Villa Badoer at Fratta Polesine (007)

Puppi, Lionello

Pennsylvania State Univ Pr

It is the meeting of stone and water that creates much of the magic of Venice, the solidity and permanence of the former and the evanescent fragility of the latter. Had Venice been built of wood, the incursions of sea water and the rugged climate would have destroyed the city centuries ago. What these elements have done, however, is to wear away exterior surfaces, making the simplest brick wall an object of contemplation, and giving a special patina to the expensive marbles used for anything from a staircase to a masterpiece of sculpture. The Venetians were great craftsmen and artists, and their use of stone is unparalleled in any other city. Following the Byzantine tradition, multi-coloured pieces of marble and semi-precious stone covered the floors of a religious building in a magic mosaic, while later on chips of marble of all possible hues were tossed into cement to carpet the floors of great palaces. During the middle ages and the Renaissance, multi-coloured marble tombs climbed up the walls of the city's churches and great artists such as Andrea Verrochio, Alessandro Vittoria or Tiziano Aspetti made magnificent stones statues in all sizes for church and state as well as for the great patrician families who competed to outdo each other in the magnificence of their palaces. This beautiful, specially photographed book is a thesis on the texture, colour, shape and endless uses of stone in the hands of sensitive artists. It will be a revelation even to those who think they know Venice well, and a source of inspiration for designers and craftsmen in all areas.

The Stones of Venice

Arts & Photography

Vendome Press

El Greco: the Life and Work of the Artist Illustrated With 80 Colour Plates

A Dolphin Art Book

The life and work of the artist illustrated with 80 colour plates

Rembrant

Reference

W.W. Norton & Co., Inc.

Andrea Palladio: Complete Works

Palladio, Andrea

Literature & Fiction

Berlin: Der Zirkel, Architektur-Verlag

A discussion of Palladio's cultural background, intellectual circle, family life, and creative talents as an architect accompanies a catalog of his works which includes reproductions of original designs and projects

Andrea Palladio

Architecture

Phaidon

4to. 465 (2) pp, preface, Palladio's Cultural Background; The Early Years; Years of Maturity; Old Age; Plates; Main Biographical details; Part II. Catalogue of Works; general bibliography, index acknowledgments with 629 b&w plates. Tranaslated from the Italian by Pearl Sanders: First English Edition, 1975. Charcoal-grey cloth with red lettering to spine. ``This richly illustrated volume documents Andrea Palladio's life and work and was the first large monograph on him written according to modern critical methods of research. The material has been arranged in two parts: the first is devoted to the interpretation of Palladio's work and examines his cultural development, his intellectual contacts, and his relationship to his environment and the noble familes of the Veneto. The second part is a chronological catalogue raisonne of Palladio's deoumented work, including unfinished works, as well as those which have been destroyed or altered." from the jacket flap.

NEW YORK GRAPHIC SOCIETY

Andrea Palladio: The Complete Works

Rizzoli

Palladio Drawings

Following the footsteps of John Ruskin, who loved the city so well, this beautiful, specially photographed book on Venice is a thesis on the texture, colour, shape and endless uses of stone in the hands of sensitive artists. A remarkable and evocative text explains the magic birth of Venice, that rose from the waters like the sea goddess Venus with whom the city is identified. We see how the lagoon's two main islands were linked by a great sculpted bridge at the Rialto, how the city was protected from both tides and enemies by encircling ramparts of Istrian stone. The author and photographer lead us through the magic city on beautifully patterned stone pavements, passing by elaborate marble wells, they guide our vision towards sometimes rough and often elegant polished facades, ornamented with anything from coats of arms to a fantastic bestiary, that make up rippling stone curtains behind which are still courtyards or gardens and splendid rooms with marble inlaid floors on which floral-like panels proliferate. The author brings to life the poets, artists and statesmen that once passed through the stone garden and theater that is Venice, while he and the photographer take us across historic and variegated stone bridges and, from the top of the bell towers on the Piazza San Marco, guide our eyes downwards toward the endless variety of rooftops with their water spouts, elaborate cornices, marble ornaments and gargoyles. This is a book that will be a revelation to people who know Venice well and also a source of inspiration to designers and architects.

Stones of Venice

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