Eddie Hecht, a police officer in a normally serene town, investigates a series of bizarre crimes and gruesome murders--all somehow involving children--while his ten-year-old son Timmy befriends a mysterious stranger who appears nightly outside Timmy's bedroom window

Piper

Literature & Fiction

Rutherford, Brett

Robertson, John.

Genre Fiction

Kensington Pub. Corp

Eleven-year-old Marsha is delighted to be among the select group of youngsters chosen by the Foundation to receive a free computer, but once installed, the computer urges Marsha to do evil things

The Lost Children

Here is Brett Rutherford’s first new compendium of poems in seven years. Following on The Gods As They Are On Their Planets (2005) and Poems from Providence (1991), this book is a must for fans of this neo-Romantic American poet. The 94 new poems and revisions in this collection range from a dark-shadowed childhood in the coal and coke region of Western Pennsylvania, to New York City and Providence, Rhode Island. The jolting sequence titled “Out Home” is a poetic memoir of broken families and childhood terrors, and the imminent threat of kidnapping and mutilation by “Doctor Jones,” a crazed surgeon who roams the countryside in a sinister roadster. The small boy of these poems is already a self-styled outsider, defining his difference from the crushing environment around him. In “Past the Millennium” and “Ars Poetica,” the full-grown poet soars, with politically-charged poems on Solzhenitsyn, the self-immolation of Czech martyr Jan Palach, and the imagined overtaking of Bush and Cheney by “The Black Huntsman.” Rutherford walks in Poe’s footsteps on a Hudson River pier, visits ancient Rome for a chat with the law-giving King Numa Pompilius, and puts Poe to work tracking down a cemetery spectre in 1848 Providence. Two historic verse plays give voice to the mad Carlota, Empress of Mexico, and two Austrian policemen with an unexpected prisoner on their hands. Humor abounds in this volume, too, from the possessed sex toys in “A Night in Eddie’s Apartment,” skeptical Martians refusing to believe there’s life on Earth, nine-year-old Dante meeting Beatrice in Providence’s Federal Hill, and a surrealist adventure across Europe as a lost sock-puppet searches for its owner, meeting Sigmund Freud along the way. A sequence of poems on Love and Eros titled “Love Spells” plumbs the depths of desire and obsession, and presents several powerful elegies, culminating with the poignant “The Loft on Fourteenth Street.” The erotic poems, some set in Ancient Greece and some in the present, are frank and often amusing, perhaps some comfort for those who think the fun ends at thirty. Ending the book is a clump of supernatural poems, as expected from this heir of Poe and Lovecraft: a story-length poem, “Dawn,” presents the ennui of a 300-year-old vampire; the birth and education of the feared witch Keziah Mason; wind elementals attack the headquarters of Bain Capital in Boston; and Elder Gods arrive to make humans their playthings. An Expectation of Presences is a wide-ranging and startling collection, romantic, defiant, and bracingly hopeful.

An Expectation of Presences: New Poems and Revisions

Poetry

Poet's Press, The

This annotated edition of 76 memorable supernatural-themed poems is a modern sequel to Matthew Gregory Lewis’s famous 1801 poetry anthology, Tales of Wonder. Treasures in this volume include two translations of scenes from Goethe’s Faust by Coleridge and Shelley; supernatural verses and ballads gleaned from Sir Walter Scott’s Waverly novels; Shelley’s supernatural poems, both juvenile and mature; Longfellow sharing ghost stories from The Song of Hiawatha, and fierce legends from Norse myth and history; all of the overtly supernatural poems of Edgar Allan Poe; Robert Browning’s famed “Pied Piper of Hamelin”; Christina Rossetti’s delicious “Goblin Market”; and a feast of shuddery French, Russian, and German poems in translation from Hugo, Heine, Gautier, Baudelaire, Pushkin and Sologub. For the poetry lover, and the fan of supernatural literature, this book is a year-round Halloween treat of entertaining and alarming poems to read aloud — bedtime stories for very bad children. For the scholar of the Gothic, the volume presents an intriguing array of poems that range from overtly entertaining Gothic narratives, to works that employ the devices of the Gothic for other ends, social, political or personal. The book also includes an annotated bibliography of source materials on the supernatural and Gothic in poetry.

Tales of Terror: The Supernatural Poem Since 1800

This annotated edition of 176 supernatural-themed poems is the second part of a modern sequel to Matthew Gregory Lewis’s famous 1801 poetry anthology, Tales of Wonder. As might be expected, several of the best-known horror writers who were also poets are here, including H.P. Lovecraft, Clark Ashton Smith, and Frank Belknap Long. But surprises abound as ghosts, goblins, fairies, monsters, and cosmic doom escape the pens of poets from the United States, Britain, Ireland, Australia, Switzerland, and Germany. Treasures to be found in this volume include the lore of The Flying Dutchman, arctic werewolves, an octopus-woman, a rampaging Sphinx, malevolent fairies, house ghosts, a painting fatal to look upon, Santa Claus’s evil cousin, the Phantom of the Opera, mad scientist Nikola Tesla, “women scorned” with revenge in mind — plus the inevitable sea serpents, Gorgons, vampires, and the hungry slime mold that ate Providence, Rhode Island. This volume samples the best supernatural-themed poems from the 1890s to about 1930, and then leaps forward to offer over a hundred pages of Gothic works by contemporary poets working in a variety of styles. For the poetry lover, and for the fan of supernatural literature, this book is a year-round Halloween treat of entertaining and alarming poems to read aloud — bedtime stories for very bad children. For the scholar of the Gothic, it presents an intriguing array of poems that range from overtly entertaining Gothic narratives, to works that employ the devices of the Gothic for other ends, social, political, or personal. The book also includes a cumulative bibliography of source materials on the supernatural and Gothic in poetry.

Tales of Terror: The Supernatural Poem Since 1800, Volume 2

Callimachus at Alexandria: A Poem Cycle

Independently published

Opus 300: The Poet's Press Anthology 1971-2021

Literary

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