1965, Folio VG in VG DJ,many b/w photos

Yonder Comes the Train: The Story of the Iron Horse and Some of the Roads it Travelled

Literature & Fiction

Phillips, Lance

Contemporary

A.S. Barnes

Poetry. "Long ago, those adventurous, uncompromisingly 'broken' peoms of THE TENNIS COURT OATH, as well as the radiant pieces of language (and silence) etched onto the page by poets such as Celan and Beckett, showed us how far down the Via Negativa our aesthetics could go. Lance Phillips has added to that tradition a poetry which is elliptical not because it has been half erased to confound the authorities, but simply because it is humbly alert to the limitations and possiblilities of linguistic expression"--Christopher Davis. "Lance Phillips is a poet who means to act, and his meaning takes the measure of us all"--Donald Revell.

Corpus Socius (New Series (Ahsahta Press), 1)

Poetry

Ahsahta Press

Poetry. "'Why did I have to see something' translates the title to Lance Phillips' extraordinary second collection, and if the question is Ovid's, it also remains any poet's who follows the exilic logic of language. Revisioning myth, CUR ALIQUID VIDI mines the eros in language and discovers how it must, ultimately, reach agape. What is the purpose of the exile's word to the community which excludes him. To be instructed by what is absent. Read and be instructed" - Claudia Keelan.

Cur Aliquid Vidi (NEW SERIES (AHSAHTA PRESS), 8)

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Computers & Technology

Web Development & Design

Packt Publishing

Poetry. Both sensuous and sensual, THESE INDICIUM TALES continues Lance Phillips's meditations on the body. Here, the indicia--markings or symbols--are birds, insects, and flowers, but rather than standing for the body, they stand with it in an exploration that refuses to romanticize nature. In this phenomenology of eros, where Phillips writes "I can't think of a way of continuing which is not sexually charged," no word is wasted. This volume is a continuation of the work begun in CORPUS SOCIUS and CUR ALIQUID VIDI.

These Indicium Tales (The New Series, 35)

Poetry. "MIMER is about the mutability of experience, the contexts that contain mutability, and the stories we use to make sense of it all. 'We live by our mythologies,' says Lance Phillips, 'and those mythologies are evolving as quickly as details can shake themselves free.' The fourth book in an ongoing series that maps the personal to the mythological, MIMER is erotic and ecstatic, taking those details and investigating what makes them honest. 'With their uncanny quality of attention and gnomic precision Lance Phillips's brilliant poems readily accord neither with our normative arrangements of language nor with our manifest schemas of perception. This book is both an ingenious meditation on, and a 'disportraiture' of, the transitory and miraculous nature of the world's assemblages, our provisional and thrilling successes at description and understanding, our incapacity for thoroughly fathoming the real, and the necessity of continuing to try.'"—Gabriel Gudding

Mimer (The New, 66)

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