Fiction. Poetry. Introduction by Susan McCabe. DIES: A SENTENCE by Vanessa Place is a 117-page, one-sentence novel about the coils of language and war, unspooled in the dying breath of a pre- and post-scient World War I soldier. John Witte of the Northwest Review calls DIES, "a marvel of sustained synergy," author Jim Krusoe describes the book as "dizzyingly complex, compound, and full of miraculous side trips as well," and novelist Doug Nufer heralds DIES as a "delightful tour de force of a hopelessly grim predicament." Place obliterates the line between victim and perpetrator, subject and object, rendering this human truth: in the death sentence of life, there is still beauty. "Roll over, dear Whitman," says Susan McCabe in her Introduction, "Here's our new original."

Dies: A Sentence

Literature & Fiction

Place, Vanessa

United States

Les Figues Press

This limited-edition, gold-foiled and hand-stitched book introduces the second annual TrenchArt series, published by Les Figues Press. The title includes aesthetic essays and poetics written by participating series writers and visual artists. Introduction by Teresa Carmody and Vanessa Place.

Trenchart: Casements

Literary

Les Figues Pr

Maison Femme: A Fiction Teresa Carmody, text Vanessa Place, images

Maison Femme: A Fiction

Carmody, Teresa

Bon Aire Projects

[out of nothing] is an electronic publication featuring new works in image, sound, text and the digital arts, as well as works located at the intersections between these media. [out of nothing]is published in online installments as well as occasional print editions, on an irregular but roughly semiannual seasonal basis that nevertheless remains chronically TBD. Each issue is theme-based, and is introduced by a special M.C.; or, emcee. [out of nothing] is edited by Lee, Janice, 1956–1984; Lindley, Eric, 1952 –1982; and Milazzo, Joe, 1932 –1972. email: shelling.peanuts@gmail.com. 
For more information, please visit: http://www.outofnothing.org/. [Anthology.] [out of nothing] #0: "theoretical perspectives on the substance preceding [nothing]." / [Various authors.] p. cm. 1. Literature, Experimental. 2. Literature, Modern —21st century. 3. Multimedia (Art). I. Baudrillard, Jean, 1929-2007. II. Benjamin, Walter, 1892-1940. III. Derrida, Jacques, (1930-2004). IV. Kierkegaard, Søren, 1813-1855. V. Title. PN6014 .O98 2012 808.8/0047 Copyright © 2012 [out of nothing]. Authors hold the rights to their individual works. All rights reserved. Printed in the United States of America. 0 9 8 7 6 5 4 3 2 1

theoretical perspectives on the substance preceding [nothing].: [out of nothing] #0

Authors, Various

Montfort, Nick

Kapil, Bhanu

Olson, Gerard

Sylvester, Chris

Kim, Maxi

McCarty, Ian M.

One, Shone

Trudgeon, Tom

CreateSpace Independent Publishing Platform

This book is a text version of Vanessa Place's live performance 'I've got this really great joke about rape', in which the artist recites rape jokes for 45 minutes to a seated audience in a gallery or from a small stage. It is art performance, not stand-up comedy. Place decided to work with rape jokes several years ago after various stand-up comics were rebuked for making rape jokes on and off-stage; the gist of the criticism being that 'rape jokes aren't funny,' and that a rape joke is tantamount to rape itself. But Place's work shows that rape jokes aren't rape and considers why rape jokes are very funny to very many people, and persistently so.

You Had To Be There: Rape Jokes

Humor & Entertainment

Humor

powerHouse Books

An English court in 1736 described rape as an accusation “easily to be made and hard to be proved, and harder to be defended by the party accused, though never so innocent. ”To prove the crime, the law required a woman to physically resist, to put up a “hue and cry,” as evidence of her unwillingness. Beginning in the 1970s, however, feminist and victim-advocacy groups began changing attitudes toward rape so the crime is now seen as violent in itself: the legal definition of rape now includes everything from the sadistic serial rapist to the eighteen-year-old who has consensual sex with a fourteen-year-old. This inclusiveness means there are now more rapists among us. And more of rape’s camp followers: the prison-makers, the community watchdogs, law-and-order politicians, and the real-crime/real-time entertainment industry. Vanessa Place examines the ambiguity of rape law by presenting cases where guilt lies, but lies uneasily, and leads into larger ethical questions of what defines guilt, what is justice, and what is considered just punishment. Assuming a society can and must be judged by the way it treats its most despicable members, The Guilt Project looks at the way the American legal system defines, prosecutes, and punishes sex offenders, how this Dateline NBC justice has transformed our conception of who is guilty and how they ought to be treated, and how this has come to undo our deeper humanity

The Guilt Project: Rape, Morality and Law

History

Americas

Other Press

Politics & Social Sciences

Social Sciences

Literary Nonfiction. Poetics. "In NOTES ON CONCEPTUALISMS, Place and Fitterman erect the first critical framework toward the understanding of conceptual writing, an emergent early twenty-first century literary movement. Elegantly parsed and carefully dissected, this work fleshes out many of the missing details proposed thus far regarding the methodologies and strategies of how to proceed with innovative writing. Both direct and oblique, NOTES is itself a self-reflexive work of conceptual writing in the guise of theory; or is it a work of theory in the guise of conceptual writing? By smartly straddling the creative and the critical, this book does twice the work toward our understanding of what it means to be contemporary"--Kenneth Goldsmith.

Notes on Conceptualisms

Fitterman, Robert

History & Criticism

Ugly Duckling Presse

Tragodia 1: Statement of Facts

The goal of a statement of facts is not to put forward an argument, but rather to present factual information in clear understandable way. Many lawyers may make implicit arguments in a statement of facts, to paint someone in a favorable light, or to dismiss their reliability. Tragodía is composed of the 3 parts of an appellate brief: Statement of Facts, which sets forth, in narrative form, the evidence of the crime as presented at trial; Statement of the Case, which sets forth the procedural history of the case; and Argument, which are the claims of error and (for the defense) the arguments for reversing the judgment. Place's Statement of Facts project involves reproducing Statements of Facts from her appellate briefs as poetry, eliminating specific information as necessary to protect people's identities. By copying her briefs, Place does not violate ethical standards or codes of conduct: appellate briefs are matters of public record and can be read by anyone, as are the transcripts of the trials themselves.

Poetry

Insert Blanc Press

Tragodia 3: Argument

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