Villa Ottolenghi (One House)

Arts & Photography

Dal Co, Francesco

SCARPA, Carlo

Architecture

The Monacelli Press

Carlo Scarpa: The Message of the Structure

Silvana Editoriale

La mostra I disegni di Carlo Scarpa per la Biennale di Venezia Architetture e progetti [1948-1968] presenta i lavori commissionati a Carlo Scarpa dalla Biennale negli anni che vanno dal 1948 al 1968. I progetti sono esposti in ordine cronologico e i disegni, quasi tutti inediti, sono stati scelti tra i più significativi ed efficaci. Dei progetti non realizzati o demoliti restano i disegni o le immagini d'epoca conservate nell'archivio di Carlo Scarpa e negli altri fondi. Drawings by Carlo Scarpa for the Venice Biennale: Architecture and projects [19481968] is an exhibition of the designs commissioned from Carlo Scarpa by the Biennale between the years 1946 and 1968. The projects are shown in chronological order and the drawings, almost all of them previously unpublished, have been chosen from among the most important and effective. Remaining of the unbuilt and demolished projects are the drawings and images done by the architect at the time and which have been conserved in the Carlo Scarpa Archives and other foundations.

I disegni di Carlo Scarpa per la Biennale di Venezia. Architetture e progetti (1948-1968)

Gangemi

IL PROGETTO PER SANTA CATERINA A TREVISO (The Museum of Santa Caterina)

Edizioni Grafiche Vianello

Carlo Scarpa alla Querini Stampalia: Disegni inediti (Quaderni del Fondo Giuseppe Mazzariol) (Italian Edition)

ill. (some col.)

<p>Italian art glass of the twentieth century represents a high point in the history of the medium. In this century, such legendary Muranese factories as Venini, Seguso and Barovier &amp; Toso, among others, joined forces with major artists, architects, designers and skilled glassworkers to renovate and expand the traditions of excellence that had been the hallmarks of Venetian glass for centuries. From experiments in new forms, colors and techniques in the first decades of the century, through the golden years of Italian preeminence in the field at mid-century, to the influx of talented artists from other countries today, Venetian glasswork of the twentieth century is a testament to creative spirit and artistic innovation. Presented at the American Craft Museum from fall 2000 through winter 2001, <i>Venetian Glass: Twentieth Century Italian Glass from the Olnick Spanu Collection</i> is one of the first comprehensive overviews of twentieth-century Italian glass art in the United States, and the first in this country to present a heretofore unknown private collection of Italian glass masterworks. The extraordinary design by Massimo Vignelli coupled with the stunning photographs by Luca Vignelli give life and texture to each piece. Responding to the dearth of publications about twentieth-century Italian glass art available in the US, this accompanying catalogue--featuring over 200 works--is certain to occupy a significant place in the current revival of interest in glasswork as an art form.</p>

Venetian Glass: 20th Century Italian Glass from the Olnick Spanu Collection

McFadden, David Revere

Barovier, Marino

Scarpa, Tobia

Tagliapietra, Lino

Moore, Benjamin

Bianchin, Cristiano

Barbini, Alfredo

Diaz de Santillana, Laura

Ohira, Yoichi

Sacks, Susan

Stearns, Thomas

Zynsky, Toots

Barovier, Ercole

Bianconi, Fulvio

Vetrerie, Muranese

Frantz, Suzanne K.

Decorative Arts & Design

Charta

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