The cinema of Japan predates that of Russia, China, and India, and it has been able to sustain itself without outside assistance for over a century. Japanese cinema's long history of production and considerable output has seen films made in a variety of genres, including melodramas, romances, gangster movies, samurai movies, musicals, horror films, and monster films. It has also produced some of the most famous names in the history of cinema: Akira Kurosawa, Hayao Miyazaki, Beat Takeshi, Toshirô Mifune, Godzilla, The Ring, Akira, Rashomon, and Seven Samurai.The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be able to use it to find specific information. This is done through a detailed chronology, an introductory essay, and appendixes of films, film studios, directors, and performers. The cross-referenced dictionary entries cover key films, genres, studios, directors, performers, and other individuals. This book is an excellent access point for students, researchers, and anyone wanting to know more about Japanese cinema.

Historical Dictionary of Japanese Cinema (Historical Dictionaries of Literature and the Arts)

Humor & Entertainment

Sharp, Jasper

Movies

Scarecrow Press

In the 1940s New York was the crucible for post-war American and European art, and at the heart of this was Peggy Guggenheim and her remarkable museum/gallery, made instantly the most sensational venue of the avant garde in New York by Frederick Kiesler's visionary architectural design. This is the never-before-written story of "Art of This Century"--the name Guggenheim gave to both her collection (now part of the Solomon R. Guggenheim Foundation and on permanent view in Venice, Italy) and to her 57th Street gallery, Kiesler's masterpiece, within which the careers of artists such as William Baziotes, David Hare, Robert Motherwell, Jackson Pollock, Mark Rothko, Charles Seliger and Clyfford Still were launched. The essays in this volume recount the formation of Guggenheim's collection and reconstruct for the first time the plan and design of Art of This Century, analyzing its place in Kiesler's long career in architecture, theatre design, sculpture, and theories of perception. They also assemble reactions by the press; set the record straight with new evidence about Pollock's largest-ever painting, Mural (1943); and document the 55 exhibitions that Guggenheim organized at Art of This Century from 1942 to 1947. The 398-page publication is comprehensively illustrated and includes color plates of a selection of the collection, Kiesler's drawings and designs, and numerous installation photographs. Peggy Guggenheim was born Marguerite Guggenheim on August 26, 1898 in New York City. This American art collector was an important patron of the Abstract Expressionist school of artists in New York City. Her father was Benjamin Guggenheim, a son of the wealthy mining magnate Meyer Guggenheim, and one of her uncles was Solomon R. Guggenheim, who founded the Guggenheim Museum in New York. She died in 1979, near Venice, Italy.

Peggy Guggenheim & Frederick Kiesler: The Story Of Art Of This Century

Arts & Photography

Quaintance, Don

O'Connor, Francis

History & Criticism

Guggenheim Museum

An eye-opening portrait of a vibrant film culture, The Midnight Eye Guide to New Japanese Film is the most comprehensive study of the Japanese filmmaking scene yet written. Tom Mes and Jasper Sharp explore the astounding resurgence of Japanese cinema, both live action and animated, profiling 19 contemporary Japanese filmmakers, from the well-known (Kitano, Miike, Miyazaki) to the up-and-coming (Naomi Kawase, Satoshi Kon, Shinya Tsukamoto) and reviewing 97 of their recent films. With 100+ images from behind and in front of the camera, this is a book any film lover will savor. Foreword by Hideo Nakata, director of Ring.
Tom Mes (in Paris) and Jasper Sharp (in Tokyo) co-edit Midnighteye.com, the premier English-language website on Japanese cinema.

The Midnight Eye Guide to New Japanese Film

Mes, Tom

Stone Bridge Press

Behind the Pink Curtain takes the reader on a wild joy ride deep into the hinterlands of Japanese culture, society and radical politics by way of the weird but wonderful world of the Pink Film and Roman Porno genres. Behind the Pink Curtain focuses on the art and industry of one of the most notorious sectors of Japanese filmmaking, the erotic Pink Film, or pinku eiga genre, and the closely related Roman Porno films produced by Nikkatsu studios from 1971 to 1988. A phenomenon distinct from the cheaply-produced hardcore Adult Video (AV) market, from the early 60s onwards major Japanese film studios and independent producers alike have kept up a conveyor belt level of output of pornographic features intended purely for cinema release. Still today, just short of 100 such titles are shot on 35mm every year intended for screening in a specialist network of adult cinema across the nation. In recent years, many have found themselves released on DVD in the West or screened at international film festivals, while many of Japan's most noted filmmakers today have cut their teeth in this industry. Just how close are the links between the arthouse and the grindhouse in Japan? Read about the ins and outs of Japanese censorship from the wartime onwards, and how topless deep sea diving girls came to woo local audiences in the 50s. Learn how a TV nature documentary maker ended up helming nude female Tarzan movies, and how 60s mavericks Koji Wakamatsu and Masao Adachi met up with John and Yoko at Cannes while on the way to the Golan Heights to make a film about Palestinian revolutionaries. How Deep Throat's Harry Reems wound up in Tokyo starring in a zany sex comedy about a penis transplant gone awry, and how one of Japan's most famous literary figures ended up the subject of the country's first gay porno movie. How one of Nikkatsu's leading directors went it alone to make a film about powerboat racing and ended up in the bad books of the Yakuza, and how the anti-Bush sex farce Horny Home Tutor: Teacher's Love Juice came to be re-titled as The Glamorous Life of Sachiko Hanai and became one of the most talked about Japanese films of recent years, playing at over twenty international film festivals. Based on extensive interviews with many of the leading figures in the field, Behind the Pink Curtain is a colorful and exhaustive trawl through Japan's most vibrant and prolific filmmaking sector.

