A biography of Vergil, Rome's greatest poet, by the acclaimed translator of the Aeneid &nbsp; The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70-19 BCE) became the world's first media celebrity, a living legend. &nbsp; But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. &nbsp; Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings to make careful deductions to reconstruct his life. Through her intimate knowledge of Vergil's work, she brings to life a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Vergil: The Poet's Life (Ancient Lives)

Biographies & Memoirs

RUDEN, SARAH

Arts & Literature

Yale University Press

A dazzling reconsideration of the original languages and texts of the Bible, in both the Old and the New Testaments, from the acclaimed scholar and translator of Classical literature (“The best translation of the Aeneid, certainly the best of our time” —Ursula Le Guin; “The first translation since Dryden that can be read as a great English poem in itself” —Garry Wills, The New York Review of Books) and author of Paul Among the People (“Astonishing . . . Superb” —Booklist, starred review). In The Face of Water, Sarah Ruden brilliantly and elegantly explains and celebrates the Bible’s writings. Singling out the most famous passages, such as the Genesis creation story, the Ten Commandments, the Lord’s Prayer, and the Beatitudes, Ruden reexamines and retranslates from the Hebrew and Greek what has been obscured and misunderstood over time. Making clear that she is not a Biblical scholar, cleric, theologian, or philosopher, Ruden—a Quaker—speaks plainly in this illuminating and inspiring book. She writes that while the Bible has always mattered profoundly, it is a book that in modern translations often lacks vitality, and she sets out here to make it less a thing of paper and glue and ink and more a live and loving text. Ruden writes of the early evolution, literary beauty, and transcendent ideals of the Hebrew Bible and the Greek New Testament, exploring how the Jews came to establish the greatest, most enduring book on earth as their regional strategic weakness found a paradoxical moral and spiritual strength through their writings, and how the Christians inherited and adapted this remarkable literary tradition. She writes as well about the crucial purposes of translation, not only for availability of texts but also for accountability in public life and as a reflection of society’s current concerns. She shows that it is the original texts that most clearly reveal our cherished values (both religious and secular), unlike the standard English translations of the Bible that mask even the yearning for freedom from slavery. The word “redemption” translated from Hebrew and Greek, meaning mercy for the exploited and oppressed, is more abstract than its original meaning—to buy a person back from captivity or slavery or some other distress. The Face of Water is as much a book about poetry, music, drama, raw humor, and passion as it is about the idealism of the Bible. Ruden’s book gives us an unprecedented, nuanced understanding of what this extraordinary document was for its earliest readers and what it can still be for us today

The Face of Water: A Translator on Beauty and Meaning in the Bible

Religion & Spirituality

Christian Books & Bibles

Pantheon

It is a common—and fundamental—misconception that Paul told people how to live. Apart from forbidding certain abusive practices, he never gives any precise instructions for living. It would have violated his two main social principles: human freedom and dignity, and the need for people to love one another. Paul was a Hellenistic Jew, originally named Saul, from the tribe of Benjamin, who made a living from tent making or leatherworking. He called himself the “Apostle to the Gentiles” and was the most important of the early Christian evangelists. Paul is not easy to understand. The Greeks and Romans themselves probably misunderstood him or skimmed the surface of his arguments when he used terms such as “law” (referring to the complex system of Jewish religious law in which he himself was trained). But they did share a language—Greek—and a cosmopolitan urban culture, that of the Roman Empire. Paul considered evangelizing the Greeks and Romans to be his special mission. “For you were called to freedom, brothers and sisters; only do not use your freedom as an opportunity for self-indulgence, but through love become slaves to one another. For the whole law is summed up in a single commandment, ‘You shall love your neighbor as yourself.’” The idea of love as the only rule was current among Jewish thinkers of his time, but the idea of freedom being available to anyone was revolutionary. Paul, regarded by Christians as the greatest interpreter of Jesus’ mission, was the first person to explain how Christ’s life and death fit into the larger scheme of salvation, from the creation of Adam to the end of time. Preaching spiritual equality and God’s infinite love, he crusaded for the Jewish Messiah to be accepted as the friend and deliverer of all humankind. In Paul Among the People, Sarah Ruden explores the meanings of his words and shows how they might have affected readers in his own time and culture. She describes as well how his writings represented the new church as an alternative to old ways of thinking, feeling, and living. Ruden translates passages from ancient Greek and Roman literature, from Aristophanes to Seneca, setting them beside famous and controversial passages of Paul and their key modern interpretations. She writes about Augustine; about George Bernard Shaw’s misguided notion of Paul as “the eternal enemy of Women”; and about the misuse of Paul in the English Puritan Richard Baxter’s strictures against “flesh-pleasing.” Ruden makes clear that Paul’s ethics, in contrast to later distortions, were humane, open, and responsible. Paul Among the People is a remarkable work of scholarship, synthesis, and understanding; a revelation of the founder of Christianity.

