Folksongs and tales of a Kentucky mountain family

Sang Branch settlers: Folksongs and tales of a Kentucky mountain family (Publications of the American Folklore Society)

Roberts, Leonard

published for the American Folklore Society by the University of Texas Press

South from Hell-fer-Sartin, a short creek flowing into the Middle Fork of the Kentucky River, lies one of the of the most isolated regions in Kentucky. There, on the north slope of the Pine Mountain range in Leslie and Perry counties―probably the last stronghold of white, English-language folk tales in North America―Leonard W. Roberts recorded this rich collection more than three decades ago. To a people who, at that time, watched dancing hearth fires more often than television, the adventures of Jack in the land of witches and giants, monsters and beautiful princesses, provided first-class entertainment. Here are such old favorites as "Sleeping Beauty" and "The Golden Arm," retold in the idiom of the Kentucky mountains. Here are hauntingly beautiful cantes fables and earthy Irishman jokes. Here are encounters with Indians and marvelous hunting escapades. Roberts introduces his collection, first published in 1955, with a sympathetic description of the mountain way of life. He notes especially the bewildering and rapid changes that came to the Pine Mountain watershed in that decade as the highways and electric lines at last brought in a sophistication that preferred the soap opera to the folk tale. Although the stories Roberts recorded were still a firm part of folk tradition at the time, he believed that within a decade or two they would be forgotten―a prediction, sadly, by now no doubt fulfilled. Any lover of the vanishing art of tale telling will relish this rich treasury of folklore and humor. Full notes on sources, types, motifs, parallels, and possible origins of the tales make this collection valuable also for folklorists.

South from Hell-fer-Sartin: Kentucky Mountain Folk Tales

Literature & Fiction

Genre Fiction

University Press of Kentucky

Along the isolated headwaters of the Kentucky River―Cutshin and Greasy creeks―folklorist Leonard Roberts found the Couches, a remarkable mountain family of gifted memory and imagination. For half a century they had preserved the traditional ways of their forebears―the farming methods, the household arts, and the games, ballads, dances, and tales that were their chief entertainment. In Up Cutshin and Down Greasy, brothers Dave and Jim Couch, born about the turn of the century, recall clearly their childhood days on Sang Branch of Greasy and Clover Fork of Big Leatherwood. Dave, a professional moonshiner and bottlegger in his younger days, tells of his brushes with the law. Jim engaged in lumbering and coal mining, with a little moonshining on the side. His accounts of mine accidents, in particular the one that cost him his leg, give an insight into the minds of those who risk their lives underground for the sake of high pay. First published in 1959, the book is available once again in paperback to pleasure a new generation of readers.

Up Cutshin and Down Greasy: Folkways of a Kentucky Mountain Family

Reference

Sang Branch Settlers Folksongs and Tales of an Eastern Kentucky Mountain Family

Arts & Photography

Music

Pikeville College Press

Until now Arthur Hughes has, with some justification, been called the unknown Pre-Raphaelite. In spite of his close artistic and social connections with, among others, Rossetti, Madox Brown, Holman Hunt, Burne-Jones, William Morris, Tennyson and Lewis Carroll, and although his work can be seen in major collections throughout the world, he has been considered an elusive figure in the history of British art. This Catalogue Raisonn,, the first book solely devoted to Hughes' life and works, aims to redress the balance and put him firmly on the map. It shows him to have been an immensely likeable and modest man, with a wide circle of friends and an extremely happy family life. More to the point, it also shows him to have been among the foremost painters of the Pre-Raphaelite movement. As a good figure painter, especially of children, and a talented colourist, he was sensitive to the aims of the Brotherhood and a leading exponent of their technical practices. Over 80 when he died in the early years of

Arthur Hughes: His Life and Work

Biographies & Memoirs

Antique Collectors Club Dist

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