The latest collection of poems by award-winning author and photographer Alexis Rhone Fancher. “Lust, longing, urban noir, and the emotional ravages and physical heat that colliding souls can’t help making, are all artfully packed into these lyrical narratives by a poet who refuses to hold back” (Michelle Bitting, poet and author of The Couple Who Fell to Earth).
“Mixing heartbreak and hilarity, these poems deliver an emotional wallop with the ease of a woman rolling down her nylons” (Pam Ward, author of Want Some Get Some and Bad Girls Burn Slow).
“Alexis Rhone Fancher is not merely a detailed chronicler of our socio-physical interactions—she is by far the most exciting, articulate, and convincing storyteller in contemporary verse” (Gerald Locklin, poet and fiction author of 100+ books).
“Any self-styled critic who characterizes Alexis Rhone Fancher’s written work as only sexy stanzas would be making an egregious mistake. Far more accurate to portray her poetry as grainy, gritty, noir images by a female version of Henry Miller’s bitter observation of the dirty word ‘relationships,’ or Georges Bataille’s eccentric business of the creative woman at times catering to the psycho-sado fantasies of her lover, or Stephen Schneck’s nightmare world of sensual dreams, but with an added dose of infectious humor” (Michael C. Ford, music journalist, playwright, Grammy-nominated spoken-word artist, and Pulitzer Prize-nominated poet).
“I write about women like me, women who own their sexuality and take responsibility for their choices. It may seem I’m writing about sex, but really, I’m writing about power. Who has it. How to get it. How to wield it. How to keep it” (from “Featured Fem” Alexis Rhone Fancher, interviewed by The Fem literary magazine, 17 June 2016).

Enter Here: poems

Literature & Fiction

Rhone Fancher, Alexis

Poetry

KYSO Flash

"Alexis Rhone Fancher's poems are not for the squeamish—for anyone afraid of dirty words—but they are for anyone who has experienced mismatched desires, for anyone who has looked back at the past and felt relief tinged with regret, and as Fancher writes in "Snapshots and Lies," a miasma of scorching discontent. Which means all the rest of us. What you will encounter in this collection is the unraveling of a sick marriage and of a wife, but what you will take from the artful telling, careful verse, and precision of details, is the understanding that so much good art is born from survival."
— Sonia Greenfield, author of Boy with a Halo at Farmer’s Market
"Not since Bukowski have we seen an L.A. like this; not since Simone de Beauvoir, such a force of feminine will; and not since Baudelaire, have we seen the dysfunctional marriage of vice and virtue as a means to attain the spiritual. “No names were changed. No one was innocent.” So begins Alexis Rhone Fancher’s Junkie Wife, a stunning work of raw honesty that injects grit back into the bloodless veins of contemporary American poetry and holds it there until a dark and addicting beauty oozes out." 
— Clint Margrave author of Salute the Wreckage and The Early Death of Men
"In “Junkie Wife,” Alexis Rhone Fancher, has brilliantly given us a film noir in the form of 30 sharply crafted poem-scenes, each one flowing seamlessly into the next. A master of the cinematic zoom, Fancher directs us to an overwatered houseplant, or a spot on the floor and its poignancy ripples outward like radio waves. She smacks you again and again with the honesty of a moment, but you, like the characters in this story will not be able to walk away, nor will you want to. Sex, betrayal, and need are major players here and are exquisitely showcased with a narrative drive that will not let you put this chapbook down."
— Francine Witte, author of Café Crazy 
"Nothing shocks this poet with her sharp photographer’s eye, her sustained attention on the grit and addiction and sex against the neon of Hollywood Blvd. And yet each admission, each detail so carefully wrought in its rawness and pain—a punch to the gut. Rhone Fancher's wit and candor born of survival are apparent in every line, the tongue-in-cheek and wink of every poem a delight to follow, as in "Coercion" after Margaret Atwood, in which the speaker plays with tradition in the brassy voice of The Junkie Wife: "Back then, we fit together like / cooking spoons in a drawer. // Bent spoons. A cadaver drawer." This poet recognizes the grime beneath the shimmer. She never looks away."
— Jennifer Givhan, author of Landscape with Headless Mama
"Alexis Rhone Fancher doesn’t flirt. Her poems are all energy; the images and narratives she chooses create a dynamic landscape. In “Junkie Wife”, her talents are on full display. The poems in this playful, sexy chapbook are fierce, thick flicks of her poetic capability, the kind of poetry you don’t often get to experience."
— Darren C. Demaree, author of Two Towns Over

Junkie Wife

Moon Tide Press

The stunning sequel to State of Grace: The Joshua Elegies. Both collections speak of devastating loss, and love that endures beyond death. The Dead Kid Poems chronicles as well a bittersweet journey of complex familial relationships, and offers solace for those whose hearts are pierced by grief, personal and/or collective.
"The blunt force of loss takes your breath away in The Dead Kid Poems. Gratitude to the poet for the small mercy of making plain the connection between sexual abuse and addiction. Read this book and breathe if you can."
—Marsha de la O, co-editor of Spillway and author of Antidote for Night and Black Hope

The Dead Kid Poems

Triggered: A Pillow Book

Arts & Photography

Macq

Duets

Atkins, Cynthia

Small Harbor Publishing

See the best price to sell, buy, or rent books by Rhone Fancher, Alexis. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Rhone Fancher, Alexis