Behind The Pink Curtain: The Complete History of Japanese Sex Cinema

FAB Press

Behind the Pink Curtain takes the reader on a wild joy ride deep into the hinterlands of Japanese culture, society and radical politics by way of the weird but wonderful world of the Pink Film and Roman Porno genres. Behind the Pink Curtain focuses on the art and industry of one of the most notorious sectors of Japanese filmmaking, the erotic Pink Film, or pinku eiga genre, and the closely related Roman Porno films produced by Nikkatsu studios from 1971 to 1988. A phenomenon distinct from the cheaply-produced hardcore Adult Video (AV) market, from the early 60s onwards major Japanese film studios and independent producers alike have kept up a conveyor belt level of output of pornographic features intended purely for cinema release. Still today, just short of 100 such titles are shot on 35mm every year intended for screening in a specialist network of adult cinema across the nation. In recent years, many have found themselves released on DVD in the West or screened at international film festivals, while many of Japan's most noted filmmakers today have cut their teeth in this industry. Just how close are the links between the arthouse and the grindhouse in Japan? Read about the ins and outs of Japanese censorship from the wartime onwards, and how topless deep sea diving girls came to woo local audiences in the 50s. Learn how a TV nature documentary maker ended up helming nude female Tarzan movies, and how 60s mavericks Koji Wakamatsu and Masao Adachi met up with John and Yoko at Cannes while on the way to the Golan Heights to make a film about Palestinian revolutionaries. How Deep Throat's Harry Reems wound up in Tokyo starring in a zany sex comedy about a penis transplant gone awry, and how one of Japan's most famous literary figures ended up the subject of the country's first gay porno movie. How one of Nikkatsu's leading directors went it alone to make a film about powerboat racing and ended up in the bad books of the Yakuza, and how the anti-Bush sex farce Horny Home Tutor: Teacher's Love Juice came to be re-titled as The Glamorous Life of Sachiko Hanai and became one of the most talked about Japanese films of recent years, playing at over twenty international film festivals. Based on extensive interviews with many of the leading figures in the field, Behind the Pink Curtain is a colorful and exhaustive trawl through Japan's most vibrant and prolific filmmaking sector.

Behind the Pink Curtain: The Complete History of Japanese Sex Cinema

This lavishly-illustrated companion to the feature documentary The Creeping Garden is a laypersonâ€™s entry point into the strangely fascinating world of myxomycetes, or plasmodial slime moulds. Neither animal, plant nor fungi, these alien-looking single-celled organisms are all around us in the natural world, shifting in form throughout distinct phases in their life cycle, for the most part invisible to the naked eye, but strangely beautiful in their foraging or reproductive stages. They creep around forests and grasslands across the globe almost imperceptibly, with an agency all of their own that some have described as intelligent. Overlooked for years by natural historians and the general public at large, only recently have small groups of scientists, artists and visionaries begun to find within their intriguing behavioural patterns extraordinary metaphors that seem to belong to the world of science fiction, inspiring practical applications such as powerful computing devices, transport network designs, robot controllers and even music... The Creeping Garden takes a closer look at this mysterious life form and the diverse and curious array of research it has inspired. Providing an insight into the modus operandi of the filmâ€™s makers and the perceptual world of the organism, it brings the reader into a unique and irrational encounter in which time and space are magnified and intelligence redefined.

The Creeping Garden: Irrational Encounters with Plasmodial Slime Moulds

Alchimia

Joseph Cornell (1903–1972) was one of the 20th century’s leading exponents of collage and assemblage. A connoisseur of an astonishing array of subjects, Cornell’s captivation with bygone imagery encompassed astronomical charts and geographical maps, Italian and Spanish Old Master paintings, historical ballet, early film, literature, poetry and ornithology. Most iconic among his works are his box constructions―microcosmic curiosity cabinets―filled with once-precious fragments that he collected in thrift shops in his native New York. Joseph Cornell: Wanderlust is a landmark publication examining this remarkable work. It brings together some of Cornell’s most compelling assemblages and box constructions (including Medici slot machines, soap-bubble sets and animal habitats). The contributors raise questions about Cornell’s artistic processes while drawing parallels with historical modes of inquiry such as connoisseurship, exploration and classification.

Joseph Cornell: Wanderlust

Hartigan, Lynda

Lea, Sarah

Royal Academy Publications

The collections of the Kunsthistorisches Museum Vienna represent some 5,000 years of human creativity from Ancient Egypt through to European painting around 1800. The Shape of Time presents a group of artworks dating from 1800 to the present day by artists such as Paul Cézanne, Pablo Picasso, Claude Cahun, Mark Rothko, Maria Lassnig, Steve McQueen and Peter Doig. These have been carefully placed within the rooms of the museum's picture gallery, each in dialogue with one work of art from the Kunsthistorisches Museum. As stepping stones they lead visitors from the point at which the museum's collections end, to the present.

The Shape of Time

Street, Ben

Higgie, Jennifer

Haag, Sabine

Collections, Catalogs & Exhibitions

Walther König, Köln

Lucian Freud Les autoportraits (French Edition)

Koerner, Joseph

Dawson, David

MERCATOR

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