"Mike Kelley and Paul McCarthy have a history of collaboration that dates back to 1987. From this perfect artistic marriage comes three major installations, five videos, two series of photographs, the design of their catalog for the installation ""Sod and Sodie Sock"", along with a double CD of their performances in Tokyo with Japanese noise musician Violent Onsen Geisha! For the first time these numerous collaborations have been chronologically documented and discussed with essays from curator Philip Monk, Ann Goldstein, Timothy Martin and Martin Prinzhorn."

Mike Kelley and Paul McCarthy: Collaborative Works

Arts & Photography

Prinzhorn, Martin

Goldstein, Ann

Martin, Tim

Monk, Philip

Individual Artists

Wilfrid Laurier University Press

Jutta Koether's translucent color fields, expressive brushstrokes and female subjects--as well as her use of poetry, art history and Mylar--can make her seem like a feminist answer to the Cologne art scene, a counterpart to artists like Martin Kippenberger, Sigmar Polke and Albert Oehlen. In fact, she is a central contemporary painter in her own right, as well as a performance artist, a musician and a critic. She collaborates musically with Sonic Youth's Kim Gordon and Television's Tom Verlaine, contributes regularly to Artforum and the respected German culture magazine Spex, and teaches in Bard College's MFA program--and has recently shown her work at Reema Spaulings Fine Art and Thomas Erben Gallery in New York. Koether's work, which the New York Times has called "vibrant" and "intriguing," was a standout in the 2006 Whitney Biennial. This look back documents the artist's oeuvre from the mid-80s forward, with an extensive selection of images.

Jutta Koether

Diederichsen, Diedrich

Graw, Isabelle

History & Criticism

DuMont

The paintings of Albert Oehlen live by audacious strategies, by questioning the image and the rules of abstraction, and by an openness and beauty often reached through the unlikeliest of means.
In this expansive monograph, we meet the full range of Oehlen’s artistic thoughts and approaches: paintings that integrate mirrors, paintings that are executed strictly in primary colors or only in gray, heavily pixelated paintings produced with the help of one of the first personal computers. We find collaged fragments of garish poster ads on canvases that transforming screaming slogans into abstract elements, charcoal drawings the size of a wall, finger paintings, and paintings in which black treelike silhouettes contort themselves into a lexicon of abstract forms. Throughout, Oehlen transforms the conceptual into the compositional, at once invigorating and challenging the viewer.
Revising and updating TASCHEN’s previous Collector’s Edition, this revelatory survey explores Oehlen’s trajectory from his early days up to the present. It features more than 400 paintings as well as insightful commentaries and interviews, covering Oehlen’s different work stages and approaches. Roberto Ohrt’s essay takes us back to the special vibe of the early 1980s where Oehlen worked alongside Kippenberger, Büttner, and others, part of a scene that painted quickly and close to the pulse of time. Oehlen discusses his computer paintings with John Corbett, and follows up on his more recent work, his thoughts on art, and his day in the studio in a lengthy conversation with Alexander Klar. Together with a collection of shorter texts and statements, this brings us close to the ideas of an artist who has been dubbed “the most resourceful abstract painter alive.”

Albert Oehlen

Ohrt, Roberto

Corbett, John

Taschen America, LLC

This collection of key works by the London conceptualist Cerith Wyn Evans features chandeliers and fireworks that speak, plants that are able to generate light and installations that dramatize our experience. Magical and uncanny, excessive and yet minimal, the works radically alter our perceptions and challenge our visions.

Cerith Wyn Evans: Bubble Peddler

Cousins, Mark

Walther König, Köln

This exhibition catalogue disguised as an artist's book presents recent work by the Los Angeles artist, writer and all-around favorite, Frances Stark. Taking as her starting point the novel Ferdydurke by the esteemed Polish author Witold Gombrowicz, Stark explores two key aspects of the novel, according to Andras Palffy, President of the esteemed Viennese exhibition space, Secession--"the individual's right to uncertainty or immaturity and all possible forms of masquerade" and "deception towards one's environment." Whereas Gombrowicz took on the sinister political developments of 1930s Poland, Stark aptly and humorously attacks the hierarchies, systems and pigeon holes of the contemporary commercial art world. Of special note are the very effective optical illusions embedded in the images reproduced here. Frances Stark was born in 1967 in Newport Beach, California. She has had recent one-person exhibitions at Marc Foxx gallery, Los Angeles, The Museum of Fine Arts, Houston and CRG Gallery, New York.

Frances Stark: A Torment of Follies

This latest reference work on Kippenberger catalogues all of the multiples produced between 1982 and 1997, documented by title, year, format, motive, edition, signature, and production. Here you will find many hard-to-describe works, including Mirror Babies, ELITE '88, Upside Down And Turning Me, Disco Bombs, and Kippen Seltzer.

Martin Kippenberger: Multiples 1982-1997

Grässlin, Karola

On February 26, 2003, Martin Kippenberger would have turned 50. In commemoration of his birthday, gallerist Max Hetzler presents this volume in which artists, critics, art historians and authors have written highly personal testimonies to Kippenberger, who was a friend, role model and source of irritation all in one. Kippenberger's forceful presence is doubly testified to by the artwork, snapshots and ephemera scattered throughout.

Hommage to Martin Kippenberger: The 80's, Paintings and Sculptures

Carpenter, Merlin

Schmidt-Wulffen, Stephan

Kippenberger, Martin

Thompson, Mayo

Holzwarth Publications

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Books by Prinzhorn, Martin