Analyzes mid-nineteenth century English paintings within the context of cultural trends and values

Victorian Painting (ICON EDITIONS)

REYNOLDS, GRAHAM

Arts & Photography

Icon.

British Watercolours (Illustrated Booklet)

Her Majesty's Stationery Office / Victoria and Albert Museum

In this intriguing study, two social psychologists and an intellectual historian describe the people and intellectual currents which have given rise to the complex discipline of American social psychology. The authors examine the influence of British evolutionary theory, French social theory, American pragmatism, and the ideas of Freud, Marx and Lewin on the evolution of social psychological theory, and explain how these traditions contributed to later developments such as group dynamics, cognitive social psychology, and symbolic interaction. American social psychology during this century has shifted back and forth from a focus on individual psychological processes to a concern with the role of the broader social context and social interaction. This has resulted in the development of several quite distinct social psychologies, which are all valid rather than mutually exclusive, and it should be possible to build a discipline in which all aspects of social interaction are considered. Students and professionals in social psychology, sociology, and related areas, as well as those interstd in the history of the social sciences, will find this important and comprehensive appraisal of the field useful.

Currents of Thought in American Social Psychology

Literature & Fiction

Collier, Gary

Minton, Henry

History & Criticism

Oxford University Press

A study of the life and works of Joseph Mallord William Turner. A precocious talent, he first exhibited at the Royal Academy at the age of 15, an institution that was to play a major part in his life, recognizing his genius and supporting him against many contemporary arbiters of taste.

Turner

Biographies & Memoirs

Arts & Literature

Oxford Univ. Press

An account of Western watercolor painting which pays close attention to artists of the eighteenth and nineteenth centuries

A Concise History of Watercolours

W.W. Norton & Co., Inc.

Constable: The Natural Painter

Cory, Adams & Mackay

John Constable, one of the most beloved of British painters, is renowned for his poetic approach to nature and his extraordinary use of broken color. In this beautiful two-volume set, the dean of Constable scholars, Graham Reynolds, discusses all the paintings and drawings the artist produced between 1790 and1816, both before and after his breakthrough into the original style that is the basis of his fame. Together with Reynolds`s award-winning The Later Paintings and Drawings of John Constable (1984), the books are a catalogue raisonne‚ of this artist`s monumental oeuvre.The two volumes, one of text and one of plates, describe and reproduce 1370 paintings and drawings in chronological order. They begin with Constable`s juvenilia and tentative experiments before he went to London in 1799 to become a professional artist. Next are some lesser-known works―elegant figure studies of girls, Constable`s first portraits, and his Lake District watercolors. Finally are the works after 1808―Dedham Vale: morning, Flatford Mill from a Lock on the Stour, A Summerland, The Stour Valley and Dedham Village, and the recently rediscovered The Wheatfield―works that made Constable a major force in British landscape painting. The volumes also include Constable`s numerous sketches of his homeland around East Bergholt and Dedham from this period, drawings on which he based his later masterpieces. An appendix records and reproduces, as addenda to The Later Paintings and Drawings, 94 works produced between 1817 and 1836 that have come to light since those books were published.

The Later Paintings and Drawings of John Constable (Paul Mellon Centre for Studies in British Art) (2 Volumes)

Constable, J.

Paul Mellon Centre

John Constable, one of the most beloved of British painters, is renowned for his poetic approach to nature and his extraordinary use of broken color. In this beautiful two-volume set, the dean of Constable scholars, Graham Reynolds, discusses all the paintings and drawings the artist produced between 1790 and 1816, both before and after his breakthrough into the original style that is the basis of his fame. Together with Reynolds's award-winning The Later Paintings and Drawings of John Constable (1984), the books are a catalogue raisonné of this artist's monumental oeuvre. The two volumes, one of text and one of plates, describe and reproduce 1370 paintings and drawings in chronological order. They begin with Constable's juvenilia and tentative experiments before he went to London in 1799 to become a professional artist. Next are some lesser-known works―elegant figure studies of girls, Constable's first portraits, and his Lake District watercolors. Finally are the works after 1808―Dedham Vale: morning, Flatford Mill from a Lock on the Stour, A Summerland, The Stour Valley and Dedham Village, and the recently rediscovered The Wheatfield―works that made Constable a major force in British landscape painting. The volumes also include Constable's numerous sketches of his homeland around East Bergholt and Dedham from this period, drawings on which he based his later masterpieces. An appendix records and reproduces, as addenda to The Later Paintings and Drawings, 94 works produced between 1817 and 1836 that have come to light since those books were published.

The Early Paintings and Drawings of John Constable: Text and Plates

The Metropolitan Museum of Art's collection of more than 300 European portrait miniatures is catalogued in this book, published to accompany an exhibition at the museum. Dating from the early-16th century to about 1850, the works fall broadly into three categories - French, English and Continental.

European Miniatures in the Metropolitan Museum of Art (Metropolitan Museum of Art Series)

Metropolitan Museum of Art

Constable's England

Individual Artists

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Books by REYNOLDS, GRAHAM