From off the streets of Cleveland, the amazing and occasionally regrettable true-life adventures of Harvey Pekar, cineaste. Harvey Pekar is from Cleveland. This much you know. But with the release of American Splendor, the indie hit film based on his comic of the same name, the world discovered Harvey in earnest. Once Harvey was content merely to flirt with fame. But when fame wanted a commitment, he found himself a household name. Sort of. And, to tell you the truth, it’s starting to bug the hell out of him. An original, incisive graphic novel featuring the talents of R. Crumb, Gary Dumm, Mark Zingarelli, and other artists, Our Movie Year chronicles a whirlwind twelve months in the life of Harvey Pekar. It recounts his rise from the filing room at the Cleveland VA hospital to the red carpet at Cannes, Sundance, the Oscars, and beyond–where Harvey won awards, accolades, and the promise of a bigger paycheck. A lot of funny things can happen in a year, and many of them happened to Harvey. And now everyone gets to read about them in Our Movie Year.

American Splendor Our Movie Year

Comics & Graphic Novels

Pekar, Harvey

How To Create Comics & Manga

Ballantine Books

Experience the heartwarming all-American story of a crank and his comic book.What’s a file clerk from Cleveland doing with an Oscar nomination? How did a movie about Harvey Pekar win the Grand Jury Prize at the 2003 Sundance Film Festival? The story begins in 1976, when Harvey began publishing his autobiographical, slice-of-downtrodden-life comic book series American Splendor, illustrated by a who’s who of underground comic artists, including R. Crumb, Kevin Brown, Greg Budgett, Sean Carroll, Sue Cavey, Gary Dumm, Val Mayerik, and Gerry Shamray. After self-publishing American Splendor for nearly two decades under less than splendid conditions (and racking impressive accolades in the process), Harvey finally got a break when Dark Horse Comics took over the publication in the early 1990s. It was an opportunity for Harvey to reach a wider audience–which, as it turned out, included a few Hollywood types, too. (Who knew?) But that’s another story. . . . Now we are happy to bring you the Best of American Splendor, a collection of some of Harvey’s greatest work. Harvey Pekar has been compared to Theodore Dreiser, Fyodor Dostoevsky, and Lenny Bruce, but this collection is a true American original. Just like Harvey.

Best of American Splendor

“Michael Malice is one of the most puzzling twenty-first century Americans I have ever met.” –Harvey Pekar Who’s Michael Malice, and how did he become the subject of a graphic novel by Harvey Pekar, the curmudgeon from Cleveland? First of all, Michael Malice is a real person. He’s 5’6” and weighs 130 pounds. Although on the cusp of thirty, he could easily pass for a scrawny teenager. One day Michael, a guy with a patchwork employment record and dreams as big as his ego, meets Harvey and begins to relay all these wild stories about his life. Simple as that. Harvey thinks the guy is bright but a bit of a riddle–though not the kind wrapped in an enigma. It’s strange. He seems like the type of person you meet every day, rather ordinary, until you really get to know him. Then you realize he’s exceptional, unusual, and contradictory. Pleasant one minute, really nasty the next. But isn’t cruelty part of human nature? We digress. . . . Harvey writes up and illustrates one of Michael Malice’s tales, “Fish Story,” which is part of American Splendor: Our Movie Year. It makes a splash and spawns this book, Harvey’s first hardcover, a graphic novel event about one guy’s life. Ego &amp; Hubris relates how, a year and a half after his birth in the Ukraine, Michael Malice moved with his parents to Brooklyn. He’s an intransigent kid, a hard-ass–both a demon to and demonized by the people who cross his path. His life is a constant struggle for validation in a world where the machine keeps trying to break him down. But Michael has a way with people . . . or rather, has a way of getting even with people. Hey, if you can’t live up to your parents’ expectations, at least you can live up to your name. Michael had never come close to fulfilling his huge dreams–until now. And just as Harvey’s been the everyman for a certain generation of graphic-novel readers, Michael Malice will be the everyman for a new generation.

Ego & Hubris: The Michael Malice Story

Manga

“Pekar has proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.”–The New York TimesFor years Heather Roberson, a passionate peace activist, has argued that war can always be avoided. But she has repeatedly faced counterarguments that fighting is an inescapable consequence of world conflicts. Indeed, Heather finds proving her point to be a little tricky without examples to bolster her case. So she does something a little crazy: She sets out for far-off Macedonia, a landlocked country north of Greece and west of Bulgaria, to explore a region that has edged–repeatedly–close to the brink of violence, only to refrain. In the process–and as vividly portrayed by the talented duo of Harvey Pekar and Ed Piskor–Heather is tangled in red tape, ripped off by cabdrivers and hotel clerks, hit on by creepy guys, secretly photographed, and mistaken for a spy. She also creates unlikely friendships, learns that getting lost means seeing something new, and makes some startling discoveries. War is hell and peace is difficult–but conflict is always necessary. “Harvey Pekar wrestles the kind of things most comic book heroes wouldn’t touch with a laser blaster.”–Cleveland Plain Dealer“A visit with Harvey Pekar . . . will cause you to reexamine your own life . . . just as the greatest literature will.”–The Austin Chronicle“Pekar lets all of life flood into his panels: the humdrum and the heroic, the gritty and the grand.”–The New York Times Book Review

Macedonia

Biographies & Memoirs

Memoirs

Random House, Inc.

