The Morning After - Sex, Fear, And Feminism

Politics & Social Sciences

Roiphe, Katie

Social Sciences

Hamish Hamilton

A Princeton graduate student takes on the intolerance of the modern women's movement and gives an unflinching view of sexual politics on campus today

The Morning After: Sex, Fear, and Feminism on Campus

Women's Studies

Little,Brown & Co

When Katie Roiphe arrived at Harvard in the fall of 1986, she found that the feminism she had been raised to believe in had been radically transformed. The women's movement, which had once signaled such strength and courage, now seemed lodged in a foundation of weakness and fear. At Harvard, and later as a graduate student at Princeton, Roiphe saw a thoroughly new phenomenon taking shape on campus: the emergence of a culture captivated by victimization, and of a new bedroom politics in the university, cloaked in outdated assumptions about the way men and women experience sex. Men were the silencers and women the silenced, and if anyone thought differently no one was saying so. Twenty-four-year-old Katie Roiphe is the first of her generation to speak out publicly against the intolerant turn the women's movement has taken, and in The Morning After she casts a critical eye on what she calls the mating rituals of a rape-sensitive community. From Take Back the Night marches (which Roiphe terms "march as therapy",and "rhapsodies of self-affirmation") to rape-crisis feminists and the growing campus concern with sexual harassment, Roiphe shows us a generation of women whose values are strikingly similar to those their mothers and grandmothers fought so hard to escape from - a generation yearning for regulation, fearful of its sexuality, and animated by a nostalgia for days of greater social control. At once a fierce excoriation of establishment feminism and a passionate call to our best instincts, The Morning After sounds a necessary alarm and entreats women of all ages to take stock of where they came from and where they want to go.

The Morning After: Sex, Fear, and Feminism

Back Bay Books

The author of the feminist text The Morning After traces the changing attitudes of today's younger generation toward sex, showing how morality has given way to a utilitarianism based on the threat of AIDS. Tour.

Last Night in Paradise: Sex and Morals at the Century's End

Self-Help

Little. Brown and Company

The Violet Hour: Great Writers at the End

Death & Grief

Virago

"A brilliant and contrarian voice, à la Mary McCarthy." --Kirkus Reviews Writing with the unerring reportorial instinct she brought to her widely discussed The Morning After, one of our most outspoken cultural commentators chronicles our uneasy passage from the sexual revolution to the new Puritanism in a book that is one part history, one part prophecy, and all provocation. KATIE ROIPHE depicts the inner landscape of a generation that practices condom etiquette yet fears that even the safest sex may not be safe enough. She shows how educators and ideologues have co-opted the fear of AIDS to promote their own moral agenda. Roiphe also writes about her sister Emily, who is herself HIV-positive, with a candor that makes Last Night in Paradise as much a personal document as it is a barometric reading of our sexual climate. Gripping, incisive, and at times incendiary, the result is a work of reportage in the tradition of Joan Didion's Slouching Toward Bethlehem--a portrait of an era that will be read and debated long after that era has passed. "Resonant . . . I look forward to hearing from Ms. Roiphe again." --Jennifer Grossman, Wall Street Journal

Sociology

Vintage Books

Charles Lutwidge Dodgson was a shy Oxford mathematician, reverend, and pioneering photographer. Under the pen name Lewis Carroll he wrote two stunning classics that liberated children's literature from the constraints of Victorian moralism. But the exact nature of his relationship with Alice Liddell, daughter of the dean of his college, and the young girl who was his muse and subject, remains mysterious. Dodgson met Alice in 1856, when she was almost four years old. Eventually he would capture her in his photographs, and transform the stories he told her into the luminous Alice’s Adventures in Wonderland &amp; Through the Looking-Glass. Then, suddenly, when Alice was eleven, the Liddell family shut him out, and his relationship with Alice ended abruptly. The pages from Dodgson's diary that may have explained the rift have disappeared. In imagining what might have happened, one of America’s most provocative young writers, Katie Roiphe, has created a deep, richly textured fictional portrait of Alice and Dodgson: she changing from an unruly child to a bewitching adolescent, and he, a diffident, neurasthenic adult whose increasing obsession with her almost destroys him. Here, too, is a brilliantly realized cast of characters that surround them: Lorina Liddell, Alice's mother, who loves her daughter even as she envies her youth; Edith Liddell, Alice's resentful little sister; and James Hunt, Dodgson's speech therapist, an island of sanity in Dodgson's increasingly chaotic world. Beautifully crafted, prodigiously researched, Still She Haunts Me is an announcement of a deft and original novelist, even as it is a singular work of art.

Still She Haunts Me: A Novel

Literature & Fiction

The Dial Press

Charles Lutwidge Dodgson was a shy Oxford mathematician, reverend, and pioneering photographer. Under the pen name Lewis Carroll he wrote two stunning classics that liberated children's literature from the constraints of Victorian moralism. But the exact nature of his relationship with Alice Liddell, daughter of the dean of his college, and the young girl who was his muse and subject, remains mysterious. Dodgson met Alice in 1856, when she was almost four years old. Eventually he would capture her in his photographs, and transform the stories he told her into the luminous Alice's Adventures in Wonderland &amp; Through the Looking-Glass. Then, suddenly, when Alice was eleven, the Liddell family shut him out, and his relationship with Alice ended abruptly. The pages from Dodgson's diary that may have explained the rift have disappeared. In imagining what might have happened, Katie Roiphe has created a deep, textured portrait of Alice and Dodgson: she changing from an unruly child to a bewitching adolescent, and he, a diffident, neurasthenic adult whose increasing obsession with her almost destroys him. Here, too, is a brilliantly realized cast of characters that surround them: Lorina Liddell, Alice's mother, who loves her daughter even as she envies her youth; Edith Liddell, Alice's resentful little sister; and James Hunt, Dodgson's speech therapist, an island of sanity in Dodgson's increasingly chaotic world.

Still She Haunts Me: A Novel of Lewis Carroll and Alice Liddell

Literary

Random House Publishing Group

Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.

Uncommon Arrangements: Seven Portraits of Married Life in London Literary Circles 1910-1939

Biographies & Memoirs

Arts & Literature

Uncommon Arrangements: Seven Marriages

Dial Press Trade Paperback

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