A new translation of the Guatemalan author whom Roberto Bolaño called “the most rigorous writer of my generation, the most transparent…the most luminous of all.” “Right from the start I picked her for a thief, although that day she didn’t take anything. . . . I knew she’d be back,” the narrator/bookseller of Severina recalls in this novel’s opening pages. Imagine a dark-haired book thief as alluring as she is dangerous. Imagine the mesmerized bookseller secretly tracking the volumes she steals, hoping for insight into her character, her motives, her love life. In Rodrigo Rey Rosa’s hands, this tale of obsessive love is told with almost breathless precision and economy. The bookstore owner is soon entangled in Severina’s mystery: seductive and peripatetic, of uncertain nationality, she steals books to actually read them and to share with her purported grandfather, Señor Blanco. In this unsettling exploration of the alienating and simultaneously liberating power of love, the bookseller’s monotonous existence is rocked by the enigmatic Severina. As in a dream, the disoriented man finds that the thin border between rational and irrational is no longer reliable. Severina confirms Rey Rosa’s privileged place in contemporary world literature.

Severina (The Margellos World Republic of Letters)

Literature & Fiction

Rey Rosa, Rodrigo

United States

Yale University Press

A riveting and highly praised novel by Guatemala’s leading writer of fiction, now in English for the first time In the vein of the writings of Paul Bowles, Paul Theroux, and V. S. Naipaul, The African Shore marks a major new installment in the genre of dystopic travel fiction. Rodrigo Rey Rosa, prominent in today’s Guatemalan literary world and an author of growing international reputation, presents a tale of alienation, misrecognition, and intrigue set in and around Tangier. He weaves a double narrative involving a Colombian tourist pleasurably stranded in Morocco and a young shepherd who dreams of migrating to Spain and of “riches to come.” At the center of their tale is an owl both treasured and coveted. The author addresses the anxiety, distrust, and potential for violence that characterize the border of all borders: the strait that divides Africa and Europe, where the waters of the Mediterranean and the Atlantic meet. His often-remarked prose style, at once rich and spare, endows his work with remarkable elegance. Rey Rosa generates a powerful reality within his imagined world, and he maintains a narrative tension to the haunting conclusion, raising small and large questions that linger in the reader’s mind long after the final page. With an Afterword by Jeffrey Gray

The African Shore (The Margellos World Republic of Letters)

The Beggar's Knife

Contemporary

Owen, Peter Publishing

This muscular, starkly impressive novel from Guatemala's premiere young writer fiercely addresses the seemingly endless violence of Latin America. A young man, Juan Luis Luna, is kidnapped in Guatemala City and held at the bottom of a rusty, empty underground fuel tank in an abandoned gas station. The kidnappers demand a ransom; his rich father does not reply. The kidnappers threaten to cut off his son's foot and still hear nothing. They then slice off one of Juan Luis's toes and send it to his father, who still refuses to act. So the next day... The Good Cripple obsessively focused, chilling, allegorical is stunningly explosive. With its enigmatic beginning, however, and its circular relentless structure, the novel is also dense with ideas: can one be whole after mutilation? Can the injured transcend violence? Rodrigo Rey Rosa's style is of a lithe pristine clarity, but beneath that calm surface cruelty, revenge, and diffidence churn darkly away. The Good Cripple is an astonishingly intense book, and as unforgettable as the sight of "the place where the foot had been severed, where a circle of red flesh, now a little black along the edges, could be seen, with a concentric circle of white bone that was both milky and glassy..."

The Good Cripple

Allen, Esther

New Directions

From one of Guatemala’s finest young writers, these twenty-six storiesat once brutal and intensely lyricalare peopled with sorcerers, ghosts, and assassins.
Springing from myth and beliefs indigenous to Central America and North America, where their action occurs, Rey Rosa’s tales give the sense of being dreamed. At the same time they can be read as metaphors for the terror and oppression of years of warfare.
Rodrigo Rey Rosa has based many of his writings and stories on legends and myths that are indigenous to Latin American as well as North Africa. A number of Rey Rosa's works have been translated into English, including; The Path Doubles Back (by Paul Bowles), Dust on her Tongue, "The Pelcari Project", The Beggar's Knife, The African Shore, and Severina. Along with his longer writings, he has also written a number of short stories that have been printed in college-level text books, such as "Worlds of Fiction, Second Edition" by Roberta Rubenstein and Charles R. Larson. A few of these short stories include The Proof, and The Good Cripple. Many of Rey Rosa's works have been translated into seven languages. In the early 1980s, Rey Rosa went to Morocco and became a literary protege of American expatriate writer Paul Bowles, who later translated several of Rey Rosa's works into English. When Bowles died in 1999, Rey Rosa became an executor of his literary estate.

