The Orchid Boat: Women Poets of China

Literature & Fiction

Rexroth, Kenneth

Poetry

McGraw-Hill Book Company

Classics Revisited

An introduction to the world's great literature is presented in sixty critical essays, each of which discusses the theme, summarizes the plot and explores the work's implications.

History & Criticism

Avon/Books

Frankly―H. Miller was defended by me only because he spoke against the War, and I think that was the main reason for his fame. Now―I do not believe, what with Palmistry, Chirography, Phrenology, and the Great Cryptogram, he will survive the retooling period. I honestly think he is the most insufferable snob I have ever met―but all reformed pandhandlers are like that.… in a letter from Kenneth Rexroth to James Laughlin Correspondence between author Rexroth, a "presiding figure of the San Francisco Renaissance," and publisher Laughlin, spanning forty years. Introduction, notes on the text, select bibliography, index. Errata sheet laid in.

Kenneth Rexroth and James Laughlin: Selected Letters

Laughlin, James

Biographies & Memoirs

W.W.Norton&Company

Kenneth Rexroth, the well-known American poet and critic, presents a study of the history of communes and intentional communities from their known beginnings to the 20th century.

Communalism: From Its Origins to the Twentieth Century

Business & Money

Peter Owen Publishers

Bird in the Bush

New Directions

This is a companion volume to the Collected Shorter Poems of Kenneth Rexroth which was published in 1967. This is a companion volume to the Collected Shorter Poems of Kenneth Rexroth which was published in 1967. All of the long poems written over the past forty years are included: The Homestead Called Damascus (1920-25), A Prolegomenon to a Theodicy (1925-27), The Phoenix and the Tortoise (1940-44), The Dragon and the Unicorn (1944-50) and The Heart's Garden, The Garden's Heart (1967-68). As we read the long poems together and in sequence we can see that Rexroth is a philosophical poet of consequence who offers us a comprehensive system of values based on the realization of the ethical mysticism of universal responsibility. He is concerned, above all, with process: the movement from the Dual to the Other. "I have tried," Rexroth writes," to embody in verse the belief that the only valid conservation of value lies in the assumption of unlimited liability, the supernatural identification of the self with the tragic unity of creative process. I hope I have made it clear that the self does not do this by an act of will, by sheer assertion. He who would save his life must lose it."

Collected Longer Poems

This volume brings together all of Kenneth Rexroth’s shorter poems from 1920 to the present, including a group of new poems written since the publication of Natural Numbers, drawn from seven earlier books. This volume brings together all of Kenneth Rexroth’s shorter poems from 1920 to the present, including a group of new poems written since the publication of Natural Numbers, drawn from seven earlier books. Among the American poets of the generation that came to prominence in the Forties, Kenneth Rexroth has been notable both for the independence of his personal voice and for his accessibility to the tradition of international avant-garde literature. He began writing and publishing in magazines at fifteen. His earliest work was personal and concrete, much like that of the Imagists. In his twenties he wrote in the disassociative style––sometimes called "literary cubism "––developed by Mallarmé, Apollinaire, and Reverdy. This was not free association, but the conscious disassociation and recombination of the elements of the poem to achieve the highest possible level of significance. With his later books Rexroth moved back to a direct and classically simple form of personal statement. In this period he wrote the great nature poems, the love poems, and the contemplative lyrics that have established his reputation as one of the most important American poets.

Collected Shorter Poems

An assemblage of delicate Chinese verse which delicately explore the worlds of love, nature, and meditation.Love and the Turning Year includes a selection from the Yueh Fu―folk songs from the Six Dynasties Period (fourth-fifth centuries A.D.). Most of the songs are simple, erotic lyrics. Some are attributed to legendary courtesans, while others may have been sung at harvest festivals or marriage celebrations. In addition to the folk songs, Rexroth offers a wide sampling of Chinese verse: works by 60 different poets, from the third century to our own time. Rexroth always translated Chinese poetry―as he said―“solely to please myself.” And he created, with remarkable success, English versions which stand as poems in their own right.

One Hundred More Poems from the Chinese : Love and the Turning Year

The lyrical world of Chinese poetry in faithful translations by Kenneth Rexroth. The lyric poetry of Tu Fu ranks with the greatest in all world literature. Across the centuries―Tu Fu lived in the T'ang Dynasty (731-770)―his poems come through to us with an immediacy that is breathtaking in Kenneth Rexroth's English versions. They are as simple as they are profound, as delicate as they are beautiful. Thirty-five poems by Tu Fu make up the first part of this volume. The translator then moves on to the Sung Dynasty (10th-12th centuries) to give us a number of poets of that period, much of whose work was not previously available in English. Mei Yao Ch'en, Su Tung P'o, Lu Yu, Chu Hsi, Hsu Chao, and the poetesses Li Ch'iang Chao and Chu Shu Chen. There is a general introduction, biographical and explanatory notes on the poets and poems, and a bibliography of other translations of Chinese poetry.

One Hundred Poems from the Chinese (New Directions Book)

The Collected Longer Poems of Kenneth Rexroth

NY: NEW DIRECTIONS. 1968

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