Westminster Hall and the Medieval Kings

Riding, Jacqueline

Hay, Malcolm

British Museum Pubns Ltd

Mid-Georgian Britain was a period of both elegance and desperation. As the middle and upper classes enjoyed their wealth with an increasing range of consumer goods, the poor endured debtor's prison and an increasing number of crimes with the death penalty. This, the latest addition to the growing Living Histories series, charts the growth of the empire and looks at the growing importance of London as a capital city where the rich and poor rubbed shoulders. Jacqueline Riding creates a vivid portrait of the daily reality of life for a middle-class family in this age of growing affluence.

Mid-Georgian Britain: 1740–69 (Shire Living Histories)

History

Europe

Shire Publications

Handel House Museum Companion

Anthony Hicks

Donald Burrows

The Handel House Trust Limited

Jacobites

The 1745 Jacobite Rebellion was a turning point in British history. When Charles Edward Stuart, commonly known as the Young Pretender, sailed from France to Scotland in July 1745, and with only a handful of supporters to claim the throne for his exiled father, few people within Britain were alarmed. But after he raised the Stuart standard at Glenfinnan in the Western Highlands, destroyed a contingent of the British army at Prestonpans near Edinburgh, and then marched south into England, swiftly reaching Derby, the rising threatened to destabilise the British state, dethrone King George and the Hanoverian dynasty, while disrupting Britain's military capability in Europe and colonial activities in America and beyond. Less than four decades after the controversial Act of Union between Scotland and England, arrogance and incompetence on the part of government ministers had allowed the small danger Charles and his Jacobite army had initially posed to escalate into a full-scale civil war: part of the on-going dynastic, political and ideological struggle for the heart and soul of this new nation. Yet the reality of the '45 continues to be obscured by fiction and myth, as personified by the heroic, gallant but doomed 'Bonnie Prince Charlie' versus the heartless victor, 'Butcher' Cumberland. In the years 1745-6 nothing was certain. While utilising past and recent scholarship, this magnificent account draws extensively on a wealth of contemporary sources, revealing the thoughts and feelings of the key players and local eyewitnesses as these extraordinary events played out. What emerges is a story more complex, paradoxical and even tragic than the myth suggests. From the exiled Stuart court in Rome to the palaces of Versailles and Holyroodhouse, from the battlefields of Flanders

World

Bloomsbury Publishing Plc.

The dramatic story of Bonnie Prince Charlie and his quixotic attempt to regain the throne of England.
The Jacobite Rebellion of 1745-46 is one of the most important turning points in British history. The tale of Charles Edward Stuart, "Bonnie Prince Charlie," and his heroic attempt to regain his grandfather's (James II) crown--remains the stuff of legend: the hunted fugitive, Flora MacDonald, and the dramatic escape over the sea to the Isle of Skye. But the full story--the real history--is even more dramatic, captivating, and revelatory.
Much more than a single rebellion, the events of 1745 were part of an ongoing civil war that threatened to destabilize the British nation and its empire. The Bonnie Prince and his army alone could not have posed a great threat. But with the involvement of Britain's perennial enemy, Catholic France, it was a far more dangerous and potentially catastrophic situation for the British crown. With encouragement and support from Louis XV, Charles’s triumphant Jacobite army advanced all the way to Derby, a mere 120 miles from London, before a series of missteps ultimately doomed the rebellion to crushing defeat and annihilation at Culloden in April 1746--the last battle ever fought on British soil.
Jacqueline Riding conveys the full weight of these monumental years of English and Scottish history as the future course of Great Britain as a united nation was irreversibly altered.

Jacobites: A New History of the '45 Rebellion

Bloomsbury Press

Manchester, August 1819: 60,000 people had gathered in the cause of parliamentary reform. To those defending the status quo, the vote was not a universal right, but a privilege of wealth and land ownership. To radical reformers the fundamental overhaul of a corrupt system was long overdue. The people had come to hear one such reformer, Henry Hunt, from all over Lancashire, walking to the sound of hymns and folk songs. By the end of the day fifteen of them, including two women and a child, were dead or mortally wounded, and 650 injured, hacked down by drunken yeomanry after local magistrates panicked at the scale of the meeting. The British state, four years after defeating the 'tyrant' Bonaparte at Waterloo, had turned its forces against its own people, as they peaceably exercised their liberties. Jacqueline Riding's compelling book ties in to Mike Leigh's forthcoming film Peterloo, for which the author was historical advisor, in advance of the bicentenary of Peterloo in 2019.

