'Pavese's novels are works of an extraordinary depth where one never stops finding new levels, new meanings' Italo Calvino\nJune, 1943. Allied aircraft are bombing Turin; fascist Italy is on its knees. Every evening, after a day's teaching in the city, Corrado returns to the safety of the hills and the care of his two doting landladies. He has no attachments, no obligations. Yet against his better judgement he is drawn to the easy warmth of a circle of anti-fascists who congregate at a nearby tavern, and confronted with a painful choice: emotional and political commitment, with all its dangers - or devastating retreat. Pavese's extraordinary semi-autobiographical novel is a lucid portrayal of missed opportunities and human weakness, set against the seductive intensity of the Italian countryside.\nTranslated with an introduction by Tim Parks

The House on the Hill (Penguin Modern Classics)

Literature & Fiction

PAVESE, CESARE

Literary

Penguin Classics

'Insinuating, haunting and lyrically pervasive' The New York Times Book Review\nA new translation by Tim Parks\nTwenty years after making his fortune in America, Eel is drawn back to the closest thing he has to a home: the Piedmontese countryside where he grew up poor and illegitimate. Wandering the valleys and vineyards with his childhood friend Nuto, Eel remembers the farm where he worked, his employer's beautiful daughters, the rituals of rural life. Yet as he discovers more about what happened there during the war, he realizes that these timeless landscapes hide terrible, savage secrets. By turns fond and evocative, seductive and troubling, The Moon and the Bonfires is a lyrical masterpiece of memory and betrayal.\nTranslated with an Introduction by Tim Parks

The Moon and the Bonfires (Penguin Modern Classics)

'An astonishing portrait of an innocent on the verge of discovering the cruelties of love... there are whispers here of the future work of Elena Ferrante' Elizabeth Strout, from the introduction 'Life was a perpetual holiday in those days...' It's the height of summer in 1930s Italy and sixteen-year-old Ginia is desperate for adventure. So begins a fateful friendship with Amelia, a stylish and sophisticated artist's model who envelops her in a dazzling new world of bohemian artists and intoxicating freedom. Under the spell of her new friends, Ginia soon falls in love with Guido, an enigmatic young painter. It's the start of a desperate love affair, charged with false hope and overwhelming passion - destined to last no longer than the course of a summer. The Beautiful Summer is a gorgeous coming-of-age tale of lost innocence and first love, by one of Italy's greatest writers. 'Pavese, to me, is a constant source of inspiration' Jhumpa Lahiri 'One of the few essential novelists of the mid-twentieth century' Susan Sontag '[Pavese writes books of] extraordinary depth where one never stops finding new levels, new meaning' Italo Calvino 'For my trip to Los Angeles, I'm packing The Beautiful Summer, a slender account of love in 1930s Italy' Jessie Burton, bestselling author of The Miniaturist and The Muse

Beautiful Summer

Genre Fiction

Penguin??Books

The Devil in the Hills

Contemporary

Sceptre

Paperback. Pages are clean and unmarked. Slightly tanned. Covers show light edge wear with rubbing and slight tan around edges.

Selected Works of Cesare Pavese

Farrar. Straus & Giroux

Cesare Pavese (1908-1950) was the leading Italian scholar of American literature of the generation that came to maturity under Mussolini. He was not only an acute and wide-ranging literary critic, but also a sensitive poet and novelist. In addition, he was a prodigious translator. In collaboration with Elio Vittorini, he translated and brought to the attention of the Italian public the works of many important American writers. American literature helped to give direction to Pavese's creative work and was a resource for his personal literary campaign against Fascism.  Pavese was a non-academic critic, though far less anti - academic than D. H. Lawrence. His first purpose was to use American literature to subvert Italian literature, but beyond that there were a number of issues on which he disagreed with standard American criticism. When he does, his wild, original energy of discovery can trigger a welcome change of focus for our views of American writing.  Pavese never visited or lived in America; it was for him a foreign country, although a shifting and sliding special case. He had no stake in its sectional chauvinisms. He had a vital stake in its whole literature because, as his communications to Vittorini make clear, he had a stake in the literature of the whole world. For a while, America seemed to him the probable center of that whole. This was the center where things were happening in the world of the mind, and where the future was being born and licked into shape. Paveses's writings about American literature still off er original and unsparing insights.

American literature; essays and opinions

Essays & Correspondence

University of California Press

Hard labor: [poems]

History & Criticism

Grossman Publishers

The nameless narrator this, Pavese's last and greatest novel, returns to Italy from California after the Second World War. He has done well in America, but success hasn't taken the edge off his memories of childhood, when he was an orphan living at the mercy of a bitterly poor farmer. He wants to learn what happened in his native village over the long, terrible years of Fascism; perhaps, he even thinks, he will settle down. And yet as he uncovers a secret and savage history from the war-a tale of betrayal and reprisal, sex and death-he finds that the past still haunts the present.

Moon and the Bonfire, The

Sinclair, Louise

Quartet Books

This business of living: Diaries, 1935-1950

Among Women Only

Paige, D.D. [translator]

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