The Selected Poetry of Pier Paolo Pasolini: A Bilingual Edition

Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.

Literature & Fiction

Pasolini, Pier Paolo

Poetry

University of Chicago Press

Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works―Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.

"Sex, death, political passion, these are the simple objects to which I give my elegiac heart"
Winner of the first Renato Poggioli/William Weaver Award of PEN American Center
Pier Paolo Pasolini (1922-1975), who is best known in this country as an inspired filmmaker, was also the most outspoken and original Italian writer of his generation, the author of distinguished and controversial novels and plays, political and literary criticism, and, above all, poetry. His poems are widely considered the most important contribution to Italian literature since Montale and, along with the work of Brecht and Neruda, represent the most powerful political poetry of the century. This dual-language book presents his major poems as well as an autobiographical essay, which together make for an outstanding introduction to Pasolini's exceptional gifts as a poet.

Poems

Farrar. Straus and Giroux

Poems of Pasolini

Random House]

Pier Paolo Pasolini - Poems

Vintage

The Ragazzi

Capouya, E. (Translator)

Contemporary

Paladin

Oedipus rex;: A film (Modern film scripts)

SIMON AND SCHUSTER

"A work in progress at the time of Pasolini's murder, Petrolio is made up of a series of notes - some extended and polished narrative passages, others cryptic messages from the author to himself that consist of no more than a few words. At the novel's center is Carlo, an oil executive who undergoes a profound personality split: Carlo 1 is a super-Machiavellian power monger; Carlo 2 lives only to satisfy his perverse and insatiable sexual desires. Carlo also experiences a sexual metamorphosis in which he becomes, at will, female. The story of Carlo is interspersed with re-visions of myth - Oedipus, Medea, the Argonauts - and of Dante's hell." "The teller of this story is also dual in nature. There is the author - the external shaper of the novel - who interrupts the text to comment on its mechanics and its meaning. And there is the narrator, whose cynical and seductive perspective comes from within Petrolio's fictional world." "Fragmentary, deliberately self-referential, meta-literary, schizoid, a devotional exploration of the male libido, an ode to the lust for power and the power of lust and, above all, a wrenching attempt to define the intellectual and his responsibilities, Petrolio is a postmodern masterpiece."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Petrolio: A novel

Pantheon

Tommaso, a homosexual informer living in the slums of Rome, becomes attracted to the Neo-Fascist movement of postwar Italy

A VIOLENT LIFE

Text: English (translation) 
Original Language: Italian

Theorem (Quartet encounters)

Quartet Books

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