From the Preface: "The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."

Feminist Art Criticism: An Anthology (ICON EDITIONS)

Arts & Photography

Raven, Arlene

Frueh, Joanna

Langer, Cassandra

History & Criticism

Westview Press

This follow-on from "Feminist Art Criticism"is an anthology using art as a basis for discussing a broad range of issues and problems at the forefront of the feminist movement. Using art and artists as a point of departure, the essays explore issues and problems of culture, language, identification, creativity, sexuality, gender, race and aging. Though diverse in style, perspective and theme, the articles share a common interest in feminism as a symbol of meaningful change and as a vehicle for intellectual exploration, and individual communication and understanding.

New Feminist Criticism: Art, Identity, Action (ICON EDITIONS)

Langer, Cassandra L.

In 1960, June Wayne founded Tamarind Lithography Workshop, and if she had done nothing more her place in the history of American art would have been established. However, apart from Tamarind her conceptual and technical innovations are the mark of a highly original artist.This volume examines her life's work in all media, including painting, graphics, and tapestry designs. She has investigated time and space, the genetic code and molecular energy, stellar winds and magnetic fields. Her interest in optics of the 1950s contributed to a satiric narrative style that appears and reappears in the form of autobiography as well as in oddly convincing metaphor.

June Wayne: A Retrospective

Individual Artists

Neuberger Museum of Art

Art In The Public Interest

Da Capo Press

Wrapping paper in a bound book-Viennese vintage wallpaper designs

Giftwraps by Artists: Vienna Style/ (Wiener Werkstatte)

Harry N.Abrams, Inc.

Book by Bishop, Robert, Raven, Arlene

Giftwraps by Artists: American Quilts

Bishop, Robert

Can we red people's character in their faces? What information do faces actually provide? Do we associated certai facial qaulities with with particular character trait?

Giftwraps by Artists: Paisley: 12 Different, Full-Color Patterns - Each Tear-Out Sheet 4 Times Book Size (Giftwraps By Artists)

Crafts, Hobbies & Home

Crafts & Hobbies

Harry N. Abrams

A collection of essays on the relationship between art and the public. The concept of public art has expanded to include street art, guerrilla theatre, video art, performance art, and protest actions, as well as politically provocative sculpture and painting. Certain issues have arisen with this expansion: First Amendment rights; questions of public taste and morality; the concept of artists as agents of social change; the role of commerce and technology in art; and the appropriateness of funding of artistic expression by public institutions.

Art in the public interest (Studies in the fine arts)

UMI Research Press

Crossing over: Feminism and Art of Social Concern (Contemporary American Art Critics)

History

Umi Research Pr

Nancy Grossman

Hillwood Art Gallery

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Books by Raven, Arlene