“The German Lesson marks a double triumph––a book of rare depth and brilliance, to begin with, presented in an English version that succeeds against improbable odds in conveying the full power of the original.” ―Ernst Pawel, New York Times Book Review Siggi Jepsen, incarcerated as a juvenile delinquent, is one day assigned to write a routine German lesson on the "The Joys of Duty." Overfamiliar with these “joys,” Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, constable of the northernmost police station in Germany, doggedly carry out orders from Berlin to stop a well-known Expressionist, their neighbor, from painting and to seize all his “degenerate" work. Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

The German Lesson

Literature & Fiction

Siegfried Lenz

Contemporary

Mandarin

Literary

Hill and Wang

“The German Lesson marks a double triumph––a book of rare depth and brilliance, to begin with, presented in an English version that succeeds against improbable odds in conveying the full power of the original.” ―Ernst Pawel, New York Times Book Review Siggi Jepsen, incarcerated as a juvenile delinquent, is one day assigned to write a routine German lesson on the "The Joys of Duty." Overfamiliar with these “joys,” Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, constable of the northernmost police station in Germany, doggedly carry out orders from Berlin to stop a well-known Expressionist, their neighbor, from painting and to seize all his “degenerate" work. Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

New Directions

In a small town on the Baltic coast, in a community steeped in maritime industries and local mores, a teenager falls in love with his English professor. Christian looks older than his years, Stella younger than hers. The summer they spend together is filled with boat rides to Bird Island, secret walks on the beach, and furtive glances. The emotions that blossom between Christian and Stella are aflame with passion and innocence, and with an idealistic hope of a future. The two lovers manage to keep their mutual attraction concealed, but as the hot months comes to an end, their meetings become more difficult to conceal. Stella begins at the end, at Stella Petersen’s memorial service, where Christian relives the memories he shared with his first love. There is nothing salacious about their relationship, nor is it just a case of a teenager’s crush on his teacher. Their affair changes both Christian and Stella, allows them to expand their views, and pushes them out of social and familial constraints. Theirs is a tender love story of a time, and yet speaks to any time; it is actually through death that their love is transformed. The sparseness of Siegfried Lenz’s narrative is reminiscent of the existential stringency of Ernest Hemingway. Only a master stylist ofhis standing could compose such a story that is equally modest and powerful, a work that leaves a lasting authentic impression, and that strives to comply with W.H. Auden’s famous request, “Tell me the truth about love.”

Stella: A Novel

Other Press

The delicately paced structure of Lenz's novella begins with the memorial ceremony for a popular young English mistress, Stella Petersen, seamlessly alternating between this scene and eighteen-year-old Christian's memory of a summer love affair with his tutor. They keep their mutual attraction concealed at school and as the season goes on the lovers continue to meet discreetly. Tragedy strikes when Stella goes on holiday with friends, sailing around the Danish islands. As the yacht returns to Hirtshafen at the end of the trip, a storm breaks. Before Christian's eyes his beloved is flung overboard and fatally wounded. Lenz was twenty or thirty pages into writing A Minute's Silence when his wife of fifty-six years died. Grief-stricken, he suffered from a serious bout of writer's block and it seemed he would never finish the novel. With the passage of time, Lenz found that he could write again and complete this tender love story. Despite the obvious distance and difference of Lenz's own long marriage and the brief, youthful passion of Christian for Stella, Lenz has wrought a well-aimed response to Auden's famous request: 'Tell me the truth about love.' Siegfried Lenz formed part of the influential Gruppe 47 with Günter Grass, and is mentioned in the same league as Grass, Heinrich Böll and W G Sebald. He served in the German navy before becoming a journalist and writer. His fiction, plays and reportage have turned him into one of Germany's leading voices of conscience, dramatising issues of authority, memory and resistance in ambitious realistic novels, including The German Lesson (1968) and later fables such as The Lighthouse. He went to Poland with Willy Brandt on his historic trip in 1970, and also kept up an important correspondence with the greatest Jewish poet of the Holocaust, Paul Celan.

A Minute's Silence

Haus Publishing Ltd.

Das Feuerschiff. Mit Materialien. (Lernmaterialien) (Fiction, Poetry & Drama) (German Edition)

Poetry

Hoffmann & Campe Verlag

Das Feuerschiff (Easy Readers - Leicht zu Lesen)

Reference

Foreign Language Study & Reference

Ernst Klett Verlag GmbH

Das Feuerschiff. Erzählungen.

DTV Verlag

Der Geist der Mirabelle. Geschichten aus Bollerup.

dtv.

Der Mann im Strom. Großdruck. Roman.

DTV Deutscher Taschenbuch

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Books by Siegfried Lenz