The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a co-written book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the co-authors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion. They also demonstrate that by paying more attention to audiences, programmes, and soundscapes, historians of international broadcasting can make important contributions to wider debates in social and cultural history.\nExploring the idea of a 'wireless world', a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, including the pioneering days of wireless, the Second World War, the Cold War, and the decades since the fall of the Berlin Wall, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.

The Wireless World: Global Histories of International Radio Broadcasting

History

Potter, Simon J.

Kind-Kovács, Friederike

Kuitenbrouwer, Vincent

Ribeiro, Nelson

Scales, Rebecca

Stanton, Andrea

Clayton, David

Historical Study & Educational Resources

Oxford University Press

In the hundredth year of the British Broadcasting Corporation, historian Simon J. Potter looks back over the hundred year history, asking if the BBC is really the 'voice of Britain', and what comes next for British public broadcasting.2022 marks the centenary year of the British Broadcasting Corporation. As Britain's most famous and influential broadcaster, the BBC faces a range of significant challenges to the way it operates, and perhaps to its existence, from the government but also from a rapidly changing media environment.Historian Simon J. Potter explores the hundred year history of this corporation, drawing out the roots of these challenges and understanding how similar threats - hostile politicians and prime ministers, the advent of television - were met and overcome in the past.Potter poses the question 'Is the BBC the voice of Britain?', exploring its role in changing wider culture and society, promoting particular versions of British national identity, both at home and overseas. The BBC has long claimed to speak for the British people, to the British people, and with aBritish accent, and Potter explores how far these claims have been justified with this exciting new study which covers the establishment of the BBC Empire Service and the World Service, and focuses on people, programmes, and politics to understand the Corporation's engagement with changing ideasabout culture and society in Britain, including issues of class, gender, and race.

This is the BBC: Entertaining the Nation, Speaking for Britain, 1922-2022

Europe

During the 1920s and 1930s the new medium of radio broadcasting promised to transform society by fostering national unity and strengthening and popularising national cultures. However, many hoped that 'wireless' would also encourage international understanding and world peace. Intentionally or otherwise, wireless signals crossed borders, bringing talk, music, and news to enthusiastic 'distant listeners' in other countries. In Europe, radio was regulated through international consultation and cooperation, to restrict interference between stations, and to unleash the medium's full potential to carry programmes to global audiences. A distinctive form of 'wireless internationalism' emerged, reflecting and reinforcing the broader internationalist movement and establishing structures and approaches which endured into the Second World War, the Cold War, and beyond. This study reveals this untold history. Wireless Internationalism and Distant Listening also explores the neglected interwar experience of distant listening, revealing the prevalence of listening across borders and explaining how individuals struggled to overcome unwanted noise, tune in as many stations as possible, and comprehend and enjoy what they heard. The volume shows how radio brought the world to Britain, and Britain to the world. It revises our understanding of early BBC broadcasting and the BBC Empire Service (the precursor to today's World Service) and shows how government influence shaped early BBC international broadcasting in English, Arabic, Spanish, and Portuguese. It also explores the wider European and trans-Atlantic context, demonstrating how Fascism in Italy and Germany, the Spanish Civil War, and the Japanese invasion of China, combined to overturn the utopianism of the 1920s and usher in a new era of wireless nationalism.

Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920-1939

During the late nineteenth and early twentieth centuries, Britain, Canada, Australia, New Zealand, and South Africa were increasingly drawn together by an imperial press system. This is the first scholarly study of the development of that system. Simon J. Potter examines key debates during episodes such as the South African War and the First World War, and reveals the ambiguous impact of the system on local, national, and imperial identities.

News and the British World: The Emergence of an Imperial Press System 1876-1922 (Oxford Historical Monographs)

Clarendon Press

Broadcasting was born just as the British empire reached its greatest territorial extent, and matured while that empire began to unravel. Radio and television offered contemporaries the beguiling prospect that new technologies of mass communication might compensate for British imperial decline. In Broadcasting Empire, Simon J. Potter shows how, from the 1920s, the BBC used broadcasting to unite audiences at home with the British settler diaspora in Canada, Australia, New Zealand, and South Africa. High culture, royal ceremonial, sport, and even comedy were harnessed to this end, particularly on the BBC Empire Service, the predecessor of today's World Service. Belatedly, during the 1950s, the BBC also began to consider the role of broadcasting in Africa and Asia, as a means to encourage 'development' and to combat resistance to continued colonial rule. However, during the 1960s, as decolonization entered its final, accelerated phase, the BBC staged its own imperial retreat. This is the first full-length, scholarly study to examine both the home and overseas aspects of the BBC's imperial mission. Drawing on new archival evidence, it demonstrates how the BBC's domestic and imperial roles, while seemingly distinct, in fact exerted a powerful influence over one another. Broadcasting Empire makes an important contribution to our understanding of the transnational history of broadcasting, emphasising geopolitical rivalries and tensions between British and American attempts to exert influence on the world's radio and television systems.

Broadcasting Empire: The BBC and the British World, 1922-1970

Computers & Technology

Networking & Cloud Computing

See the best price to sell, buy, or rent books by Potter, Simon J.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Potter, Simon J.