City Lights Publishers

Set in Guatemala, these spare and beautiful tales are linked by themes of magic, violence, and the fragility of existence. Paul Bowle's translation perfectly captures Rey Rosa's stories of the haunted lives of ordinary people in present-day Central America.
 "A genuinely surprising and original set of stories…a sense of violent unease shading into terror drifts up from every line…his writing has a sharp, almost sadistic edge." —The Times Literary Supplement
 "Compelling in the extreme…these twelve tales (that) boast of hidden dangers and lurking terrors, are written in a deceptively undramatic style, with masterful restraint. Stories that continue to disturb and delight long after they are laid to rest." —Blitz
 Twelve tales--many evoking the uncanny, most with surprise endings--explore how people seek to gain power from others. . . . Rey Rosa writes about danger and precarious stability in an effective, straightforward style." —Kirkus Reviews
 Rodrigo Rey Rosa (born November 4, 1958) is a Guatemalan writer. He has based many of his writings and stories on legends and myths that are indigenous to Latin American as well as North Africa. A number of Rey Rosa's works have been translated into English, including; The Path Doubles Back (by Paul Bowles), "The Pelcari Project," The Beggar's Knife, The African Shore, and Severina.

Dust on Her Tongue

More than a decade ago, novelist Rodrigo Rey Rosa made his first visit to the Historical Archive of the Guatemala National Police, where millions of previously hidden records were being cataloged, scanned, and eventually published online. Bringing to light detailed evidence of crimes against humanity, the Archive Recovery Project inspired Rey Rosa to craft a meta-novel that weaves the language of arrest records and surveillance reports with the contemporary journal entries of a novelist (named Rodrigo) who is attempting to synthesize the stories of political activists, indigenous people, and other women and men who became ensnared in a deadly web of state-sponsored terrorism.
When Rodrigo's access to the archive is suspended, he proceeds to the General Archives of Central America and the Library of Congress, also collaborating with the son of the Identification Bureau's former head in a relentless pursuit of understanding. Reminiscent of Roberto Bolaño's finely honed masterworks, Human Matter is both a tour de force of fiction and a sobering meditation on the realities of collective memory, raising timely questions about how our history is recorded and retold.
Originally published in Spanish in 2009, its success demanded a subsequent publication in June of 2017.

Human Matter: A Fiction (Latin American Literature in Translation)

University of Texas Press

Chaos, A Fable

A breathtaking novella about faith and anarchy by the acclaimed and prizewinning Latin American writer Rodrigo Rey Rosa.
Mexican author Rubirosa is attending a book fair in Tangier when he reconnects with an old acquaintance, a Moroccan artist who asks one favor of his visiting friend: to access the puzzling files on a memory card. It could help fulfill the destiny of his son Abdelkrim. It could also unwittingly draw both men into irreversible events already in motion on distant shores.
In America, Abdelkrim, a brilliant aspiring astronaut deemed “too Muslim” for citizenship, has teamed up with an equally gifted young prodigy, a witness to the plight of Syrian refugees. Together, the foreign students share a vision of altering the world’s geopolitical landscape to end human suffering with a nearly inconceivable blueprint. And they can turn theory to reality. They can bring about change. But only through a technological apocalypse can there be redemption—by unleashing total chaos.
A provocative morality tale that moves with the visceral rhythms of a high-tech thriller, Chaos, A Fable is a spare and stunning triumph from one of the most celebrated Latin American authors of his generation.

Amazon Crossing

A Crime Reads Best International Crime Fiction of 2023 * One of Crime Reads most anticipated LatinX Horror and Crime Fiction of 2023 This sumptuously written thriller asks probing questions about how we live with each other and with our planet. Raised on his wits on the streets of Central America, the Cobra, a young debt collector and gang enforcer, has never had the chance to discern between right and wrong, until he's assigned the murder of Polo, a prominent human rights activist--and his friend. When his conscience gives him pause and his patrón catches on, a remote Mayan community offers the Cobra a potential refuge, but the people there are up against predatory mining companies. With danger encroaching, the Cobra is forced to confront his violent past and make a decision about what he's willing to risk in the future, and who it will be for. Following the Cobra, Polo, a faction of drug-dealing oligarchs, and Jacobo, a child caught in the crosshairs, Rey Rosa maps an extensive web of corruption upheld by decades of political oppression. A scathing indictment of exploitation in all its forms, The Country of Toó is a gripping account of what it means to consider societal change under the constant threat of violence.

The Country of Toó (Biblioasis International Translation Series)

Biblioasis

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Books by Rey Rosa, Rodrigo

See the best price to sell, buy, or rent books by Rey Rosa, Rodrigo. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Severina (The Margellos World Republic of Letters)

The African Shore (The Margellos World Republic of Letters)

The Beggar's Knife

The Good Cripple

The Beggar's Knife

Dust on Her Tongue

Human Matter: A Fiction (Latin American Literature in Translation)

Chaos, A Fable

Chaos, A Fable

The Country of Toó (Biblioasis International Translation Series)