“Pekar has proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.” –The New York Times For years Heather Roberson, a passionate peace activist, has argued that war can always be avoided. But she has repeatedly faced counterarguments that fighting is an inescapable consequence of world conflicts. Indeed, Heather finds proving her point to be a little tricky without examples to bolster her case. So she does something a little crazy: She sets out for far-off Macedonia, a landlocked country north of Greece and west of Bulgaria, to explore a region that has edged–repeatedly–close to the brink of violence, only to refrain. In the process–and as vividly portrayed by the talented duo of Harvey Pekar and Ed Piskor–Heather is tangled in red tape, ripped off by cabdrivers and hotel clerks, hit on by creepy guys, secretly photographed, and mistaken for a spy. She also creates unlikely friendships, learns that getting lost means seeing something new, and makes some startling discoveries. War is hell and peace is difficult–but conflict is always necessary. “Harvey Pekar wrestles the kind of things most comic book heroes wouldn’t touch with a laser blaster.” –Cleveland Plain Dealer “A visit with Harvey Pekar . . . will cause you to reexamine your own life . . . just as the greatest literature will.” –The Austin Chronicle “Pekar lets all of life flood into his panels: the humdrum and the heroic, the gritty and the grand.” –The New York Times Book Review

Macedonia: What Does It Take to Stop a War?

Roberson, Heather

Arts & Photography

Villard

With an appreciation by Anthony Bourdain HAVE ATTITUDE, WILL TRAVEL Harvey Pekar changed the face of comics when his American Splendor series replaced traditional slam-bang superhero action with slice-of-life tales of his own very ordinary existence in Cleveland, Ohio, as a file clerk, jazz-record collector, and philosophical curmudgeon. Much as Seinfeld famously transcended sitcom conventions by being “a show about nothing,” Pekar’s deadpan chronicles of regular life—peppered with wry and caustic reflections—have transformed comics from escapist fantasy into social commentary with voice balloons. Huntington, West Virginia “On the Fly” is prime Pekar, recounting the irascible everyman’s on-the-road encounters with a cross section of characters—a career criminal turned limo-driving entrepreneur, a toy merchant obsessed with restoring a vintage diner, comic-book archivists, indie filmmakers, and children of the sixties—all of whom have stories to tell. By turns funny, poignant, and insightful, these portraits à la Pekar showcase a one-of-a-kind master at work, channeling the stuff of average life into genuine American art.

Huntington, West Virginia "On the Fly"

Comic Strips

The inspiration for the award-winning movie from HBO Films and Fine Line Features AMERICAN SPLENDOR The Life and Times of Harvey Pekar Two classic comic anthologies in one volume Stories by Harvey Pekar Introduction by R. Crumb Art by Kevin Brown, Gregory Budgett, Sean Carroll, Sue Cavey, R. Crumb, Gary Dumm, Val Mayerik, and Gerry Shamray The classic collection of the comics that inspired the movie American Splendor, winner of the Grand Jury Prize at the 2003 Sundance Film Festival American Splendor is the world’s first literary comic book. Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Pekar has been compared to Dreiser, Dostoevsky, and Lenny Bruce. But he is truly more than all of them—he is himself. “Mr. Pekar has . . . proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.” —The New York Times “[Pekar] has a vision that makes daily city life—a ride on the bus, a run-in with a boss, or simply buying bread—dramatic.” —Chicago Sun-Times “Simply stated, American Splendor is the most superb literary endeavor to come off the streets of Cleveland in decades.” —The Plain Dealer (Cleveland) “Mr. Pekar lets all of life flood into his panels: the humdrum and the heroic, the gritty and the grand.” —The New York Times Book Review

American Splendor: The Life and Times of Harvey Pekar

Graphic Novels

DOUBLEDAY

More American Splendor

Strange Tales 2

Wolverine is the best there is at what he does - fighting in mutant-mixed-martial-arts tournaments, handing out relationship advice and eating hot dogs! Spider-Man issues the ultimate challenge to one of his deadliest enemies - an invitation to the prom! The Mighty Thor forges a powerful new alliance - with a cleverly disguised farm animal! Fear not, Friends of Old Marvel - you haven't fallen prey to the illusions of Loki. You've simply discovered Strange Tales II! A band of the best and brightest talents in independent, alternative and online comics joins forces with the Earth's Mightiest Heroes for a sequel to the acclaimed Strange Tales anthology, one that critics are calling "better than any of the previous run" (Douglas Wolk, Time.com's Techland). Hilarious, haunting and horrifying (sometimes all at once), it's Marvel gone strange!

Vasquez, Jhonen

Grampá, Rafael

Hernandez, Jamie

Marvel Enterprises

The Beats: A Graphic History

In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.
What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations―from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of―and tribute to―a generation, in a form and style that is as original as its subject.

Arts & Literature

Hill and Wang

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