Being Bernard Berenson: A Biography

SECREST, Meryle

HOLT. RINEHART AND WINSTON

Secrest, Meryle, Kenneth Clark: A Biography

Kenneth Clark: A Biography

Biographies & Memoirs

Henry Holt Co.

A biography of the acclaimed architect describes Wright's Midwest boyhood, his apprenticeship with Louis Sullivan, his travels to Europe and subsequent success there, his three marriages, his work, and more

Frank Lloyd Wright: A Biography

Secrest, Meryl

Arts & Literature

Perennial

The story of the man who moved from Lithuania to Boston in 1875, became involved in art, was chief advisor to art dealer Joseph Durveen, and helped amass the collections of Kress, Mellon, and other tycoons

Penguin??Books

Meryle Secrest's Frank Lloyd Wright: A Biography focuses on Wright's family history, personal adventures, and colorful friends and family. Secrest had unprecedented access to an archive of over one hundred thousand of Wright's letters, photographs, drawings, and books. She also interviewed surviving devotees, students, and relatives. The result is an explicit portrait of both the genius architect and the provocative con-man. "Secrest seizes the themes most evocative of certain of our cultural myths, forging them into a coherent and emotionally plausible narrative."—New Republic "An engaging narrative."—New York Times Book Review "The real triumph of this biography . . . is the link it makes between Frank Lloyd Wright's personal life and his architecture."—The Economist "Secrest's achievement is to etch Wright's character in sharp relief. . . . [She] presents Wright in his every guise."-Blair Kamin, Chicago Tribune "An extremely engaging profile."—The Philadelphia Inquirer "A spellbinding portrait."—Library Journal "The best [biography] so far, a huge and definitive accumulation of fact."—Time

University of Chicago Press

Anyone who has admired Gainsborough's Blue Boy of the Huntington Collection in California, or Rembrandt's Aristotle Contemplating the Bust of Homer at the Metropolitan Museum of Art in New York owes much of his or her pleasure to art dealer Joseph Duveen (1869–1939). Regarded as the most influential—or, in some circles, notorious—dealer of the twentieth century, Duveen established himself selling the European masterpieces of Titian, Botticelli, Giotto, and Vermeer to newly and lavishly wealthy American businessmen—J. P. Morgan, John D. Rockefeller, and Andrew Mellon, to name just a few. It is no exaggeration to say that Duveen was the driving force behind every important private art collection in the United States. The first major biography of Duveen in more than fifty years and the first to make use of his enormous archive—only recently opened to the public—Meryle Secrest's Duveen traces the rapid ascent of the tirelessly enterprising dealer, from his humble beginnings running his father's business to knighthood and eventually apeerage. The eldest of eight sons of Jewish-Dutch immigrants, Duveen inherited an uncanny ability to spot a hidden treasure from his father, proprietor of a prosperous antiques business. After his father's death, Duveen moved the company into the riskier but lucrative market of paintings and quickly became one of the world's leading art dealers. The key to Duveen's success was his simple observation that while Europe had the art, America had the money; Duveen made his fortune by buying art from declining European aristocrats and selling them to the "squillionaires" in the United States. "By far the best account of Joseph Duveen's life in a biography that is rich in detail, scrupulously researched, and sympathetically written. [Secrest's] inquiries into early-twentieth-century collecting whet our appetite for a more general history of the art market in the first half of the twentieth century."—John Brewer, New York Review of Books

Duveen: A Life in Art

Arts & Photography

Individual Artists

Being Bernard Berenson

Collections, Catalogs & Exhibitions

Weidenfeld&Nicolson

Traces the life of the controversial French surrealist, describes the influence of his troubled childhood on his art, and discusses the business aspects of his art