Paul Among the People: The Apostle Reinterpreted and Reimagined in His Own Time

In Paul Among the People, Sarah Ruden explores the writings of the evangelist Paul in the context of his time and culture, to recover his original message of freedom and love while overturning the common—and fundamental—misconception that Paul represented a puritanical, hysterically homophobic, misogynist, or reactionary vision. By setting famous and controversial words of Paul against ancient Greek and Roman literature, Ruden reveals a radical message of human freedom and dignity at the heart of Paul’s preaching. Her training in the Classics allows her to capture the stark contrast between Paul’s Christianity and the violence, exploitation, and dehumanization permeating the Roman Empire in his era. In contrast to later distortions, the vision of Christian life Ruden finds in Paul is centered on equality before God and the need for people to love one another. A remarkable work of scholarship, synthesis, and understanding, Paul Among the People recaptures the moral urgency and revolutionary spirit that made Christianity such a shock to the ancient world and laid the foundation of the culture in which we live today.

Leaders & Notable People

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In this dazzling reconsideration of the language of the Old and New Testaments, acclaimed scholar and translator of classical literature Sarah Ruden argues that the Bible’s modern translations often lack the clarity and vitality of the originals. Singling out the most famous passages, such as the Genesis creation story, the Ten Commandments, the Lord’s Prayer, and the Beatitudes, Ruden reexamines and retranslates from the Hebrew and Greek, illuminating what has been misunderstood and obscured in standard English translations. By showing how the original texts more clearly reveal our cherished values, Ruden gives us an unprecedented understanding of what this extraordinary document was for its earliest readers and what it can still be for us today.

Knopf Doubleday Publishing Group

Can beauty save the world? These days criticism of art--whether visual, musical, or literary--is often marked by a suspicion of beauty. What happened to the belief that the creativity of the artist reflects the creativity of the Maker of heaven and earth, and that art can therefore be a channel for divine truth? Anyone who has joined with others to sing Bach’s Saint Matthew Passion or stood before a painting by Raphael or Chagall can attest to this. At such moments, art binds people together. This issue of Plough focuses on art that leads to such community: through theater, painting, music, and the objects and architecture of everyday life. And while art fosters community, building community is itself a work of creativity. Also in this issue: original poetry by Cozine Welch Jr.; reviews of new books by Eliza Griswold, Alissa Quart, Eugene Vodolazkin, and Nathan Englander; and art by Denis Brown, JR, Valérie Jardin, Isaiah King, Isaiah Tanenbaum, George Makary, Oriol Malet, Alex Nwokolo, Ashik and Jenelle Mohan, Raphael, Aaron Douglas, Winslow Homer, Vincent van Gogh, Wassily Kandinsky, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Plough Quarterly No. 18 - The Art of Community

Arts & Photography

BERGER, JOHN

BALDWIN, James

CARLIN, JOHN

Arnold, Eberhard

Black, Susannah

Beauchamp, Scott

Navid, Kermani

Mikhail, Fadi

Swinger, Maureen

Hallock, Emily

Scruton, Roger

SAYERS,DOROTHY L.

History & Criticism

Plough Publishing House

Food – how it’s grown, how it’s shared – makes us who we are. This issue traces the connections between farm and food, between humus and human. According to the first book of the Bible, tending the earth was humankind’s first task: “The Lord God planted a garden in Eden, in the east; and there he put the man whom he had formed” (Gen. 2:8). The desire to get one’s hands dirty raising one’s own food, then, doesn’t just come from modern romanticism, but is built into human nature. The title, “The Welcome Table,” comes from a spiritual first sung by enslaved African-Americans. The song refers to the Bible’s closing scene, the wedding feast of the Lamb described in the Book of Revelation, to which every race, tribe, and tongue are invited – a divine pledge of a day of freedom and freely shared plenty, of earth renewed and humanity restored. In the case of food, the symbol is the substance. Every meal, if shared generously and with radical hospitality, is already now a taste of the feast to come. Also in this issue: poetry by Luci Shaw; reviews of books by Julia Child, Robert Farrar Capon, Peter Mayle, Albert Woodfox, and Maria von Trapp; and art by Michael Naples, Sieger Köder, Carl Juste, André Chung, Ángel Bracho, Winslow Homer, Raymond Logan, Sybil Andrews, Cameron Davidson, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

Plough Quarterly No. 20 - The Welcome Table (Plough Quarterly, 20)

Cookbooks, Food & Wine

Danticat, Edwidge

Shaw, Luci

Hartley, Aidan

Wirzba, Norman

Britts, Philip

Lee, Uk-Bae

Genovise, Elizabeth

Larison, Daniel

Libresco, Leah

Meier, Johannes

Joyner, Richard

High, Ellesa Clay

Oliver, Claudio

Peters, Jane Sloan

Cooking Education & Reference

Other places

Justified Press

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