The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has often been dismissed as juvenile, unmodern, improper, or subversive. In this study, William J. Scheick seeks to recover the place of romance in fin-de-siècle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic expression.The authors whose works Scheick discusses are Nathaniel Hawthorne, H. Rider Haggard, Henry James, C. J. Cutcliffe Hyne, H. G. Wells, John Kendrick Bangs, Gilbert K. Chesterton, Richard Harding Davis, Stephen Crane, Mary Austin, Jack London, Robert Louis Stevenson, Mary Cholmondeley, and Rudyard Kipling. This wide selection expands the canon to include writers and works that highly merit re-reading by a new generation.

The Ethos of Romance at the Turn of the Century

Literature & Fiction

Scheick, William J.

History & Criticism

University of Texas Press

The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has often been dismissed as juvenile, unmodern, improper, or subversive. In this study, William J. Scheick seeks to recover the place of romance in fin-de-siècle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic expression.
The authors whose works Scheick discusses are Nathaniel Hawthorne, H. Rider Haggard, Henry James, C. J. Cutcliffe Hyne, H. G. Wells, John Kendrick Bangs, Gilbert K. Chesterton, Richard Harding Davis, Stephen Crane, Mary Austin, Jack London, Robert Louis Stevenson, Mary Cholmondeley, and Rudyard Kipling. This wide selection expands the canon to include writers and works that highly merit re-reading by a new generation.

United States

H. G. Wells was one of the most influential authors of the late 19th and early 20th centuries. He is best remembered today as the author of classic works of science fiction, such as The Invisible Man, The War of the Worlds, and The First Men in the Moon. He was also the author of The Outline of World History, an ambitious chronicle of the world from antiquity to the beginning of the 20th century. Through essays and reviews, this volume traces the critical reception of his works.An introductory essay overviews Wells's literary career and provides a context for understanding his works. Each of the sections that follow treats one of his major works, according to the publication date of his story. Within each section are reviews, essays, or excerpts that exemplify the critical response to that particular work from the time of its appearance to the present day. A bibliography at the end of the volume lists the most important modern critical studies of Wells and indicates the tremendous contemporary interest in Wells as an author.

The Critical Response to H.G. Wells: (Critical Responses in Arts and Letters)

Greenwood

Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both concealed authorial pride and latent deific design. These ambiguous occasions served Puritan writers as places where the threat of divine wrath and the promise of divine mercy intersected in unresolved tension.By the nineteenth century the heritage of this Christlike mingling of temporal connotation and eternal denotation had mutated. A peculiar late eighteenth-century narrative by Nathan Fiske and a short story by Edward Bellamy both suggest that the binary nature of language exploited by their Puritan ancestors was still a vital authorial concern; but neither of these writers affirms the presence of an eternal denotative signification hidden within the conflicting historical contexts of their apparently allegorical language. For them, appreciation of the mystery of a divine revelation possibly concealed in words yielded to puzzlement over language itself, specifically over the inadequacy of language to signify more than its own instability of design.This book is a tightly focused study of an important aspect of Puritan American writers' use of language by one of the leading scholars in the field of early American literature.

Design in Puritan American Literature

Univ Pr of Kentucky

Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther Edwards Burr and Sarah Prince, the autobiographical prose of Elizabeth Hanson and Elizabeth Ashbridge, and the political verse of Phyllis Wheatley. These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority. Scheick reveals subtle authorial uneasiness and subtextual tensions caused by the attempt to draw legitimacy from male authorities and traditions.

Authority and Female Authorship in Colonial America

University Press of Kentucky

Alice Maude Ewell's Peterson's Magazine Fiction, 1883-1893: Facsimile Reproductions (SCHOLARS' FACSIMILES & REPRINTS)

Ewell, Alice Maude

Scholars' Facsimilies & Reprint

Dust Jacket in Very Good condition.

Fictional Structure and Ethics: The Turn of the Century English Novel

Univ of Georgia Pr

This study discloses the intellectual context and the personal pretext of Thomas Paine's assault on religion in The Age of Reason. Illustrated.

Paine, Scripture, and Authority: The Age of Reason As Religious and Political Ideal

History

Davidson, Edward H.

World

Lehigh University Press

See the best price to sell, buy, or rent books by Scheick, William J.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Scheick, William J.

See the best price to sell, buy, or rent books by Scheick, William J.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Ethos of Romance at the Turn of the Century

The Ethos of Romance at the Turn of the Century

The Critical Response to H.G. Wells: (Critical Responses in Arts and Letters)

Design in Puritan American Literature

Authority and Female Authorship in Colonial America

Design in Puritan American Literature

Alice Maude Ewell's Peterson's Magazine Fiction, 1883-1893: Facsimile Reproductions (SCHOLARS' FACSIMILES & REPRINTS)

Fictional Structure and Ethics: The Turn of the Century English Novel

Paine, Scripture, and Authority: The Age of Reason As Religious and Political Ideal