Austerlitz

History

SEBALD, W.G.

Military

Penguin??Books

Campo Santo

Campo Santo is a collection of essays by W. G. Sebald When W.G. Sebald died tragically in 2001 a unique voice was silenced. Campo Santo is a collection of the pieces he left behind - none of them previously published in book form - which provide a powerful insight into the themes that came to dominate his life. Four pieces pay tribute to Corsica, weaving elegiacally between past and present. Sebald also examines the works of writers such as Kafka, Nabokov, and Günter Grass, showing both how literature can provide restitution for the injustices of the world and how such literature came to have so great an influence on him. Campo Santo is a fitting memorial to W.G. Sebald, who himself studied the shifting nature of memory and time with such sensitivity. 'A precious addition to the canon' Independent 'Will come to be seen as indispensable to an understanding of his work' Sunday Times 'Full of a sense of liberation and lightness ... these [pieces] abound in energy and work the authentic Sebaldian magic' Literary Review 'We have become suspicious, rightly, of claims for literary greatness, but in Sebald's case the claim was triumphantly justified. He was, he is, the real thing' John Banville, Guardian 'Sebald was probably the greatest intellect and voice of the late twentieth century' Anthony Beevor, The Times 'A writer whose explorations of time and memory make him arguably the closest author modern European letters has to rival Borges' Sunday Times W . G. Sebald was born in Wertach im Allgäu, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted, For Years Now and A Place in the Country. His selected poetry is published in a volume called Across the Land and the Water.

Literature & Fiction

Essays & Correspondence

Penguin Uk

For a number of years until his death in 2001, W. G. Sebald and the German artist, Jan Peter Tripp exchanged poems and lithographs. Unrecounted is the result of this long artistic friendship a creative dialogue inspired by shared concerns. Sebald's words and Tripp's images speak of moments salvaged from time passing, of our eyes bearing witness, and of memory and remembrance.

Unrecounted

Poetry

Penguin Group Canada

Place In The Country

Biographies & Memoirs

Arts & Literature

Penguin Books, Ltd.

This book brings together poems from throughout WG Sebald's life, as well as additional works found after his death in 2001. The poems are arranged chronologically from his student days in the 1960s and are suffused with the themes which dominated Sebald's work - nature and history, death and memory, journeys and landscapes. Translated, with an introduction and notes by Iain Galbraith.

Across the Land and the Water: Selected Poems 1964-2001

, 415 pages, with small black and white photographs throughout

Bell, Anthea (translator)

Random House, Incorporated

W.G. Sebald completed this extraordinary and important -- and already controversial -- book before his untimely death in December 2001. On the Natural History of Destruction is W.G. Sebald’s harrowing and precise investigation of one of the least examined “silences” of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture.This void in history is in part a repression of things -- such as the death by fire of the city of Hamburg at the hands of the RAF -- too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia; his analysis of its effects in and outside Germany has already provoked angry and painful debate.Sebald’s incomparable novels are rooted in meticulous observation; his essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humour and, throughout, the unmatched sensitivity of Sebald’s intelligence. This book is a vital study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.

On the Natural History of Destruction

Europe

Random House]

After Nature, W. G. Sebald’s first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind’s place in the natural world. From the efforts of each, “an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance.” The first figure is the great German Re-naissance painter Matthias Grünewald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages.After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author’s position as one of the most profound and original writers of our time.

After Nature

Hamish Hamilton

Silent Catastrophes: Essays in Austrian Literature

Hamish Hamilton Ltd.

Austerlitz (Penguin Essentials)

Genre Fiction

Penguin

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