The narrator engages in an existential search for the meaning of his Black identity--from his Indianapolis roots to his taste of the expatriate life in Paris--in a novel that addresses the issues of upper-middle-class Blacks

High Cotton (Contemporary American Fiction)

Literature & Fiction

Pinckney, Darryl

Literary

Penguin??Books

No one sat me down and told me I was a Negro. That was something I figured out on the sly... So begins acclaimed critic and novelist Darryl Pinckney’s debut novel, High Cotton, an elegant and insightful look into the world of upper-middle-class black elite, or, in a term popularized by W. E. B. Du Bois, “the talented tenth.” The story follows an unnamed narrator as he moves from his safe childhood in conservative Indianapolis to a brief tenure as minister of information for a local radical organization, to eventually settling into the life as an expatriate in Paris. Through it all, his imagination is increasingly dominated by his elderly African American relations and the lessons of their experiences in the “Old Country” of the South.
Challenging the traditional form of the novel in its use of both fiction and autobiography, High Cotton, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction, signaled the arrival of a powerful literary force in American letters.

High Cotton: A Novel

United States

Picador

Jed―young, gay, black, out of rehab and out of prospects in his hometown of Chicago―flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escape from what it means to be a black male in America.
But history, both personal and political, can't be avoided with time or distance. Whether it's the judgment of the cousin he grew up with and her husband's bourgeois German family, the lure of white wine in a down-and-out bar, a gang of racists looking for a brawl, or the ravaged visage of Rock Hudson flashing behind the face of every white boy he desperately longs for, the past never stays past even in faraway Berlin. In the age of Reagan and AIDS in a city on the verge of tearing down its walls, he clambers toward some semblance of adulthood amid the outcasts and expats, intellectuals and artists, queers and misfits. And, on occasion, the city keeps its Isherwood promises and the boy he kisses, incredibly, kisses him back.
An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city.

Black Deutschland: A Novel

Farrar. Straus and Giroux

A collection of essays that blend the personal and the social, from the celebrated literary critic and novelist 
In these twenty-five essays, Darryl Pinckney has given us a view of our recent racial history that blends the social and the personal and wonders how we arrived at our current moment. Pinckney reminds us that “white supremacy isn’t back; it never went away.” It is this impulse to see historically that is at the core of Busted in New York and Other Essays, which traces the lineage of black intellectual history from Booker T. Washington through the Harlem Renaissance, to the Black Panther Party and the turbulent sixties, to today’s Afro-pessimists, and celebrated and neglected thinkers in between. 
These are capacious essays whose topics range from the grassroots of protest in Ferguson, Missouri, to the eighteenth-century Guadeloupian composer Joseph Bologne, from an unsparing portrait of Louis Farrakhan to the enduring legacy of James Baldwin, the unexpected story of black people experiencing Russia, Barry Jenkins’s Moonlight, and the painter Kara Walker. The essays themselves are a kind of record, many of them written in real-time, as Pinckney witnesses the Million Man March, feels and experiences the highs and lows of Obama’s first presidential campaign, explores the literary black diaspora, and reflects on the surprising and severe lesson he learned firsthand about the changing urban fabric of New York.
As Zadie Smith writes in her introduction to the book: “How lucky we are to have Darryl Pinckney who, without rancor, without insult, has, all these years, been taking down our various songs, examining them with love and care, and bringing them back from the past, like a Sankofa bird, for our present examination. These days Sankofas like Darryl are rare. Treasure him!”

Busted in New York and Other Essays

Essays & Correspondence

Critic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world. Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick's creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick's best friend and neighbor and a fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered some of the fascinating contributors to the Review, among them Susan Sontag, Robert Lowell, and Mary McCarthy. Yet the intellectual and artistic freedom that Pinckney observed on West Sixty-seventh Street could conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history. Pinckney's education in Hardwick's orbit took place in the context of the cultural movements then sweeping New York. In addition, through his peers and former classmates--such as Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin--Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avantgarde life at the same time as he was discovering the sexual freedom brought by gay liberation. It was his time for hope. In Come Back in September, Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration--in the way she worked, her artistry, the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.

Come Back in September: A Literary Education on West Sixty-seventh Street, Manhattan

Biographies & Memoirs

Arts & Literature

High Cotton

An elegant, insightful novel that evokes the world of upper-middle-class blacks, following an unnamed narrator from a safe childhood in conservative Indianapolis, to a brief tenure as minister of information for a local radical organization, to the life of an expatriate in Paris. Through it all, his imagination is increasingly dominated by his elderly relations and the lessons of their experiences in the "Old Country" of the South.

With this appreciation of three very different black writers, novelist Darryl Pinckney reminds us that marginal or neglected literary figures have a lot to tell us about the history of a people who are always "outsiders." Born in Jamaica in 1883, J. A. Rogers was an early member of the Harlem Renaissance--a newspaper columnist, historian of Negro achievement, polemicist against white supremacy, and amateur sociologist of interracial sex as evidenced in his massive three-volume work Sex and Race. Vincent O. Carter, who came of age in 1920's Kansas City, wrote The Bern Book, an exploration of being black in a Swiss rather than an American setting. Caryl Phillips, a son of the generation of black Caribbeans who returned to Great Britain after the Second World War, has explored the psychology of migration in fiction and nonfiction that include The Final Passage, Higher Ground, and The Nature of Blood. Pinckney's essays on these writers, drawn from his Alain Locke Lectures at Harvard University, give us a rich understanding of what it has meant to be "children of the diaspora" over the past century.

Out There

Community & Culture

Civitas Books

Contemporary

Faber and Faber

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Books by Pinckney, Darryl

See the best price to sell, buy, or rent books by Pinckney, Darryl. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

High Cotton (Contemporary American Fiction)

High Cotton: A Novel

Black Deutschland: A Novel

Busted in New York and Other Essays

Come Back in September: A Literary Education on West Sixty-seventh Street, Manhattan

High Cotton

Out There

High Cotton

Black Deutschland: A Novel

Busted in New York and Other Essays