Globalizing Human Rights

Routledge

Peterson, Christian

Globalizing Human Rights explores the complexities of the role human rights played in U.S.-Soviet relations during the 1970s and 1980s. It will show how private citizens exploited the larger effects of contemporary globalization and the language of the Final Act to enlist the U.S. government in a global campaign against Soviet/Eastern European human rights violations. A careful examination of this development shows the limitations of existing literature on the Reagan and Carter administrations’ efforts to promote internal reform in USSR. It also reveals how the Carter administration and private citizens, not Western European governments, played the most important role in making the issue of human rights a fundamental aspect of Cold War competition. Even more important, it illustrates how each administration made the support of non-governmental human rights activities an integral element of its overall approach to weakening the international appeal of the USSR. In addition to looking at the behavior of the U.S. government, this work also highlights the limitations of arguments that focus on the inherent weakness of Soviet dissent during the early to mid 1980s. In the case of the USSR, it devotes considerable attention to why Soviet leaders failed to revive the international reputation of their multinational empire in face of consistent human rights critiques. It also documents the crucial role that private citizens played in shaping Mikhail Gorbachev’s efforts to reform Soviet-style socialism.

Globalizing Human Rights: Private Citizens, the Soviet Union, and the West (Routledge Studies on History and Globalization)

History

Americas

Currently underappreciated, William B. Post (1857–1921) was a pioneer fine art photographer at the turn of the twentieth century. Admired by Alfred Stieglitz, he was among the first American photographers to compose his images and sensitively craft his finished prints. This catalogue presents approximately thirty of Post’s images, noteworthy for their rich and exquisite tone. Post’s deep affection for the landscape of rural Maine, where he summered and eventually lived, is evident in his soft-focus capturing of the essence of apple trees in blossom, fields at harvesttime, and most notably snow and water lilies. Like contemplative, Japanese-inspired poems, Post’s subtle platinum prints are quiet homages to his spiritual communion with nature. Minneapolis Institute of Arts curator Christian A. Peterson follows Post’s life and work and assesses his creative accomplishments, illuminating his important place in photographic history and the unique and sophisticated beauty of his photographs. Christian A. Peterson is curator at The Minneapolis Institute of Arts. Distributed for The Minneapolis Institute of Arts

The Quiet Landscapes of William B. Post

Arts & Photography

Individual Artists

Minneapolis Institute of Art

Off-Grid Solar Power Made Easy: Design and Installation of Photovoltaic system For Rvs, Vans, Cabins, Boats and Tiny Homes

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Crafts, Hobbies & Home

Jordan, William

Murphy, Alex

Crafts & Hobbies

William Jordan

Christman Baking Team Gingerbread Cookies: notebook

Independently published

Cooking Baking Crew: notebook

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