A spectacularly illustrated survey of the changing face of graphic design at the end of the twentieth century The past twenty years have seen profound changes in the field of graphic communication. As the computer has become a ubiquitous tool, there has been an explosion of creativity in graphic design; designers and typographers have jettisoned existing rules and forged experimental new approaches. No More Rules isthe first critical survey to offer a complete overview of the graphic revolution during the postmodern period. Design critic Rick Poynor tells this story in detail, breaking down a broad, multifaceted field of graphic design activity into key developments and themes: the origins of postmodern design; deconstructionist design and theory; issues of appropriation; the revolution in digital type; questions of authorship; and critiques of postmodern graphic design. Each theme is illustrated by spectacular and significant examples of work produced between 1980 and 2000 that have changed the way in which designers and their audiences think about graphic communication. This generously illustrated book is a vital reference for design professionals and educators as well as for students of graphic design, image-making, advertising, and the visual arts.

No More Rules: Graphic Design and Postmodernism

Arts & Photography

POYNOR, Rick

History & Criticism

Yale University Press

The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. Communicate offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since.Illustrated in full color, Communicate features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designersJulian House, Ian Anderson, and Margaret Calvert among themprovide unique insider views of the design world.

Communicate: Independent British Graphic Design Since the Sixties

Crowley, David

Macdonald, Nico

O’Reilly, John

<div>Exploring an unjustly overlooked figure in 20th-century British visual culture This book offers a comprehensive overview to the work and legacy of David King (1943-2016), whose fascinating career bridged journalism, graphic design, photography, and collecting. King launched his career at Britain's Sunday Times Magazine in the 1960s, starting as a designer and later branching out into image-led journalism. He developed a particular interest in revolutionary Russia and began amassing a collection of graphic art and photographs--ultimately accumulating around 250,000 images that he shared with news outlets. Throughout his life, King blended political activism with his graphic design work, creating anti-Apartheid and anti-Nazi posters, covers for books on Communist history, album artwork for&nbsp;The Who and Jimi Hendrix, catalogues on Russian art and society for the Museum of Modern Art in Oxford, and typographic covers for the left-wing magazine City Limits. This well-researched and finely illustrated publication ties together King's accomplishments as a visual historian, artist, journalist, and activist.</div>

David King: Designer, Activist, Visual Historian

Individual Artists

Gathers paintings and collages that interpret songs by Brian Eno and describes the working methods of both artist and composer

More Dark Than Shark

Eno, Brian

Mills, Russell

Music

Faber&Faber

Graphic Edge

Graphic Design

North Light Books

The Graphic Edge

Writers' Digest Books

Nigel Coates: the city in motion

Fourth Estate

The magazine Typographica--brainchild of founder, editor, designer, and renowned typographer Herbert Spencer--had a brief life, a total of 32 issues published over nineteen years. But its influence stretched--and stretches--far beyond its modest distribution and print runs of the time. Indeed, for many graphic designers, Typographica is something of an obsession, to be collected if and when found, savored, and poured over for designs and techniques not seen since.Remarkably, Spencer never intended to turn a profit, so no expenses were spared in the making of the magazine. Different papers, letterpress, tip-ins, and more were all employed in the presentation of an eclectic range of subject matter: Braille, locomotive lettering, sex and typography, typewriter faces, street lettering, matches, and avant-garde poetry all found their way into the magazine.Rick Poynor, founding editor of Eye, recreates the excitement of Typographica in this carefully researched, accessibly written, and beautifully illustrated book that pays tribute to the man and the magazine that changed the course of graphic design.

Typographica

Princeton Architectural Press

Explicit sexual imagery has erupted in every medium and on every surface. While some react to it by pointing and laughing, hardly anyone has stopped to seriously consider its impact. Behind this phenomenon lies the normalization of pornography, which along with the complete turnaround in social attitudes to it, has been one of the most momentous developments in contemporary life. In Designing Pornotopia, Rick Poynor explores recent advertising and design and the invasion of sexual imagery into everyday life, revealing how advertising walks the fine line between prudish and vulgar imagery. 
Developing the discussion of Poynor's previous anthology, Obey the Giant, Designing Pornotopia covers a wide area of subjects, from magazines, billboard advertising, branding, illustration, photography, tattoos, and music graphics to architecture and includes interviews with architect Rem Koolhaas and maverick American graphic designer and performance artist Elliott Earls. Along the way Poynor reassesses the early work of Peter Saville and tracks the unstoppable rise of Stefan Sagmeister, among others. Poynor's concise, riveting prose constantly challenges the reader with strong and thought-provoking arguments. In its timeliness and poignancy, this anthology is a truly indispensable addition to the bookshelf of anyone interested in visual culture and its effects on our daily lives.

Designing Pornotopia: Travels in Visual Culture

The last thirty-five years have seen profound upheavals in the field of graphic communication. One by one, the old certainties about the techniques and purposes of graphic design have been questioned and torn apart. Jettisoning rules that no longer seemed relevant in the postmodern era, designers and typographers have reassessed their roles and forged experimental new approaches. No More Rules is the first wide-ranging critical survey to attempt to make sense of these international developments. Each of the book's key themes—origins, deconstruction, appropriation, technology, authorship, and opposition—is illuminated by stunning examples of work that has changed the way in which designers and their audiences think about graphic communication.

No More Rules: Graphic Design and Postmodernism (Mini)

Laurence King Publishing

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