One of the greatest--and most popular--of the Impressionists, Mary Cassatt created some of her most inventive and appealing images in the print medium. Documenting a startling new discovery, this exquisitely produced book unveils 204 major prints and drawings that have been sequestered in a private collection for nearly half a century.
 Sometime before 1914, as Cassatt neared the end of her career, she was coaxed into selling her "studio collection"--etchings, monotypes, color aquatints, and drawings that she had kept for sentimental or archival purposes--to the dealer Ambroise Vollard. He added a few pieces to the collection from other notable Cassatt fans, including her friend Edgar Degas. When World War I disrupted the art market, Vollard tucked this remarkable collection away and never exhibited it before his death on the eve of World War II. The entire group was acquired by a French collector, who showed only a few works to friends and selected members of the art community.
 Many of the prints, which are in pristine condition, are previously unknown variants of Cassatt's work; others have never before been seen in any version. Because Cassatt's output as a printmaker was quite small and because her color prints are praised for being among her most radically innovative works, this discovery is an extraordinary event in an art world where demand for Cassatt’s art seems insatiable.
 The catalogue section of the book documents in exacting detail and in superb illustrations the 41 color prints, 127 black-and-white prints, and 36 drawings that constitute what is now known as the studio collection. Essays by leading experts tell the story of this rare collection and explore Cassatt’s virtuosity as a printmaker. The result is an important and unusually beautiful publication that will intensify interest in this much-loved artist and stimulate a new appreciation of her significant contributions to modern printmaking.

Mary Cassatt: Prints and Drawings from the Artist's Studio

Arts & Photography

Shapiro, Barbara Stern

Pinsky, Susan

Rosen, Marc

Adelson, Warren

Cantor, Jay E.

Individual Artists

Princeton University Press

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Parenting & Relationships

Disabilities & Hyperactivity

Fair Winds Press

Long known for her endearing renderings of maternal imagery and for her exploration of the theme of 'modern woman', Mary Cassatt has not been properly recognised for her pioneering role in the Impressionist movement or for her often extensive experimentation in new artistic theories or mediums. This book reveals, for the first time, a large and previously unknown group of pastel counterproofs by Cassatt. These counterproofs, which are literally mirror images of her pastels, produced by taking an impression of that original on a second sheet of paper, were a novel enterprise. This book, produced in conjunction with an exhibition at Adelson Galleries in New York, includes plates of all fifty counterproofs in full colour as well as additional colour and black and white illustrations of related works and other material pertaining to Cassatt's career. Several essays explore this rarely studied medium and its place within a fruitful period of experimentation in pastel and colour printmaking among the art

Art in a Mirror: The Counterproofs of Mary Cassatt

Adleson, Warren

Reference

Adelson Gallery

Pierre-Auguste Renoir is the Impressionist artist most indelibly associated with an idyllic vision of modern life, captured in paintings of charming young girls, bohemian outings, round-cheeked children, and voluptuous bathers, all presented with breathtaking spontaneity. While his principal medium was oil painting, he produced exquisite pastels and watercolours in which his deft touch and supple colourings were especially effective. Renoir's pastel counterproofs, never-before exhibited or published, range across the spectrum of his subjects, from the mid-1870s to the second decade of the twentieth century. There are compositions related to one of his most famous paintings, the Moulin de la Galette , and a few are also clearly related to the artist's most famous colour lithographs. The counterproofs, reverse impressions taken from a pastel or drawing, were done in association with his dealer Ambroise Vollard, who stored them in a portfolio, where they remained unseen for nearly a century. This cat

Renoir: The Pastel Counterproofs

History & Criticism

Mary Cassatt : Prints and Drawings from the Collection of Ambroise Vollard.

Cassatt, Mary

Adelson Galleries

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Organizing Solutions for People With Attention Deficit Disorder: Tips and Tools to Help You Take Charge of Your Life and Get Organized

Health, Fitness & Dieting

Mental Health

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Crafts, Hobbies & Home

Home Improvement & Design

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This surprising study examines the extent to which Mary Cassatt influenced the work of her contemporary Edgar Degas. Edgar Degas’s influence upon Mary Cassatt has long been acknowledged, but her role in shaping his artistic production and in preparing the way for his warm reception in America is fully examined for the first time. These two major figures of the impressionist movement shared a keen observer’s eye, as well as an openness to experimentation. Despite differences of gender and nationality, they built a deep friendship based on mutual respect and admiration for each other’s talents. Focusing on the critical period from the late 1870s through the mid-1880s, when Degas and Cassatt were most closely allied, this book brings together some seventy works in a variety of media to examine the fascinating artistic dialogue that developed between these two celebrated artists. Technical analysis provides new insight into the intersections between their art in terms of choice of media and methods as well as subject matter. The authors also examine the artists’ participation in the unrealized collaborative impressionist publication Le Jour et la nuit, which resulted in some of their most exceptional prints. Another focus is a series of prints, pastels, and paintings produced by Degas on the theme of Mary Cassatt at the Louvre. A number of works exchanged between the two artists serve as a tangible testament to the affinity between Degas and Cassatt and show both artists as collectors and champions of each other’s art.

Degas/Cassatt

Hirshler, Erica E.

Jones, Kimberly A.

Davis, Elliot Bostwick

Hoenigswald, Ann

Prestel

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