Raw and honest, provocative and titillating, Dahlia Schweitzer's Seduce Me lays bare the secrets of desire in stories of sensuous encounters, illicit affairs, forbidden passions—and obsessive hungers that must be satisfied, no matter where or when they arise. In these vivid tales of lust without limits, the lines are blurred between fantasy and reality, propriety and necessity. There are no boundaries or taboos, only needs to be fulfilled. Here women and men risk everything in pursuit of sexual satisfaction—and business always mixes with pleasure.

Seduce Me (Avon Red)

Literature & Fiction

Schweitzer, Dahlia

Literary

Avon Red

A woman resolves to show her boss who really belongs on top . . . 
A lonely worker receives an anonymous erotic gift that unlocks unknown floodgates of desire . . .
A couple sets their bedroom ablaze when sexual restraint leads to unpredictably exquisite torture . . . 
Raw and honest, provocative and titillating, Dahlia Schweitzer's Seduce Me lays bare the secrets of desire in stories of sensuous encounters, illicit affairs, forbidden passions—and obsessive hungers that must be satisfied, no matter where and when they arise. In these vivid tales of lust without limits, the lines are blurred between fantasy and reality, propriety and necessity. There are no boundaries or taboos, only needs to be fulfilled. Here women and men risk everything in pursuit of sexual satisfaction—and business always mixes with pleasure.

Seduce Me

United States

Queen of Hearts

Romance

Contemporary

Bao House, The

Outbreak narratives have proliferated for the past quarter century, and now they have reached epidemic proportions. From 28 Days Later to 24 to The Walking Dead, movies, TV shows, and books are filled with zombie viruses, bioengineered plagues, and disease-ravaged bands of survivors. Even news reports indulge in thrilling scenarios about potential global pandemics like SARS and Ebola. Why have outbreak narratives infected our public discourse, and how have they affected the way Americans view the world? In Going Viral, Dahlia Schweitzer probes outbreak narratives in film, television, and a variety of other media, putting them in conversation with rhetoric from government authorities and news organizations that have capitalized on public fears about our changing world. She identifies three distinct types of outbreak narrative, each corresponding to a specific contemporary anxiety: globalization, terrorism, and the end of civilization. Schweitzer considers how these fears, stoked by both fictional outbreak narratives and official sources, have influenced the ways Americans relate to their neighbors, perceive foreigners, and regard social institutions. Looking at everything from I Am Legend to The X Files to World War Z, this book examines how outbreak narratives both excite and horrify us, conjuring our nightmares while letting us indulge in fantasies about fighting infected Others. Going Viral thus raises provocative questions about the cost of public paranoia and the power brokers who profit from it. Supplemental Study Materials for "Going Viral": https://www.rutgersuniversitypress.org/going-viral-dahlia-schweitzer Dahlia Schweitzer- Going Viral: https://www.youtube.com/watch?v=5xF0V7WL9ow

Going Viral: Zombies, Viruses, and the End of the World

Humor & Entertainment

Movies

Rutgers University Press

L.A. Private Eyes (Quick Takes: Movies and Popular Culture)

L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930’s through the present day. It takes a closer look at narratives—both on screen and on the printed page—in which detectives travel the streets of Los Angeles, uncovering corruption, moral ambiguity, and greed with the conviction of urban cowboys, while always ultimately finding truth and redemption. With a review of Los Angeles history, crime stories, and film noir, L.A. Private Eyes explores the metamorphosis of the solitary detective figure and the many facets of the genre itself, from noir to mystery, on the screen. While the conventions of the genre may have remained consistent and recognizable, the points where they evolve illuminate much about our changing gender and power roles. Watch a video of the author speaking about this topic: https://goo.gl/Xr9RFD And also: https://www.dropbox.com/s/mkqw3mplruf7jje/Detective%20Talk%20Full.mp4?dl=0 (https://www.dropbox.com/s/mkqw3mplruf7jje/Detective%20Talk%20Full.mp4?dl=0)

One of the twentieth century’s most significant artists, Cindy Sherman has quietly uprooted conventional understandings of portraiture and art, questioning everything from identity to feminism. Critics around the world have taken Sherman’s photographs and extensively examined what lies underneath. However, little critical ink has been spilled on Sherman’s only film, Office Killer, a piece that plays a significant role both in Sherman’s body of work and in American art in the late twentieth century. Dahlia Schweitzer breaks the silence with her trenchant analysis of Office Killer and explores the film on a variety of levels, combating head-on the art world’s reluctance to discuss the movie and arguing instead that it is only through a close reading of the film that we can begin to appreciate the messages underlying all of Sherman’s work. The first book on this neglected piece of an esteemed artist’s oeuvre, Cindy Sherman’s “Office Killer” rescues the film from critical oblivion and situates it next to the artist’s other iconic works.

Cindy Sherman's Office Killer: Another Kind of Monster

Arts & Photography

Individual Artists

Intellect Ltd

Haunted Homes&nbsp;is a short but groundbreaking study of homes in horror film and television. While haunted houses can be fun and thrilling, Hollywood horror tends to focus on haunted homes, places where the suburban American dream of safety and comfort has turned into a nightmare. From classic movies like&nbsp;The Old Dark House&nbsp;to contemporary works like&nbsp;Hereditary&nbsp;and the Netflix series&nbsp;The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse. She traces how the haunted home film was intertwined with the expansion of American suburbia, but also explores works like&nbsp;The Witch&nbsp;and&nbsp;The Babadook, which transport the genre to different times and places. This lively and readable study reveals how and why an increasing number of films imagine that home is where the horror is. <a href="https://youtu.be/_irTEfvtZfQ">Watch a video of the author discussing the topic Haunted Homes&nbsp;(https://youtu.be/_irTEfvtZfQ).</a>

Haunted Homes (Quick Takes: Movies and Popular Culture)

See the best price to sell, buy, or rent books by Schweitzer, Dahlia. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Schweitzer, Dahlia

See the best price to sell, buy, or rent books by Schweitzer, Dahlia. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Seduce Me (Avon Red)

Seduce Me

Queen of Hearts

Going Viral: Zombies, Viruses, and the End of the World

Going Viral: Zombies, Viruses, and the End of the World

L.A. Private Eyes (Quick Takes: Movies and Popular Culture)

L.A. Private Eyes (Quick Takes: Movies and Popular Culture)

Cindy Sherman's Office Killer: Another Kind of Monster

Haunted Homes (Quick Takes: Movies and Popular Culture)