The best of the Bard on the silver screen! Cinema's love affair with Shakespeare began almost with the start of moving pictures and has continued passionately and unabated to this day. From the most faithful adaptations (Kenneth Branagh's uncut Hamlet) to versions musical (West Side Story, Kiss Me Kate), modernized (Ian MacKellen's WWII Richard III, Baz Luhrman's hallucinogenic William Shakespeare's Romeo and Juliet), and otherwise transformed (Forbidden Planet, a low-budget yet compelling sci-fi retelling of The Tempest), see how the greatest of plays became the finest of films. Among the brilliant artists whose work receives special homage here are Orson Welles, Laurence Olivier, and Branagh--who did double-duty as Shakespearean actors and directors--as well as Akira Kurosawa, Franco Zeffirelli, and John Gielgud. With numerous stills and quotations.

Shakespeare On Screen

Humor & Entertainment

Rosenthal, Daniel

Movies

Hamlyn

A Short Course in Gold Investing: A Guide to Financial Security

Young, Ellen

Business & Money

Inst for the Preservation

Book by Rosenthal, Daniel, Young, Ellen

The Silver & Gold Investor's Profit Guide: Where to Get the Best Prices on the Best Silver & Gold Investments

Case for South African Gold Mining Stocks

Platinum: The Case for an Explosive Rise in Prices

Crafts, Hobbies & Home

Crafts & Hobbies

This book has 265 pages of illuminating text and more than 140 emotionally filled photographs. It brings the spirit of the people, the culture and the land of Israel to those who will not have the opportunity to experience being in the Holy Land themselves. It reveals unique insights that Christians will discover through the eyes, ears and heart of Daniel Rosenthal, a Jew that understands and believes Christian values. This masterpiece brings to light the profound cultures of Jews, Moslems and Christians and brings to view matchless scenes that touch the heart. Some of these scenes are no longer available to be photographed.

Israel Discovered

Arts & Photography

Photography & Video

Millennial Press

Winner, STR Theatre Book Prize 2013, awarded by the Society for Theatre Research The National Theatre Story is filled with artistic, financial and political battles, onstage triumphs and the occasional disaster. This definitive account takes readers from the National Theatre’s 19th-century origins, through false dawns in the early 1900s, and on to its hard-fought inauguration in 1963. At the Old Vic, Laurence Olivier was for ten years the inspirational Director of the NT Company, before Peter Hall took over and, in 1976, led the move into the National’s concrete home on the South Bank. Altogether, the National Theatre has staged more than 800 productions, premiering some of the 20th and 21st centuries’ most popular and controversial plays, including Amadeus, The Romans in Britain, Closer, The History Boys, War Horse and One Man, Two Guvnors. The National Theatre Story draws on Daniel Rosenthal’s unprecedented access to the National Theatre’s own archives, unpublished correspondence and more than 100 new interviews with directors, playwrights and actors, including Olivier’s successors as Director (Peter Hall, Richard Eyre, Trevor Nunn and Nicholas Hytner), and other great figures from the last 50 years of British and American drama, among them Edward Albee, Alan Bennett, Judi Dench, Michael Gambon, David Hare, Tony Kushner, Ian McKellen, Diana Rigg, Maggie Smith, Peter Shaffer, Stephen Sondheim and Tom Stoppard.

The National Theatre Story

Oberon Books

From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Spanning a century of cinema, from a silent short of The Tempest (1907) to Kenneth Branagh's As You Like It (2006), this work includes a selection Shakespeare films.

100 Shakespeare Films (Screen Guides)

British Film Institute

From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.

A Readable Introduction to Real Mathematics (Undergraduate Texts in Mathematics)

Designed for an undergraduate course or for independent study, this text presents sophisticated mathematical ideas in an elementary and friendly fashion. The fundamental purpose of this book is to teach mathematical thinking while conveying the beauty and elegance of mathematics. The book contains a large number of exercises of varying difficulty, some of which are designed to help reinforce basic concepts and others of which will challenge virtually all readers. The sole prerequisite for reading this text is high school algebra. Topics covered include: * mathematical induction * modular arithmetic * the Fundamental Theorem of Arithmetic * Fermat's Little Theorem * RSA encryption * the Euclidean algorithm * rational and irrational numbers * complex numbers * cardinality * Euclidean plane geometry * constructibility (including a proof that an angle of 60 degrees cannot be trisected with a straightedge and compass)* infinite series * higher dimensional spaces.This textbook is suitable for a wide variety of courses and for a broad range of students of mathematics and other subjects. Mathematically inclined senior high school students will also be able to read this book.From the reviews of the first edition:“It is carefully written in a precise but readable and engaging style… I thoroughly enjoyed reading this recent addition to the Springer Undergraduate Texts in Mathematics series and commend this clear, well-organised, unfussy text to its target audiences.” (Nick Lord, The Mathematical Gazette, Vol. 100 (547), 2016) “The book is an introduction to real mathematics and is very readable. … The book is indeed a joy to read, and would be an excellent text for an ‘appreciation of mathematics’ course, among other possibilities.” (G.A. Heuer, Mathematical Reviews, February, 2015)“Many a benighted book misguidedly addresses the need [to teach mathematical thinking] by framing reasoning, or narrowly, proof, not as pervasive modality but somehow as itself an autonomous mathematical subject. Fortunately, the present book gets it right.... [presenting] well-chosen, basic, conceptual mathematics, suitably accessible after a K-12 education, in a detailed, self-conscious way that emphasizes methodology alongside content and crucially leads to an ultimate clear payoff. … Summing Up:  Recommended. Lower-division undergraduates and two-year technical program students; general readers.” (D.V. Feldman, Choice, Vol. 52 (6), February, 2015)

Science & Math

Rosenthal, Peter

Rosenthal,David

Mathematics

Springer

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