American Film and Society since 1945

Biographies & Memoirs

Auster, Albert

Quart, Leonard

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Praeger Pub

American Film & Society Since 1945

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Albert Auster

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Prager

How the War Was Remembered: Hollywood and Vietnam

One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films. Auster and Quart create a typology of these films based on their connection to sociohistorical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique. How the War Was Remembered by Albert Auster and Leonard Quart is a full-length treatment of filmic portrayals of the Vietnam War. From Samuel Fuller's China Gate to Francis Coppala's Apocalypse Now they examine the major works of an ever growing genre. The book is divided into four parts. The first deals with the genre, and the other three specific types within the genre. Notes, a bibliography, and an index complete the volume. Communication BooknotesOne way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films, beginning with China Gate, and ending with Hamburger Hill. Included are analyses of all the major films about the Vietnam War, including Green Berets, The Deerhunter, Apocalypse Now, The Killing Fields, Rambo, Platoon, and Full Metal Jacket, and others. Auster and Quart create a typology of these films based on their connection to socio-historical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique.

Praeger

One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films. Auster and Quart create a typology of these films based on their connection to sociohistorical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique. How the War Was Remembered by Albert Auster and Leonard Quart is a full-length treatment of filmic portrayals of the Vietnam War. From Samuel Fuller's China Gate to Francis Coppala's Apocalypse Now they examine the major works of an ever growing genre. The book is divided into four parts. The first deals with the genre, and the other three specific types within the genre. Notes, a bibliography, and an index complete the volume. Communication Booknotes
One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films, beginning with China Gate, and ending with Hamburger Hill. Included are analyses of all the major films about the Vietnam War, including Green Berets, The Deerhunter, Apocalypse Now, The Killing Fields, Rambo, Platoon, and Full Metal Jacket, and others. Auster and Quart create a typology of these films based on their connection to socio-historical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique.

Quart and Auster survey many of the "public classics"--fictional films whose critical acclaim, awards, or box office appeal indicate a connection with public consciousness--that were produced in the United States since 1945. They analyze the cultural and social meanings evoked by these films, and how the formal elements of these works helped shape cinema. Their premise is that if Hollywood is the dream factory, then the post-World War II film helps to unravel some of the central concerns and values of American society from 1945 to the present--from The Best Years of Our Lives to Do the Right Thing.

American Film and Society Since 1945: Second Edition, Revised and Expanded by Leonard Quart

Praeger Pub Text

Quart and Auster survey many of the public classics--fictional films whose critical acclaim, awards, or box office appeal indicate a connection with public consciousness--that have been produced in the United States since 1945. They analyze the cultural and social significance of these films, and how the formal elements of these works helped shape cinematic art. Their premise is that if Hollywood is the dream factory, then the post-World War II film--from The Best Years of Our Lives and Do the Right Thing--helps to unravel some of the central concerns and values of American society between 1945 and the present.
This revised, expanded, and updated edition emphasizes the films of the 1980s, discussing ideologically antithetical Vietnam films such as Platoon and Rambo, feminist backlash films like Fatal Attraction, rural sagas such as Places in the Heart and Country, teen films such as Risky Business and Back to the Future, and films dealing with the civil rights struggle, black history, and black contemporary life such as Mississippi Burning, Glory, and Do the Right Thing. This book also explores the contested and contradictory meanings conveyed by many American films such as Sylvester Stallone's Rambo, which is seen as both a patriotic, pro-war cartoon and a populist attack against government experts and bureaucracy. This uniquely accessible political, cultural, and aesthetic analysis of post-World War II Hollywood films can be read and enjoyed by students, teachers, and the general public alike.

American Film and Society Since 1945: Revised and Expanded by Leonard Quart, 2nd Edition

Praeger Publishers

Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. In the third edition of their seminal work, Leonard Quart and Albert Auster provide a complete post-World War II survey of American cinema and its often complex and contradictory values. From the self-confident affirmations of the immediate postwar era, through the social and cinematic turbulence of the sixties and seventies, to the darker, more pessimistic works of the nineties, America cinema has reflected and refracted American concerns.
While adhering to the chronological structure and critical premises of the previous editions, American Film and Society Since 1945, Third Edition, adds key analyses of post-Cold War and Clinton-era cinema. While films of the nineties evoked no single political or cultural current, their diversity provides a panoramic view of this most complicated time. Movies that reaffirmed American patriotism (Saving Private Ryan) and debunked its politics (Bulworth), explored life in the inner city (Boyz N the Hood), dealt with homosexuality (Philadelphia), women's issues (Thelma &amp; Louise), suburbia (American Beauty), and sexuality (Eyes Wide Shut) add up to a decade as multifaceted as any that Quart and Auster have considered. No other work provides such an exhaustive and rigorous account of this parallel history of the United States. The breadth and depth of this latest edition will hold appeal for scholars, students, and general readers alike.

History

This post-World War II survey of American cinema provides an in-depth exploration of how film acts as a powerful cultural expression of the American public's dreams and desires.
In this most recent update to American Film and Society since 1945, the authors expand upon earlier editions by adding films previously neglected, and broaden their analysis of a number of films by discussing how these works capture the mood and values of American society in a particular decade. Interpretation of films can involve direct connections with social and political issues, but often deal with the important subtext of dreams, desires, and displacements that the American public feels. 
Recent films that present gay relationships and politics, such as Brokeback Mountain and Milk, and that address race relations and urban life like Crash and Precious are examined. This fourth edition also addresses changes in the modern film industry such as convergence and the digital revolution.
 • Includes an introduction that addresses the history of the last decade and discusses events such as the attacks of September 11, 2001, Hurricane Katrina, the wars in Iraq and Afghanistan, the economic crisis, and the election of President Barack Obama

American Film and Society Since 1945, 4th Edition

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Books by Quart, Leonard

See the best price to sell, buy, or rent books by Quart, Leonard. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

American Film and Society since 1945

American Film & Society Since 1945

How the War Was Remembered: Hollywood and Vietnam

How the War Was Remembered: Hollywood and Vietnam

American Film and Society Since 1945: Second Edition, Revised and Expanded by Leonard Quart

American Film and Society Since 1945: Revised and Expanded by Leonard Quart, 2nd Edition

American Film and Society since 1945

American Film and Society since 1945

American Film and Society since 1945

American Film and Society Since 1945, 4th Edition