These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.

Image-Music-Text

Reference

ROLAND BARTHES

Foreign Language Study & Reference

Fontana Press Harpercollins

A Lover's Discourse: Fragments

'A Lover's Discourse' is a detailed, painstaking anatomy of desire. Its mini-topics range throughout the entire gamut of love and beyond: jealousy, waiting, letters, being in love with love itself, the meaning of 'i love you', quarrels, the threat of suicide, love at first sight, and more. All readers will find something they recognize in Barthes' recreation of the lover's fevered consciousness: the book is an ecstatic celebration of love and language.

Literature & Fiction

Vintage

Fashion never ceases to interest psychologists, aestheticians and sociologists. Roland Barthes, however, examined fashion from a new point of view. Using descriptions from magazines, he uncovered a system of meaning and subjected it for the first time to semantic analysis. "The Fashion System", published in France in 1967, is bold and imaginative. In his endeavour to confine his love, outrage and passion for fashion to a system, Barthes created a work of literature that is witty, humane, personal and enormously stimulating.

Fashion System

Crafts, Hobbies & Home

Vintage Classic

In these interviews, given between 1962 and 1980, Barthes speaks about the development of his thought, explaining why and how he wrote his many books, paying tributes to philosophers, linguists, novelists, poets, painters and film-makers who have inspired him, as well as discussing how his life became dedicated to an exploration of semiotics. What comes across is the sheer gusto of a man who never stopped developing and changing, and the warm personal side of his rich and probing intelligence.

Grain of the Voice Interviews, 1962-1980

Politics & Social Sciences

Philosophy

Vintage Books USA

Mythologies

"[Mythologies] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. Mythologies finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said

Sade, Fourier, Loyola

Words, Language & Grammar

Jonathan Cape, London

"I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the Collège de France, just two years before his death. Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's intellectual itinerary and reveal his distinctive style as thinker and teacher. The Neutral (le neutre), as Barthes describes it, escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. These binaries are found in all aspects of human society ranging from language to sexuality to politics. For Barthes, the attempt to deconstruct or escape from these binaries has profound ethical, philosophical, and linguistic implications. The Neutral is comprised of the prewritten texts from which Barthes lectured and centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral (sleep, silence, tact, etc.) or of the anti-Neutral (anger, arrogance, conflict, etc.). His lectures draw on a diverse set of authors and intellectual traditions, including Lao-tzu, Tolstoy, German mysticism, classical philosophy, Rousseau, Baudelaire, Walter Benjamin, and John Cage. Barthes's idiosyncratic approach to his subjects gives the lectures a playful, personal, and even joyous quality that enhances his rich insights. In addition to his reflections on a variety of literary and scholarly works, Barthes's personal convictions and the events of his life shaped the course and content of the lectures. Most prominently, as Barthes admits, the recent death of his mother and the idea of mourning shape several of his lectures.

The Neutral: Lecture Course at the College de France (1977-1978) (European Perspectives: A Series in Social Thought and Cultural Criticism)

History & Criticism

Columbia University Press

In his first book, French critic Roland Barthes defines the complex nature of writing, as well as the social, historical, political, and personal forces responsible for the formal changes in writing from the classical period to recent times.

Writing Degree Zero

Hill and Wang

On Racine is a brilliant, personal view of theatre in which Barthes discusses all the major tragedies of Racine as well as the range of critical views of his work.

On Racine

University of California Press

The Responsibility of Forms : Critical Essays on Music, Art, and Representation

Wiley/Blackwell

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Books by ROLAND BARTHES