Sadomasochism, Popular Culture and Revolt: A Pornography of Violence

Sadomasochism, Popular Culture, and Revolt: A Pornography of Violenceexplores powerful connections between violent pornography and current gender wars, generational conflicts, political struggles, and racial and ethnic unrest. Long before these conflicts dominated headlines worldwide, they become embedded and contextualized in popular culture. Tracing the history of today' popular porn genres, including torture porn, revenge porn, war porn, and fascist porn, Tom Pollard reveals a "sadomasochistic trope" of fictional and real sexual violence and sexual justice that had largely remained hidden and suppressed. Today it has exploded into public awareness by mass movements like #MeToo demanding justice for sexual assault victims. This movement joins other recent social movements, including Black Lives Matter and advocates of safety from gun violence, which, along with #MeToo, constitute a "revolt of submissives" no longer willing to endure unwanted violence. This thoughtful examination of the history and content of violent pornography reveals portentous patterns and developing trends. By examining pornography's violent content, Pollard forces us to confront wider social and cultural violence. Sadomasochism, Popular Culture, and Revoltwill be of great interest to scholars of gay and lesbian studies and queer studies, while being a vital text for undergraduate and graduate instructors of social movement studies in sociology, political science, American Studies, and history. p;lt;/P> This thoughtful examination of the history and content of violent pornography reveals portentous patterns and developing trends. By examining pornography's violent content, Pollard forces us to confront wider social and cultural violence. Sadomasochism, Popular Culture, and Revoltwill be of great interest to scholars of gay and lesbian studies and queer studies, while being a vital text for undergraduate and graduate instructors of social movement studies in sociology, political science, American Studies, and history.

Sadomasochism, Popular Culture and Revolt

Pollard, Tom

Reference

Routledge

Vampire characters are ubiquitous in popular culture, serving as metaphors for society's most sensitive subjects--sexuality, gender roles, race, ethnicity, class--and often channeling widespread fears of immigration, crime, terrorism and addiction. This book explores pop culture's vampires variously as sexual seducers, savage monsters, noble protectors and drainers of human power. The author discusses three real-life role models for vampire characters.

Loving Vampires: Our Undead Obsession

Humor & Entertainment

Movies

McFarland

Hollywood War Machine: U.S. Militarism and Popular Culture

In this unique book, the authors provide a hard-hitting, radical critique of the growing culture of American militarism, focusing on the post–Cold War years. Analyzed in historical context and drawing on a broad mix of theoretical, political, and cultural sources, The Hollywood War Machine explores the U.S. film industry and its deepening impact on the popular and political culture. Through the lens of filmmakers like Steven Spielberg, Michael Bay, Jonathan Mostrow, Edward Zwick, Tony Scott, and John Woo, the volume deconstructs the narratives and images of nearly 200 combat and war-related movies, along with related consumer fare such as television and video games, in the context of the permanent war economy, security state, recurrent military interventions abroad, and the expansion of U.S. global power. Topics include cinematic representations of terrorism, the return of “good war” motifs, the phenomenon of disguised militarism, the relationship between cinema and technowar, depictions of the Gulf War and the current war in Iraq, and general media spectacles of warfare as well as unique perspectives on films related to World War II, the Cold War, and Vietnam.

Boggs, Carl

In this unique book, the authors provide a hard-hitting, radical critique of the growing culture of American militarism, focusing on the post–Cold War years. Analyzed in historical context and drawing on a broad mix of theoretical, political, and cultural sources, The Hollywood War Machine explores the U.S. film industry and its deepening impact on the popular and political culture. Through the lens of filmmakers like Steven Spielberg, Michael Bay, Jonathan Mostrow, Edward Zwick, Tony Scott, and John Woo, the volume deconstructs the narratives and images of nearly 200 combat and war-related movies, along with related consumer fare such as television and video games, in the context of the permanent war economy, security state, recurrent military interventions abroad, and the expansion of U.S. global power. Topics include cinematic representations of terrorism, the return of “good war” motifs, the phenomenon of disguised militarism, the relationship between cinema and technowar, depictions of the Gulf War and the current war in Iraq, and general media spectacles of warfare as well as unique perspectives on films related to World War II, the Cold War, and Vietnam.

