does your work life influence how many kids to have? What's the impact of divorce, remarriage and blended families on the decision to have more kids? How does your family of origin, ethnicity, race, culture, and sexual preference influence the choices you have regarding these questions of number and spacing of childbirths. <ul>
<li>Filled with common sense advice for the dilemmas most couples grapple with when starting a family</li> <li>Based on solid research from a noted family therapist</li> <li>Alan Singer has appeared on the Fox Morning News and MSNBC as well as being quoted in USA Today and The Huffington Post</li> </ul>
Invaluable and fascinating, the book includes a wealth of self-tests that helps individuals to customize their own decision making based on their unique background and current situation.

Creating Your Perfect Family Size: How to Make an Informed Decision About Having a Baby

Health, Fitness & Dieting

Women's Health

Jossey-Bass

In this original and groundbreaking study, Alan Singer posits "narrative aesthetics" as a link between philosophical skepticism about the status of human subjectivity and literary theoretical skepticism about the autonomy of the text. By observing the complementarity between narrative and the aesthetic, Singer argues for the relevance of narrative logic to the critique of post-Cartesian subjectivity.Each chapter juxtaposes a set of philosophical arguments about the dynamics of human agency with a close reading of stylistic innovations in narrative literature. The author focuses on formal innovations that give a strong theoretical warrant for linking narrative to the realm of human action. The book demonstrates aesthetic theory in the works of Aristotle, Baumgarten, Kant, Fichte, Hegel, Sartre, Adorno, and Goodman to be convergent with the goals of social theory espoused in the works of Schutz, Lukács, Althusser, Foucault, and Giddens. This philosophical tradition is traced in texts by Thomas Nashe, Laurence Stern, Henry James, Maurice Blanchot, William Gaddis, and John Ashbery.The Subject as Action concludes by asserting the usefulness of narrative aesthetics in resolving the current conflict between postmodern aestheticists like Jean-François Lyotard and anti-aesthetic communitarian ethicists like Jürgen Habermas, for whom the realms of the aesthetic and the political otherwise remain mutually exclusive possibilities."Singer's work at one stroke stops and reverses narratology's drift of decades away from truly searching inquiry into the place of actions and events in narrative. . . . a rare academic book because it does not cheapen either the demands or the dignity of intellectual labor, and because it fully rewards both." --Robert Caserio, University of UtahAlan Singer is Professor of English, Temple University.

The Subject as Action: Transformation and Totality in Narrative Aesthetics (The Body, In Theory: Histories Of Cultural Materialism)

University of Michigan Press

In The Subject as Action: Transformation and Totality in Narrative Aesthetics, Alan Singer posits "narrative aesthetics" as a crucial link between post Enlightenment philosophical skepticism about human subjectivity and literary-theoretical skepticism about the autonomy of the text or artwork. Observing a vital complementarity between the narrative and the aesthetic (two realms often alienated from each other), Singer argues for the relevance of narrative logic to the critique of post-Cartesian subjectivity. Reciprocally, he demonstrates the relevance of rational norms of human agency to the study of narrative art. On one hand, Singer wants to salvage the critique of the subject from the metaphysical abstraction of idealist philosophies. On the other hand, he wants to save literary narrative from the ahistoricism and apoliticism to which it is often consigned. Each chapter juxtaposes a set of philosophical arguments about the dynamics of human agency with close readings of narrative literature. Rather than sketch a historical overview of Western narrative, Singer focuses on formal innovations that give a strong theoretical warrant for linking narrative to the realm of human action. Singer examines aesthetic theories in the works of Aristotle, Baumgarten, Kant, Fichte, Hegel, Sartre, Adorno, and Goodman as they converge with the goals of social theories espoused by Schutz, Lukacs, Althusser, Foucault, and Giddens. The philosophical arguments are then mapped onto a literary tradition through examination of texts by Thomas Nashe, Laurence Sterne, Henry James, Maurice Blanchot, William Gaddis, and John Ashbery. Alan Singer asserts that "narrative aesthetics" must be used as a critical tool in ultimately resolving the current conflict between postmodern aestheticists, such as Lyotard, and anti-aesthetic communitarian ethicists, such as Habermas, who posit the realms of the aesthetic and the political as mutually exclusive. The Subject as Action will be a valuable resource for anyone interested in the relation of narrative art to the spectrum of literary and philosophical theories that seek to define the human subject in modern culture.

The Subject As Action: Transformation and Totality in Narrative Aesthetics (The Body, in Theory : Histories of Cultural Materialism)

Univ of Michigan Pr

Text and pictures describe each state bird

State Birds

Singer, Arthur

Dutton Juvenile

See the best price to sell, buy, or rent books by Singer, Alan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Singer, Alan

See the best price to sell, buy, or rent books by Singer, Alan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Economic Transformation of America: 1600 to the Present, 4th Edition

Aesthetic Reason: Artworks and the Deliberative Ethos (Literature and Philosophy)

Aesthetic Reason: Artworks and the Deliberative Ethos (Literature and Philosophy)

The Self-Deceiving Muse: Notice and Knowledge in the Work of Art (Literature and Philosophy)

The Self-Deceiving Muse: Notice and Knowledge in the Work of Art (Literature and Philosophy)

Work Trucks (Fast Rolling Books)

Creating Your Perfect Family Size: How to Make an Informed Decision About Having a Baby

The Subject as Action: Transformation and Totality in Narrative Aesthetics (The Body, In Theory: Histories Of Cultural Materialism)

The Subject As Action: Transformation and Totality in Narrative Aesthetics (The Body, in Theory : Histories of Cultural Materialism)

State Birds