Focusing on Philip Guston's mature production in abstraction and his later figuration, this book argues for Guston as a consistent artist whose generic shift in the late 60s, from Monet-like abstract hatchings to the cartoonish forms of his final decade and a half, reminded artists everywhere that courage is what it's all about. Here, well-known experts on Philip Guston's oeuvre such as Michael Auping and Christoph Schreier discuss the scope of Guston's sizeable body of work.

Philip Guston: Gemalde, 1947-1979 (English and German Edition)

Arts & Photography

GUSTON, Philip

Schreier, Christoph

Auping, Michæl

Individual Artists

Hatje Cantz Publishers

Painter Philip Guston's return to figuration in the late 1960s was plotted and rehearsed in his drawing practice, in which he veered between what he referred to as "pure drawing" (abstract) and figurative drawing (a shoe, a chair, a nail, an open book, a hooded head). As he groped his way into this strange and clunky vocabulary, Guston discovered an incredible world awaiting him, and realized, as he put it, that "I wanted to tell stories!" Guston's drawing was also a vehicle for collaboration--with poets such as Clark Coolidge and Bill Berkson--and for satire--the Poor Richard series. His draftsmanship betrays such early influences as the cartoons of Frink and George Herriman, perhaps instances of the "impure" art that flooded back into his practice after he abandoned abstraction. With a selection of about 100 drawings, mostly from the artist's estate, Philip Guston: Works on Paper tracks the evolution of this major American artist's drawing from the 1940s to 1980.

Philip Guston Works on Paper

TØjner, Poul Erik

Dervaux, Isabel

History & Criticism

Hatje Cantz

Today revered as one of Europe's master painters, Belgian artist Raoul De Keyser (born 1930) first came to public attention in the mid-1960s as a member of the Nieuwe Visie ("New Vision") group, alongside Roger Raveel, Etienne Elias and Reinier Lucassen-a fraternity of painters interested in reanimating earlier strains of European abstraction. De Keyser's abstractions balance austerity and gentleness, and retrospectively seem to evoke Color Field painting and Minimalism; usually modest in size, they have a special intimacy derived from a concoction of quiet compositional tensions and a softness of figuration. De Keyser has been a leading influence on a new crop of generation of painters, including Luc Tuymans, Rebecca Morris and Tomma Abts. A beautifully designed publication, Replay traces the steady arc of a 40-year career, and is the essential monograph on this ultimate "painter's painter."

Raoul de Keyser: Replay: Paintings 1964-2008

Rinder, Larry

Reference

The German artist Rosemarie Trockel (born 1952) adapts a variety of media to address contentious matters of gender. Trockel is perhaps best known for her "knit" canvases of the mid-1980s, in which lengths of knitted wool patterned with political and consumer motifs such as the hammer and sickle or the Playboy bunny were hung on stretchers to resemble conventional paintings. In a gently humorous work from 1988, Trockel fitted a steel cube with six hot plates, in a simultaneous nod to the pervasive masculinity of Minimalism and the feminine domain of cooking. Regardless of media, Trockel begins each new work with ink, charcoal, pencil, collaged, or computer drawings. These serve as studies, charting her observations and methods, and also constitute an independent body of work. This publication presents a selection of graphic prints and a series of drawings and collages made especially for this book, along with designs for the book itself.

Rosemarie Trockel: Drawings

Haldemann, Anita

Doherty, Brigid

Mitch Epstein (born 1952) is among America's finest contemporary photographers. Two of the most powerful series upon which his reputation rests are Recreation (1973-1988) and American Power (2003), sequences that attempt to make fundamental statements about the U.S. by scrutinizing how its citizens spend their leisure and how its energy industry operates. This publication examines the development of Epstein's work through the example of these two very different series. Recreation exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where American Power critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil refineries dominate the picture frame, riding roughshod over all rules of proportion and dwarfing anything in their vicinity. Here, in 80 color images selected from these series, Epstein's development is traced, from major protagonist of the American color photography boom to leading commentator on the state of the nation.

Mitch Epstein: State of the Union

Berg, Stephan

Parak, Giesela

Photography & Video

As the renewer of art in the 20th century, Wassily Kandinsky created roughly 230 woodcuts, linocuts, et?chings, lithographs and posters. From 1 901 until the final years of his life, his work was accompanied by a steady output of prints, some of which were based on previously created paintings, and some of which were completely independent works of art. Nearly his complete oeuvre is presented in this book accom?panying an exhibition at the St,dtische Galerie Len bachhaus in Munich. For the first time ever the entire graphic works of Wassily Kandinsky (1866-1 944) is presented in an ex?tensive exhibition (from Oct 25th, 2008 ? Feb 22nd, 2009).

Kandinsky: Das Druckgrafische Werk/ Complete Prints (English and German Edition)

Adolphs, Volker

Collections, Catalogs & Exhibitions

Wienand Gmbh, Druck & Verlagshaus

A survey of Partenheimer's prints and books over the last 20 years, with texts by Cristoph Schreier, Stefan Gronert, Michael Semff, Henning Weidmann and Bojana Pejic.

Jürgen Partenheimer: Prints And Books

Richter Verlag

Highlighting ten paintings from 1951 to 1991, this publication provides an introduction to the work of American abstract painter Joan Mitchell (1925-1992), examining her breakthrough as an artist in postwar New York, her time in France and the airy abstract impressionism of her late paintings.

Joan Mitchell

Holzwarth Publications

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