"Be aware that frankness is the prime virtue of a dead man," writes the narrator of The Posthumous Memoirs of Br�s Cubas. But while he may be dead, he is surely one of the liveliest characters in fiction, a product of one of the most remarkable imaginations in all of literature, Brazil's greatest novelist of the nineteenth century, Joaquim Maria Machado de Assis. By turns flippant and profound, The Posthumous Memoirs of Br�s Cubas is the story of an unheroic man with half-hearted political ambitions, a harebrained idea for curing the world of melancholy, and a thousand quixotic theories unleashed from beyond the grave. It is a novel that has influenced generations of Latin American writers but remains refreshingly and unforgettably unlike anything written before or after it. Newly translated by Gregory Rabassa and superbly edited by Enylton de S� Rego and Gilberto Pinheiro Passos, this Library of Latin America edition brings to English-speaking readers a literary delight of the highest order.

The Posthumous Memoirs of Brás Cubas (Library of Latin America)

Literature & Fiction

Machado De Assis, Joaquim Maria

Rabassa, Gregory

United States

Oxford University Press

Quincas Borba (Library of Latin America)

Along with The Posthumous Memoirs of Brás Cubas and Dom Casmurro, Quincas Borba is one of Machado de Assis' major works and indeed one of the major works of nineteenth century fiction. With his uncannily postmodern sensibility, his delicious wit, and his keen insight into the political and social complexities of the Brazilian Empire, Machado opens a fascinating world to English speaking readers. When the mad philosopher Quincas Borba dies, he leaves to his friend Rubião the entirety of his wealth and property, with a single stipulation: Rubião must take care of Quincas Borba's dog, who is also named Quincas Borba, and who may indeed have assumed the soul of the dead philosopher. Flush with his newfound wealth, Rubião heads for Rio de Janeiro and plunges headlong into a world where fantasy and reality become increasingly difficult to keep separate. Brilliantly translated by Gregory Rabassa, Quincas Borba is a masterful satire not only on life in Imperial Brazil but the human condition itself.

Machado De Assis, Joaquim

Leaf Storm and Other Stories

Garcia, Marquez Gabriel

Short Stories & Anthologies

Vintage/Ebury (A Division of Random House Group)

A prize-winning novel and best-seller in Portugal is written in the form of a memoir by the well-intentioned governor of a Roman city in Portugal during the empire's decline--a time of political, religious, and social turbulence. UP.

A God Strolling in the Cool of the Evening: A Novel (Pegasus Prize for Literature)

Carvalho, Mário de

Contemporary

Louisiana State Univ Pr

The long-awaited memoir and meditation on the art of translating by the most acclaimed American translator of Latin American literature. Gregory Rabassa's influence as a translator is incalculable. His translations of Gabriel Garcia Marquez's One Hundred Years of Solitude and Julio Cortazar's Hopscotch have helped make these some of the most widely read and respected works in world literature. (Garcia Marquez was known to say that the English translation of One Hundred Years was better than the Spanish original.) In If This Be Treason: Translation and Its Dyscontents Rabassa offers a cool-headed and humorous defense of translation, laying out his views on the art of the craft. Anecdotal, and always illuminating, If This Be Treason traces Rabassa's career, from his boyhood on a New Hampshire farm, his school days "collecting" languages, the two-and-a-half years he spent overseas during WWII, his travels, until one day "I signed a contract to do my first translation of a long work [Cortazar's Hopscotch] for a commercial publisher." Rabassa concludes with his "rap sheet," a consideration of the various authors and the over 40 works he has translated. This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.

If This Be Treason: Translation and Its Dyscontents, A Memoir

Biographies & Memoirs

Arts & Literature

New Directions

This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.
A Los Angeles Times Favorite Book of the Year for 2005. Gregory Rabassa's influence as a translator is tremendous. His translations of Gabriel Garcia Marquez's One Hundred Years of Solitude and Julio Cortazar's Hopscotch have helped make these some of the the most widely read and respected works in world literature. (Garcia Marquez was known to say that the English translation of One Hundred Years was better than the Spanish original.) In If This Be Treason: Translation and Its Dyscontents, Rabassa offers a cool- headed and humorous defense of translation, laying out his views on the translator's art. Anecdotal and always illuminating, Rabassa traces his career from a boyhood on a New Hampshire farm, his school days "collecting" languages, the two and a half years he spent overseas during WWII, and his South American travels, until one day "I signed a contract to do my first translation of a long work [Cortazar's Hopscotch] for a commercial publisher." Additionally, Rabassa offers us his "rap sheet," a consideration of the various authors and the over 40 works he has translated. This long-awaited memoir is a joy to read, an instrumental guide to translating, and a look at the life of one of its great practitioners.

If This Be Treason: Translation and its Dyscontents

World of Translation

Reference

Words, Language & Grammar

P E N Amer Center

It has been said that translators are the unacknowledged ambassadors of literature. With Rejoicing Revoicing, Conjunctions celebrates these masterful artists as the bearers of cultural riches that they are. In an unprecedented gathering of works-in-progress by many of America's most renowned translators and some of the field's younger stars, Rejoicing Revoicing invites readers on an odyssey through both classic and contemporary world literature. From Latin America to Europe, from Africa to East Asia, and from Medieval and Renaissance to the present, these works show how rich, diverse and challenging is the art of translation. Richard Howard offers poems by Maurice Maeterlinck, with a preface about what drew him to this author. Edith Grossman, acclaimed for her translations of Marquez and Llosa, presents a chapter from her new Don Quixote. Kafka translator Breon Mitchell gives a first look at prize-winning German novelist Uwe Timm's new book. Richard Pevear and Larissa Volokhonsky--foremost translators of Gogol, Dostoevsky and Tolstoy--share their new version of Dostoevsky's The Adolescent. Rejoicing, Revoicing also presents new work by cutting-edge poets, playwrights and fiction writers who test the edges of English as the mother tongue.

Conjunctions: 38, Rejoicing Revoicing

Pevear, Richard

Volokhonsky, Larissa

Keeley, Edmund

Grossman, Edith

HOWARD, Richard

Mitchell, Breon

Pike, Burton

Bard College

One Hundred Years of Solitude

Classics

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