Sex and Violence: The Hollywood Censorship Wars (Media and Power)

Sex and Violence examines the history and social dynamics of film censorship in the United States. It examines censorship controversies throughout film history, from the beginning of cinema in the 1890s to the present. The book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements. It probes beneath the official rhetoric and explanations, revealing sensitive, festering controversies. The book critically examines dozens of Hollywood's most controversial (and interesting) movies, focusing on recurring issues and censorship themes. The book reveals the social and political processes of vetting films and their effect on film form and content. In addition, it examines the use of sexuality and violence in movies and the effects of movie censorship on those issues. Finally, it analyzes and makes recommendations for dramatic changes in motion picture ratings.

Sex and Violence examines the history and social dynamics of film censorship in the United States. It examines censorship controversies throughout film history, from the beginning of cinema in the 1890s to the present. The book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements. It probes beneath the official rhetoric and explanations, revealing sensitive, festering controversies. The book critically examines dozens of Hollywood's most controversial (and interesting) movies, focusing on recurring issues and censorship themes. The book reveals the social and political processes of vetting films and their effect on film form and content. In addition, it examines the use of sexuality and violence in movies and the effects of movie censorship on those issues. Finally, it analyzes and makes recommendations for dramatic changes in motion picture ratings.

Hollywood 9/11

The terrorist attacks of September 11, 2001, and the subsequent US-led invasions of Afghanistan in 2001 and Iraq in 2003 profoundly affected all aspects of society, including cinema. Or did they? Even now, years after those horrific events, debate still rages over their impact on films. At the time many expected Hollywood to tamp down graphic movie violence, while others hoped that filmmakers would finally lay bare volatile socio-political issues fuelling terrorist attacks. In fact, what has emerged is a thicket of darkly pessimistic genres including thrillers, combat films, sci-fi, and horror that makes pre-9/11 films appear naive and optimistic. Hollywood 9/11 explores this transformation, critically examining everything from Harry Potter and the Half-Blood Prince to The Hurt Locker and placing the films in the context of both the socio-political scene and the history of cinema.

Hollywood 9/11: Superheroes, Supervillains, and Super Disasters

The terrorist attacks of September 11, 2001, and the subsequent US-led invasions of Afghanistan in 2001 and Iraq in 2003 profoundly affected all aspects of society, including cinema. Or did they? Even now, years after those horrific events, debate still rages over their impact on films. At the time many expected Hollywood to tamp down graphic movie violence, while others hoped that filmmakers would finally lay bare volatile socio-political issues fuelling terrorist attacks. In fact, what has emerged is a thicket of darkly pessimistic genres including thrillers, combat films, sci-fi, and horror that makes pre-9/11 films appear naive and optimistic. Hollywood 9/11 explores this transformation, critically examining everything from Harry Potter and the Half-Blood Prince to The Hurt Locker and placing the films in the context of both the socio-political scene and the history of cinema.

My First Makaton Symbols and Signs: Bk. 1

Tipi Publishing Ltd

See the best price to sell, buy, or rent books by Pollard, Tom. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Pollard, Tom

See the best price to sell, buy, or rent books by Pollard, Tom. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Sadomasochism, Popular Culture and Revolt

Sadomasochism, Popular Culture and Revolt: A Pornography of Violence

Loving Vampires: Our Undead Obsession

Hollywood War Machine: U.S. Militarism and Popular Culture

Hollywood War Machine: U.S. Militarism and Popular Culture

Sex and Violence: The Hollywood Censorship Wars (Media and Power)

Sex and Violence: The Hollywood Censorship Wars (Media and Power)

Hollywood 9/11: Superheroes, Supervillains, and Super Disasters

Hollywood 9/11

My First Makaton Symbols and Signs: Bk. 1