Blending history, science and eye-witness accounts, and arranged in chapters that correspond to the four ancient elements (earth, air, fire and water), Terra is a book about life, death and natural disasters. Through four case studies - the 1755 Lisbon earthquake, the European weather panics of 1783, the eruption of Krakatau in 1883 and the Hilo tsunami of 1946 - Richard Hamblyn paints a vivid picture of these turbulent events; their drama and scale; their inevitability and indiscriminate destruction.

Terra; Tales of the Earth: Four Events That Changed the World

Science & Math

Richard Hamblyn

History & Philosophy

Picador Hardbacks

Science. Does the word fill you with excitement, or dread, or something in-between?
Good science—and good science writing—can, and should, be something to get excited about. The extracts contained in this book span centuries and continents, but are unified by their authors’ desire to understand, explain and benefit the world in which we live.
Good Science is not necessarily a book about great scientific theories, complicated equations, or grand old men (or women) in their laboratories; instead, it’s about the places we draw our inspiration from; it’s about daily routines and sudden flashes of insight; about dedication, and, sometimes, desperation; and the small moments, questions, quests, clashes, doubts and delights that make us human.
From Galileo to Lewis Carroll, from Humphry Davy to Charles Darwin, from Marie Curie to Stephen Jay Gould, from rust to snowflakes, from the first use of the word “scientist” to the first computer, from why the sea is salty to Newtonian physics “for women,“ Good Science is a book about people, rather than scientists per se, and as such, it’s a book about politics, passion and poetry. Above all, though, it’s a book about the good that science can—and does—do.

The Art of Science: A Natural History of Ideas

Nature & Ecology

Picador

Data Soliloquies is a book about the extraordinary cultural fluidity of scientific data. A wide array of graphs, charts, computer models and other forms of visual advocacy have become inescapable fixtures of public science presentations, though they are often treated as if they were neutral 'found objects' rather than elaborate narrative constructions containing high levels of statistical uncertainty.

Data Soliloquies

Slade School of Fine Art Unive

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Books by Richard Hamblyn