Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

Film Form: Essays in Film Theory

Arts & Photography

Sergei Eisenstein

Photography & Video

Harcourt

An exploration of the film as a more expressive and profound medium. Includes an analysis of a sound-film sequence from Alexander Nevsky. “The most instructive discussion of the film art yet put between the covers of a book” (New York Times Book Review). Edited and translated by Jay Leyda; Index; photographs and diagrams.

The Film Sense (A Harvest Book)

Individual Artists

Harcourt, Brace. Jovanovich

Sergei Eisenstein's greatness lies not only in his films, such as Potemkin or Ivan the Terrible, or his contributions to the technique and art of the cinema but also in his contributions as a theoretician and philosopher of the art. This edition includes a new translation of Eisenstein's essay on Orozco.
Originally published in 1982.
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Film Essays and a Lecture

Humor & Entertainment

Humor

Princeton Univiversity Press

S. M. Eisenstein - Selected Works Vol. 2: Towards a Theory of Montage, 1937-40 (v. 2)

British Film Institute

1984 LORIMER PUBLISHING Revised Edition SOFTCOVER

The battleship Potemkin (Classic film scripts)

Movies

Lorrimer Publishing

El sentido del cine (Spanish Edition)

Siglo XXI

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Books by Sergei Eisenstein