Salvador Dali the Surrealist Jester

History & Criticism

TRAFALGAR SQUARE +

“People like us . . . have different rights, different values than do ordinary people because we have different needs which put us . . . above their moral standards.” —Modigliani Amedeo (“Beloved of God”) Modigliani was considered to be the quintessential bohemian artist, his legend almost as infamous as Van Gogh’s. In Modigliani’s time, his work was seen as an oddity: contemporary with the Cubists but not part of their movement. His work was a link between such portraitists as Whistler, Sargent, and Toulouse-Lautrec and that of the Art Deco painters of the 1920s as well as the new approaches of Gauguin, Cézanne, and Picasso. Jean Cocteau called Modigliani “our aristocrat” and said, “There was something like a curse on this very noble boy. He was beautiful. Alcohol and misfortune took their toll on him.” In this major new biography, Meryle Secrest, one of our most admired biographers—whose work has been called “enthralling” (The Wall Street Journal); “rich in detail, scrupulously researched, and sympathetically written” (The New York Review of Books) —now gives us a fully realized portrait of one of the twentieth century’s master painters and sculptors: his upbringing, a Sephardic Jew from an impoverished but genteel Italian family; his going to Paris to make his fortune; his striking good looks (“How beautiful he was, my god how beautiful,” said one of his models) . . . his training as an artist . . .and his influences, including the Italian Renaissance, particularly the art of Botticelli; Nietzsche’s theories of the artist as Übermensch, divinely endowed, divinely inspired; the monochromatic backgrounds of Van Gogh and Cézanne; the work of the Romanian sculptor Brancusi; and the primitive sculptures of Africa and Oceania with their simplified, masklike triangular faces, elongated silhouettes, puckered lips, low foreheads, and heads on exaggeratedly long necks. We see the ways in which Modigliani’s long-kept-secret illness from tuberculosis (it almost killed him as a young man) affected his work and his attitude toward life ; how consumption caused him to embrace fatalism and idealism, creativity and death; and how he used alcohol and opium with laudanum as an antispasmodic to hide the symptoms of the disease and how, because of it, he came to be seen as a dissolute alcoholic. And throughout, we see the Paris that Modigliani lived in, a city in dynamic flux where art was still a noble cause; how Modigliani became part of a life in the streets and a world of art and artists then in a transforming revolution; Monet, Cézanne, Degas, Renoir, et al.—and others more radical—Matisse, Derain, etc., all living within blocks of one another. Secrest’s book, written with unprecedented access to letters, diaries, and photographs never before seen, is an extraordinary revelation of a life lived in art . . . Here is Modigliani, the man and the artist, seemingly shy, delicate, a man on a desperate mission, masquerading as an alcoholic, cheating death again and again, and calculating what he had to do in order to go on working and concealing his secret for however much time remained . . .

Modigliani: A Life

KNOPF

The first rule of biography, wrote Justin Kaplan: “Shoot the widow.” In her new book, Meryle Secrest, acclaimed biographer (“Knowing, sympathetic and entertainingly droll”—The New York Times), writes about her comic triumphs and misadventures as a biographer in search of her nine celebrated subjects, about how the hunt for a “life” is like working one’s way through a maze, full of fall starts, dead ends, and occasional clear passages leading to the next part of the puzzle. She writes about her first book, a life of Romaine Brooks, and how she was led to Nice and given invaluable letters by her subject’s heir that were slid across the table, one at a time; how she was led to the villa of Brooks’ lover, Gabriele d’Annunzio (poet, playwright, and aviator), a fantastic mausoleum left untouched since the moment of his death seventy years before; to a small English village, where she uncovered a lost Romaine Brooks painting; and finally, to 20, rue Jacob, Paris, where Romaine’s lover, Natalie Barney, had fifty years before entertained Cocteau, Gide, Proust, Colette, and others. Secrest describes how her next book—a life of Berenson—prompted Francis Steegmuller, fellow biographer, to comment that he wouldn’t touch the subject with a ten-foot pole. For her life of British art historian Kenneth Clark, Secrest was given permission to write the book by her subject, who surreptitiously financed it in the hopes of controlling its contents; we see how Clark’s plan was foiled by a jealous mistress and a stash of love letters that helped Secrest navigate Clark’s obstacle course. Among the other biographical (mis)adventures, Secrest reveals: how she tracked Salvador Dalí to a hospital room, found him recovering from serious burns sustained in a mysterious fire, and learned that he was knee-deep in a scandal involving fake drawings and prints and surrounded by dangerous characters out of Murder, Inc. . . . and how she went in search of a subject’s grave (Frank Lloyd Wright’s) only to find that his body had been dug up to satisfy the whim of his last wife. A fascinating account of a life spent in sometimes arduous, sometimes comical, always exciting pursuit of the truth about other lives.

Shoot the Widow: Adventures of a Biographer in Search of Her Subject

See the best price to sell, buy, or rent books by SECREST, Meryle. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by SECREST, Meryle

See the best price to sell, buy, or rent books by SECREST, Meryle. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Being Bernard Berenson: A Biography

Kenneth Clark: A Biography

Frank Lloyd Wright: A Biography

Being Bernard Berenson: A Biography

Frank Lloyd Wright: A Biography

Duveen: A Life in Art

Being Bernard Berenson

Salvador Dali the Surrealist Jester

Modigliani: A Life

Shoot the Widow: Adventures of a Biographer in Search of Her Subject