The Wrightsman Lectures delivered under the auspices of the New York University Institute of Fine Arts. Black and white illustrations throughout. Measures 8x10.5 inches. Discusses Raphael's working methods and his capacity to make his insights clear. Chronology. Index. 304p.

Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts)

POPE-HENNESSY, John

Icon (Harpe)

The Robert Lehman Collection: Volume I, Italian Paintings

Arts & Photography

Collections, Catalogs & Exhibitions

Metropolitan Museum of Art

Cellini

Education & Teaching

Schools & Teaching

Abbeville

A memoir of one of the greatest art historians of the twentieth century, who was an Oxford graduate in history, and was self-taught in the field of art history

Learning to Look

DOUBLEDAY

First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpture still stands as the definitive introduction to the subject. A triumph of clear organization, sustained critical scholarship and certain aesthetic judgement, its three volumes bring order to a huge mass of material, and present a magisterial survey of one of the most creative phases in Western art. These books have long been indispensable for scholars, students, curators, collectors and dealers. For the fourth edition of this great work, the text has been revised and updated, and new notes and bibliographies have been added. The design has been dramatically transformed, with all the illustrations now appearing in a single sequence integrated with the narrative text. Many new photographs have been obtained, and duotone printing has been used to achieve the highest possible quality of reproduction. This classic work is now also reissued in a paperback edition, at a price that will make it available to students and a wider public.

Italian High Renaissance and Baroque Sculpture (Introduction to Italian Sculptur

History & Criticism

Phaidon

First published in 1955-63, Sir John Pope-Hennessy's classic Introduction to Italian Sculpture still stands as the definitive introduction to the subject It brings order to a huge mass of material, and present a magisterial survey of one of the most creative phases in Western art It has Long been indispensable for scholars, students, curators, collectors and dealers The masterly narrative is a triumph of clear organization, aesthetic judgement and sustained scholarship Provides a lucid account of a rich and complex period, with a vast mass of well-organized scholarly bibliography Includes the work of the three great masters of the High Renaissance, Mannerism and the Baroque: Michelangelo, Giambologna and Bernini

Italian Renaissance Sculpture (Introduction to Italian Sculpture)

An introduction and history of Italian sculpture that began with the emergence of Michelangelo and ended in 1680

An introduction to Italian sculpture

Italian High Renaissance and Baroque Sculpture (Introduction to Italian Sculpture) [Paperback]

Oxford (Phaidon)

For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume I covers the period from about 1150 to 1400. The sculptors dealt with include Nicola and Giovanni Pisano, Arnolfo di Cambio, Andrea and Nino Pisano, Lorenzo Ghiberti and Jacopo della Quercia. The monuments illustrated include the great Pisano pulpits, the facades of the cathedrals of Siena, Florence and Orvieto, Milan Cathedral and S. Petronio at Bologna, the Scaliger tombs at Verona, the Angevin monuments in Naples, and Ghiberti's famous door for the Baptistery in Florence. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume in the set of three can be enjoyed in its own right.

Introduction to Italian Sculpture, Volume I: Italian Gothic Sculpture

Phaidon Press

For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume III, ranging from 1500 to the late-17th century, begins and ends with two outstanding personalities: Michelangelo and Bernini. Michelangelo forged a new and ideal style, the development of which is traced in the work of Andrea and Jacopo Sansovino, Benvenuto Cellini, Giambologna, Pietro Tacca, Leone Leoni, Alessandro Vittoria and others. The author also describes the artistic problems presented by the statue, relief, portrait, tomb and fountain in the 16th century, culminating in the dramatic innovations of Bernini which ushered in the Baroque style. The new edition of this work provides an accessible introduction to the subject for scholars, students and all lovers of Italian art. At the same time its scholarly notes make it a valuable reference work. Each volume in the set of three can be enjoyed in its own right.

Italian High Renaissance & Baroque Sculpture

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