Fashion in Photographs is an authoritative series of fashion guides covering the period 1860-1940. This fourth and final volume features 150 period photographs, showing a wide variety of dress worn between 1920 and 1940. The black and white plates are taken from the photographic archive of London's National Portrait Galleryóa vast collection of more than 100,000 images and a major source for costume historians. The present volume comprises studies of the rich and famous, as well as politicians, intellectuals, and subjects from further down the social scale. Well-known sitters include: Queen Alexandra, Viscountess (Nancy) Astor, Tallulah Bankhead, Cecil Beaton, Walt Disney, Princess Elizabeth (later Queen Elizabeth II), Aldous Huxley, Amy Johnson, Gertrude Lawrence, Diana and Nancy Mitford, Fred Perry and Flora Robson. The author, a leading dress historian, has provided a full caption for each photograph, describing costume, accessories andówhere relevantósetting. The captions also give relevant background information, besides discussing contemporary dress codes, what the clothes felt like to wear, and how fashion developed during the period. This fascinating study of an important period in recent history will appeal to general readers and students alike. Its combination of reliable visual information and informed comment will be invaluable to designers in fashion and the performing arts, as well as to students of costume, social and photographic history.

Fashion in Photographs

Arts & Photography

Owen, Elizabeth

Photography & Video

Rowman & Littlefield Publishers

Fresh, funny, and poignant, My (not so) Storybook Life is old-fashioned humor mashed with literary spoofery. Elizabeth thinks of herself and her husband, Matt, as a modern-day Lucy and Ricky Ricardo. Together they’ve endured paint-color mishaps, sewage disasters, pest infestations, and a schnauzer that poops at tornado sirens. It’s hardly the domestic perfection a young Liz imagined while reading Anne of Green Gables and Pride and Prejudice. Could it be that these literary stalwarts had led her astray? Liz tells the story of her own path to happiness, along the way seeking revenge on her literary heroes: Jo March has to cope with a soul-sucking job, Elizabeth Bennett shepherds a Duggar-size brood of kids, and Anne Shirley deals with a penny-pinching husband. But every comedy is balanced by tragedy. Angela was one of Liz’s closest friends, a kindred spirit who, at age thirty-one, was diagnosed with cancer. Before Angela, Liz was discontented. But it was the journey she took with this friend that made her realize that her house and its decorations and plumbing and dirty-clothes-covered Man Cave were not burdens to be tweaked and perfected, but blessings to be thankful for.

My (not so) Storybook Life: A Tale of Friendship and Faith

Biographies & Memoirs

Arts & Literature

Skirt

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