"[A] concise, meticulously researched, century-spanning chronicle of queer life on Fire Island captures, with a plain-spoken yet lyric touch, the locale's power to stun and shame, to give pleasure and symbolize evanescence." --Wayne Koestenbaum,&nbsp;New York Times Book Review Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now poet and scholar&nbsp;Jack Parlett&nbsp;tells the story of this iconic destination--its history, its meaning and its cultural significance--through&nbsp;the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution. Transporting, impeccably researched and gorgeously written,&nbsp;Fire Island&nbsp;is a fond and fierce portrait of an iconic American destination and an essential contribution to queer history. "Supremely engaging and highly informative." --BuzzFeed "A fascinating, throbbing history."&nbsp;--Olivia Laing

Fire Island: A Century in the Life of an American Paradise

Biographies & Memoirs

Parlett, Jack

Historical

Hanover Square Press

*A Town and Country Must-Read Book of Summer?* 
*A BUZZFEED BEST BOOK OF JUNE* 
*A Washington Post “Book to Read This Summer”* 
*AN ADVOCATE BEST LGBTQ+ BOOK OF 2022* 
*A USA Today "Book to Celebrate Pride Month"* 
*A New York Times "Editor's Pick"* 
*A Kirkus Reviews Hottest Book of Summer*\nA groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century\nFire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop.\nNow, poet and scholar Jack Parlett tells the story of this iconic destination—its history, its meaning and its cultural significance—told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution.\nTransporting, impeccably researched and gorgeously written, Fire Island is the definitive book on an iconic American destination and an essential contribution to queer history.

The Poetics of Cruising: Queer Visual Culture from Whitman to Grindr

<div>A groundbreaking new history of urban cruising through the lenses of urban poets &nbsp; The Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images.&nbsp; Whether it's Whitman's fixation with daguerreotypes, Langston Hughes's hybrid photographic works, or Frank O'Hara's love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon.&nbsp; Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality. </div>

Literature & Fiction

History & Criticism

Univ. of Minnesota Press

A groundbreaking new history of urban cruising through the lenses of urban poets\nThe Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images. 
Whether it’s Whitman’s fixation with daguerreotypes, Langston Hughes’s hybrid photographic works, or Frank O’Hara’s love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon. 
Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality.

University of Minnesota Press

Fire Island

Granta Books

Same Blue, Different You

Poetry

Broken Sleep Books

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