"Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instincts have been crippled from birth by many processes--by the conditioning, in fact, of a warped society. So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way--there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life.. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. --from Peter Brook's foreword to Voice and the Actor

Voice and the Actor

Humor & Entertainment

Peter Brook

cicely-berry

Television

wiley

In an age of shrinking development cycles, it is harder than ever to bring the right product to market at the right time. Good product, especially complex products, is underpinned by good systems, and systems engineering itself is recognised as the key tool to product development. This book covers the principles of systems design in an easy to read format. The authors have decades of practical industrial experience, and the material is ideal for industrial project teams. For academic courses, the book acts as a component for graduate and undergraduate engineering studies, particularly those on systems engineering. It covers how to handle requirements, architectural design, integration and verification, starting from the perspective of a simple linear lifecycle. The book then gradually introduces recent work on the complexity of real world systems, with issues such as multi-level systems, and iterative development. There is also coverage of the impact of systems engineering at the organsational level.

System Engineering

Computers & Technology

Richard Stevens

Ken Jackson

Stuart Arnold

Programming

PRENTICE/HALL

The theatre's greatest contemporary director tells the story of his life Peter Brook is the modern stage's greatest inventor. For over fifty years he has held audiences spellbound with his critically acclaimed productions. Now he has finally written an account of his life. Born in 1925 in London, at twenty-one Brook became the enfant terrible of British theatre directing major post-war productions of Shakespeare at Stratford-upon-Avon, opera at Covent Garden and new plays in London's West End. He even made films. In 1964 he produced Peter Weiss's Marat/Sade for the RSC and his whole approach to theatre became radicalised. Throughout the 1970s and 1980s Brook began exploring the roots of non-Western theatre which once again changed his view of what theatre could be for actors and audiences. His journey took him to Paris where he founded a company at the Bouffes du Nord theatre where he still works today. Brook's biography charts all the stages of his aesthetic and spiritual journey, and touches on all parts of a career that has been widely reported but never previously talked about from his personal perspective." First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king...who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning" (Michael Billington)

Threads of Time : A Memoir

Biographies & Memoirs

METHUEN

Peter Brook's Production of William Shakespeare's a Midsummer Night's Dream, Authorized Acting Edition

The Dramatic Publishing Company

Warships for Export: Armstrong Warships 1867-1927

World Ship Society

Peter Brook: The Pennine landscape painter

Arts & Photography

History & Criticism

Keele University Press

Peter Brook in the Pennines: with Mary Sara

Mary Sara

Dalesman Publishing Company Ltd

With Grotowski: Theatre is Just a Form

Instytut im. Jerzego Grotowskiego

Reflexões Sobre Shakespeare

EDICOES SESC

Lo spazio vuoto

Bulzoni

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Books by Peter Brook