Every Frame a Rembrandt: Art and Practice of Cinematography

This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert). The "war stories" of a seasoned Hollywood professional cinematographer Explains how specific problems and challenges were overcome for each film Illustrated with production stills from the author's personal collection

Arts & Photography

Quicke, Andrew

Laszlo, Andrew

Photography & Video

Routledge

Chasing the Dragon

Religion & Spirituality

Pullinger, Jackie

Christian Books & Bibles

Hodder&Stoughton

Christian filmmaking, done outside of the corporate Hollywood industry and produced for Christian churches, affected a significant audience of church people. Protestant denominations and individuals believed that they could preach and teach more effectively through the mass medium of film. Although suspicion toward the film industry marked many conservatives during the early 1930s, many Christian leaders came to believe in the power of technology to convert or to morally instruct people. Thus the growth of a Christian film industry was an extension of the Protestant tradition of preaching, with the films becoming celluloid sermons. Celluloid Sermons is the first historical study of this phenomenon. Terry Lindvall and Andrew Quicke highlight key characters, studios, and influential films of the movement from 1930 to 1986—such as the Billy Graham Association, with its major WorldWide Pictures productions of films like The Hiding Place, Ken Curtis’ Gateway Films, the apocalyptic “end-time” films by Mark IV (e.g. Thief in the Night), and the instructional video-films of Dobson’s Focus on the Family--assessing the extent to which the church’s commitment to filmmaking accelerated its missions and demonstrating that its filmic endeavors had the unintended consequence of contributing to the secularization of liberal denominations.

Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986

Humor & Entertainment

Lindvall, Terry

Movies

NYU Press

Inside of Hong Kong was the infamous Walled City. Strangers were not welcome there. Police hesitated to enter. It was a haven of filth, crime and sin. Prostitution, pornography and drug addiction flourished. Jackie Pullinger had grown up believing that if she put her trust in God, He would lead her. When she was 20 years old, God called her to the Walled City. She obeyed. And as she spoke of Jesus Christ, brutal hoods were converted, prostitutes retired from their trade and heroin junkies found new power that freed them from the bondage of drug addiction. Hundreds discovered new life in Christ. Chasing the Dragon tells the whole amazing story exactly as it happened. Equally amazing has been the reach of this ministry, now detailed in this updated and revised edition. From Hong Kong to the Philippines, Thailand and beyond, the ministry that started with Jackie and her friends taking people in to live and care for them has continued and developed to form the present St. Stephen’s Society. Readers will be inspired by this tale of trust and loving as Jesus would.

Chasing the Dragon: One Womans Struggle Against the Darkness of Hong Kong's Drug Dens

Baker Pub Group

Chasing the Dragon: One Woman's Struggle Against the Darkness of Hong Kong's Drug Dens

Biographies & Memoirs

Leaders & Notable People

Hidden Agendas: The Politics of Religious Broadcasting in Britain 1987-1991

Quicke, Juliet

Dominion Kings Grant Pub

This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer."Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert).

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Books by Quicke, Andrew