Peterloo: The Story of the Manchester Massacre

Head of Zeus

The story of the Peterloo massacre, a defining moment in the history of British democracy, told with passion and authority.
On a hot late summer's day, a crowd of 60,000 gathered in St Peter's Field. They came from all over Lancashire—ordinary working-class men, women, and children—walking to the sound of hymns and folk songs, wearing their best clothes and holding silk banners aloft. Their mood was happy, their purpose wholly serious: to demand fundamental reform of a corrupt electoral system.
By the end of the day 15 people, including two women and a child, were dead or dying and 650 injured, hacked down by drunken yeomanry after local magistrates panicked at the size of the crowd. Four years after defeating the "tyrant" Bonaparte at Waterloo, the British state had turned its forces against its own people as they peaceably exercised their time-honored liberties. As well as describing the events of August 16 in shattering detail, Jacqueline Riding evokes the febrile state of England in the late 1810s, paints a memorable portrait of the reform movement and its charismatic leaders, and assesses the political legacy of the massacre to the present day.
As fast-paced and powerful as it is rigorously researched, Peterloo: The Story of the Manchester Massacre adds significantly to our understanding of a tragic staging-post on Britain's journey to full democracy.

On a late spring night in 1732, a boisterous group of friends set out from their local pub. They are beginning a journey, a 'peregrination' that will take them through the gritty streets of Georgian London and along the River Thames as far as the Isle of Sheppey. And among them is an up-and-coming engraver and painter, just beginning to make a name for himself: William Hogarth.\nHogarth's vision, to a vast degree, still defines the eighteenth century. In this, the first biography for over twenty years, Jacqueline Riding brings him to vivid life, immersing us in the world he inhabited and from which he drew inspiration. At the same time, she introduces us to an artist who was far bolder and more various than we give him credit for: an ambitious self-made man, a devoted husband, a sensitive portraitist, an unmatched storyteller, philanthropist, technical innovator and author of a seminal work of art theory.\nFollowing in his own footsteps from humble beginnings to professional triumph (and occasional disaster), Hogarth illuminates the work and life of a great artist who embraced the highest principles even while charting humanity's lowest vices.

Hogarth: Life in Progress

Humor & Entertainment

Profile Books

Published to coincide with an exhibition at the Foundling Museum in London, this fascinating book will re-introduce Joseph Highmore (1692–1780), an artist of status and substance in his day, who is now largely unknown. It takes as its focus Highmore’s small oil painting known as The Angel of Mercy (1746), one of the most original and controversial images in 18th-century British art. The painting depicts a woman in fashionable mid-18th-century dress strangling the infant lying on her lap. A cloaked, barefooted figure cowers to the right as an angel intervenes, pointing towards the Foundling Hospital, the recently built refuge for abandoned infants, in the distance. The image attempts to address one of the most disturbing aspects of the Foundling Hospital story – certainly a subject that many (now as then) would consider beyond depiction. But if any artist of the period had attempted such a subject it would surely be William Hogarth, not the portrait painter Joseph Highmore? In fact, the painting was attributed to Hogarth for almost two centuries, until reattribution in the 1990s. Even so, it is surprising that despite the wealth of scholarship associated with Hogarth and the ‘modern moral subject’ of the 1730s and 1740s, The Angel of Mercy has received little attention until now. The book (and exhibition) seeks to address this, while encouraging greater interest in, and appreciation for, an important but underrated British artist. The author will set this extraordinary painting within the context of Highmore’s life and work, as well as broader historical and artistic contexts. This will include the exploration of prime examples of Highmore’s portraiture, such as his complex, monumental group portrait The Family of Sir Eldred Lancelot Lee and the small-scale ‘conversations’ The Vigor Family and The Artist and his Family, juxtaposed with analysis of key subject paintings, Hagar and Ishmael and the ‘Pamela’ series. Collectively they address relevant and highly contentious issues around the status and care of women and children, master/servant relations, motherhood, abuse, abandonment, infant death and murder.

Basic Instincts: Love, Lust and Violence in the Art of Joseph Highmore

Arts & Photography

Individual Artists

Paul Holberton Publishing

Hogarth's Britons

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